and the rise of Imperialism.
- the Story of Imperial Rome, has never truly, been well told, other than it imagined, to be the History even, of a few Individuals (Roman) and who in all, attempt to stabilize in many ways, what is perceived, as a rather, unstable, Roman Empire [and instability too, arising from a said Jewish presence in all, or even, instability in all too seen, in the Markets found within the Realm of the Roman Empire actually]. This though, is a poor way in all, of viewing and talking about, Imperial Rome in all really.
To better understand Imperial Rome [and the Jewish Wars too even], is to view even actually, as more or less a Geo-political matter in all too actually. At a time, when the so called Roman Empire is doing rather well, Rome itself, is invaded pretty much, by all sorts of peoples in all, coming in all again, to seek out Wealth and Prosperity, and in a Rome too, that many out there, believe to embody in all, all this actually. The end result, is a Rome filled with all forms of Figures even (outsiders too), and Vagabonds actually (and of the maverick nature too even), with the end result truly in all being actually, a Rome now considered rather Politically unstable, due to the difficulty in all, of dealing with all this movement/immigration [and as it happened in all too actually]. In all again, the main issue becomes, who is truly Roman and who is not [as Rome itself, is actually besieged, by many an Intelligent person in all, and some even, perceived by the Masses, as being more cultured in all perhaps, than the Romans themselves (and as with even, speaking of certain 'Egyptian populaces' in all too actually)].
It is then, that Rome, once highly defined around Social Imagery [and Images of Rome too as highly Successful even], is now though, highly defined by Political Imagery [and the rise too even, of the Roman Battalion into Roman and World History itself too really]. In a Rome now, highly defined by Political Imagery, and as with it even, truly deemed and viewed as rather unstable in all actually, the Romans in all, attempt to create Identities, that will see to it that, they are in all, truly perceived as being Roman (and everyone else, as more or less an outsider truly), and all this allowing them to rule over Rome, and as with regards even, to more or less popular beliefs in all, that they now, can't lose what it took them, along time even, to truly build actually [that being, the Roman 'way of life' in all truly].
It is here then [and as with Rome too even, a major Italian port-city in all], that Italians in all again, begin to take interest, in whats going on in Rome, and as with all this even, truly becoming, a Geo-political matter in all actually [and capable too, of destabilizing Italy in itself actually]. It is here again, that the Roman Caesars themselves, actually turn to Italy (as with the Civilization itself too), for help in all, with regards, to how to truly, define themselves, as Romans actually [and in a Rome now, filled with all forms of interesting Individuals in all, with many of them even, rather fashionable in their ways, and in an Egyptian sense too actually] [and the very birth even, of the Roman slur word perhaps: 'the gypos']. It is to Italy ('rural'/Traditional Italy actually), that the Romans do turn to, and with regards, to attempting to create in all, Political Imagery that is, that will truly help them in all again, continue to rule over Rome, and with it time too even truly, truly stabilize it in all [and as with Imperial Rome too, the turning point of the Roman Empire in itself, and as with it now even, beginning to become in all, Civilization actually].
It is again, to 'rural'/Traditional Italy, than the Romans in all, do seek out Artwork truly [as with not only Song, but also the Italian/Greek Gods too actually], to in all help them, create powerful even, Political Imagery, that will in all again, help them actually, survive an issue, that War in itself, would truly even, ensure, they losing everything they had struggled/strived to create actually [and speaking in all again, of the kind of loss perhaps, that Theology itself, would not be able to explain truly (other than talk of, the 'Human experience' in all too really)]. In all again, via the use of 'Nature based Song' (as with Italian Nature/Soil), Italian Artworks, and the now adopted Italian/Greek Gods actually [as with the case of Karma even, Cupid in a Roman form actually], the Romans in all, then truly begin, not just creating Political Imagery to help them survive truly, but truly also, create a World/Realm in all, that in many ways as with Geo-politics actually, would come to influence, how many out there, do view Political Instability in all too really [that is, from the perspective in all, of Imperialism actually (and take-overs too even really)]. To help them survive this tumultuous period, the Romans in all again, turn towards Egyptian Political History, and as with studying the ways of Pharaohs too even, begin to fashion themselves again in all, in a somewhat similar manner even, and giving birth and rise in all really, to the very world even, of the Roman Generals actually [and as with the Romans perhaps, coming to truly even, appreciate Egyptian History in itself, and as based on, the Political struggles even, that Egyptian Civilization itself (and as with internal strife too even), has in all gone through actually]. In many ways, it is the Romans that truly do begin to popularize Egypt as a Political powerhouse, the Pyramids as symbols of Egyptian Political Might, and the Pharaohs themselves, as perceived even, the greatest Rulers in all that did ever live actually [and as based around even, Egyptian Geo-politics in all actually].
