The Omerta term (and symbol even), falsely associated, with the Sicilian Mafia, is actually, a symbol, associated, with Italian Freemasonry [the Sicilian Mafia, never did exist, but the 'Cosa Nostra' (with the so called, Italian Fascist Flag, as its main symbol), did arise in Italy, to help stem, the fall of Italian Civilization, after, the Italian Civil War] [the Italian Civil War in all too, happening during similar times, as the French Revolution].
The Omerta term though, as with Italian Freemasonry (and Italian Civilization), is a symbol/sign really, associated, with the Orion Mysteries [Italian Freemasonry/Civilization, having its own, conceptualization, of these Mysteries]. In all, its a symbol/sign, that represents, the Mind of God (Great), as with it, existing, on three different planes, of existence:
1. The Natural Order
2. The Celestial Order
3. The Divine Order
The Natural Order, speaks really, of the search perhaps, for utmost, Prudence, Justice, Fortitude, and Temperance, in everything out there [as with in all really, having a deep understanding, of the 4 Cardinal Virtues]. The Celestial Order, is associated with, the search, for eternal Happiness, Joy, Fulfillment, and Satisfaction, with everything out there really. The Divine Order, speaks of, a full grasp perhaps, of Transcendence, Enlightenment, Realization, and Actualization, as with the ability perhaps, to know it, when experienced [rather hard to define in all too, as the process of realizing things perhaps, is not as linear, as many believe it, to be] [it is possible, to realize things, without knowing it, and in the process even, somewhat/somehow, ruin ones life].
Italian Freemasonry, was in all truly, associated, with worshipers of Cupid, in his Hermetic form [in all, Italian Freemasonry, as with 'the David' by Caravaggio, is all Cupid really]. Cupid in his Hermetic form, makes one look similar in all, to the 'Africoid Moor' [this is said because, Italianos (brownskinned Italians), were different in all, from their (brown) European counterparts, who in most ways, could be termed, Maure (or the 'European Moor'), as with their hair really, being rather uniquely European (as with not been straight, curly, or Africoid, but actually something, of a fusion, of all of them)].
https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPb6ti_MYVfbS1AgqqdW1JKHdjUYrHiBVI5f8GV2rVwxSQKSYDZj_gRKphlBuGtsVIF_ALShVl3mIsQ7qUpmrjGrl8DgWnCzDdlM0mvNu7-6J9q5Y82HDWS-eowFcUkXaVhcHIY5yX9bYK/s400/mulatto+080823.jpg
[with the ability even, to make ones hair this way, part of European Baroque Art, as a (Brown) Art form, that existed, on the major streets, of old Europe] [Baroque Art in all, was in some ways, High Art, as associated really, with European Streets]
(Italian Baroque Art)
Why all this, is mentioned, is because, it is Italian Freemasonry, Cupid, and Omerta too, that gave birth in all, to the world, of Afrocentrism. For members, of Italian Freemasonry, and embodying in all too, Cupid (in his Hermetic form), became rather adept, at operating, on the Natural, Celestial, and Divine Orders, giving rise, to all mythical beliefs, about, brownskinned, Africoid haired Males [and possessing Neuromelanin really, as with Holographic Universes too], possessing in all, superpowers, to accomplish just about, any feat [as with Andre Rigaud perhaps].
In all too really, the Black-a-mohr, as with all this, operated, from the Natural Order [as with having mastered, the 4 Cardinal Virtues, and in all too, being an agent, of the Papacy, in Europe]. The Black-a-Moor, on the otherhand, operated from, the Celestial Order [as with Dark Ages Europe, being a period even, of rather enlightened, high Culture] [with the so called, 'English Renaissance', actually being appropriated (by the English), Black-a-Moor history, that happened, in Central Europe actually (with it, having produced, many rather famed and eloquent, Literary figures too)]
The most famous perhaps, of all Black-a-mohrs, was not Georges actually, but 'Milady' [who being of Italian origins, as with Georges, was turned into a villainous creature, by Alexandre Dumas, in his Musketeer works (and even made female too)] ['Milady' though, is made real by Dumas, in his 'Corsican Brothers' work] ['Milady' in all too, was actually not truly different, from the Musketeer figure, in the Fortune Teller painting above, by Caravaggio] [The most famous though too, of the Black-a-Moors, was, Thomas Kyd].
This way, of conceptualizing God(Great), as with the Mind, was also made, a part, of the Mohammedan Sect [as perhaps with, Al-Bukari (who was, a Black-a-Moor too)].
The Omerta term though, as with Italian Freemasonry (and Italian Civilization), is a symbol/sign really, associated, with the Orion Mysteries [Italian Freemasonry/Civilization, having its own, conceptualization, of these Mysteries]. In all, its a symbol/sign, that represents, the Mind of God (Great), as with it, existing, on three different planes, of existence:
1. The Natural Order
2. The Celestial Order
3. The Divine Order
The Natural Order, speaks really, of the search perhaps, for utmost, Prudence, Justice, Fortitude, and Temperance, in everything out there [as with in all really, having a deep understanding, of the 4 Cardinal Virtues]. The Celestial Order, is associated with, the search, for eternal Happiness, Joy, Fulfillment, and Satisfaction, with everything out there really. The Divine Order, speaks of, a full grasp perhaps, of Transcendence, Enlightenment, Realization, and Actualization, as with the ability perhaps, to know it, when experienced [rather hard to define in all too, as the process of realizing things perhaps, is not as linear, as many believe it, to be] [it is possible, to realize things, without knowing it, and in the process even, somewhat/somehow, ruin ones life].
Italian Freemasonry, was in all truly, associated, with worshipers of Cupid, in his Hermetic form [in all, Italian Freemasonry, as with 'the David' by Caravaggio, is all Cupid really]. Cupid in his Hermetic form, makes one look similar in all, to the 'Africoid Moor' [this is said because, Italianos (brownskinned Italians), were different in all, from their (brown) European counterparts, who in most ways, could be termed, Maure (or the 'European Moor'), as with their hair really, being rather uniquely European (as with not been straight, curly, or Africoid, but actually something, of a fusion, of all of them)].
https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjPb6ti_MYVfbS1AgqqdW1JKHdjUYrHiBVI5f8GV2rVwxSQKSYDZj_gRKphlBuGtsVIF_ALShVl3mIsQ7qUpmrjGrl8DgWnCzDdlM0mvNu7-6J9q5Y82HDWS-eowFcUkXaVhcHIY5yX9bYK/s400/mulatto+080823.jpg
[with the ability even, to make ones hair this way, part of European Baroque Art, as a (Brown) Art form, that existed, on the major streets, of old Europe] [Baroque Art in all, was in some ways, High Art, as associated really, with European Streets]
(Italian Baroque Art)
Why all this, is mentioned, is because, it is Italian Freemasonry, Cupid, and Omerta too, that gave birth in all, to the world, of Afrocentrism. For members, of Italian Freemasonry, and embodying in all too, Cupid (in his Hermetic form), became rather adept, at operating, on the Natural, Celestial, and Divine Orders, giving rise, to all mythical beliefs, about, brownskinned, Africoid haired Males [and possessing Neuromelanin really, as with Holographic Universes too], possessing in all, superpowers, to accomplish just about, any feat [as with Andre Rigaud perhaps].
In all too really, the Black-a-mohr, as with all this, operated, from the Natural Order [as with having mastered, the 4 Cardinal Virtues, and in all too, being an agent, of the Papacy, in Europe]. The Black-a-Moor, on the otherhand, operated from, the Celestial Order [as with Dark Ages Europe, being a period even, of rather enlightened, high Culture] [with the so called, 'English Renaissance', actually being appropriated (by the English), Black-a-Moor history, that happened, in Central Europe actually (with it, having produced, many rather famed and eloquent, Literary figures too)]
The most famous perhaps, of all Black-a-mohrs, was not Georges actually, but 'Milady' [who being of Italian origins, as with Georges, was turned into a villainous creature, by Alexandre Dumas, in his Musketeer works (and even made female too)] ['Milady' though, is made real by Dumas, in his 'Corsican Brothers' work] ['Milady' in all too, was actually not truly different, from the Musketeer figure, in the Fortune Teller painting above, by Caravaggio] [The most famous though too, of the Black-a-Moors, was, Thomas Kyd].
This way, of conceptualizing God(Great), as with the Mind, was also made, a part, of the Mohammedan Sect [as perhaps with, Al-Bukari (who was, a Black-a-Moor too)].