To perhaps in all summarize this best, is to get to the core, of what the Romans truly did do, and as with creating, the Roman Civilization in all too actually. To understand this further, is to speak of, Roman Political Imagery in all, and as with it even, not only Italian influenced in all again, but it in itself truly, coming to give birth to a new form in all, of Roman Architecture actually [that in many ways in itself, would give birth actually, to Roman Civilization in itself truly]. Again, all this better explained by talking about the fact, that Political Imagery, talks of Individuals in all, highly concerned truly, with Knowledge access in all [and as with wanting to know something, at a precise moment actually, and not earlier or even later in all truly]. A World/Realm in all again, where Italy is now viewed even, as a source truly, of a Roman Renaissance in all [and as with Culture even (and Olives too)], and Egypt, as the source even, of newer in all, Roman Political Philosophy actually, and finally again truly, a World in all truly, lived around, the worship of the Sun in all actually [and as with the Sun truly too, coming to embody even (and as with general lifestyles too that is), Space-Time Realities in all actually, and with the Sun in all, truly coming to define even, where truly again, one should be (Politically speaking that is), when the Clock in all, does strike a certain hour (and all this speaking too even, of not only Survival in itself actually, but also, Political survival in itself too really)].
In all though, what can best be said is that, the Romans in all (and as with the Italians before too even), come to truly fully realize, that their being Roman in all, is again truly defined, by their being and living (and as with Creativity too even), on Italian Soil/Nature [and as with Italian Nature based Environments in all, at the very least, responsible even somewhat truly, for all forms of Italian/Roman Imagery actually, and even truly in all, Italian/Roman speech in all too actually].
*
*Toulouse
To better understand perhaps, the very World of Imperialism in all truly, is to in all again, see it even, from presenting in all, a similar World view actually [and that of Colonialism too even really]. A World in all again, best truly exemplified perhaps, by the very Realm even, of French Republican Politics in all too really. France in all (and as with its History in many ways connected to Italy's) [and via Toulouse/Languedoc in all too really], has always been a region in all, where the Private Individual in all again, has truly threatened actually, to take over French Political life [and as with attempting truly, to truly redefine French life in all, and away even, from the Institution of the 'Queen of France' actually (and an Institution too, highly correlated in all, with French Christianity actually) (and talk too even in all, of French Public Service actually) (and all this again, as with the Arthurian/French Chevalier in all actually)].
It is during these times, that the French Roman (as with the Republic) Cardinals [and with France in all too even, Systematically, ruled over by a Bishop actually], would in many ways too even, attempt to help the 'Queen of France', re-direct in all, French life [and presumably somewhat truly, away from the Private realm in all actually]. This in many ways, spoke of Colonialism [as with the 'Queen of France' even, coming to somewhat dictate in all, French Social life in many ways too really].
To better explain this in a short manner is to say, that such a World/Realm in all (of Colonialism that is), is highly associated, with Religious Imagery in all actually [and as compared even, to Social Imagery in all too really]. In all, in a France where the Private realm has taken over, not only does one see violence of all sorts actually [and as with domestic violence too even], but all this, attemptedly mitigated in all, by asking French Citizens in all again, to live life based around Religious Imagery actually (and as with the Private too even), rather than Social Imagery [and with Social Imagery, highly based around, enjoying life itself, and to its outmost potentials too actually] [and with Social Imagery again, truly highly based around, the Seasons in all too actually].
Again, all this truly, giving birth to a World that strongly connects even, Paris to Toulouse/Languedoc, and surprisingly even [and as with Religious Imagery based truly around, how one does Present themselves in all actually], coming to call into question, whom exactly, were the Italians in France in all actually [and as with Italians living in France in all, having come to create their very own World/Realm of operations, that not only constituted the Arthurian world even, but also truly, an existence based around Paris, Toulouse/Languedoc, and finally even, Boston (and on the shores of America too that is)] [and with a further group even, having homes even, in Umbria, Italy, and with this even, extending somewhat truly (and as with Mercantilism too even), into the Swahili Coast itself too actually].
A tumultuous History in France in all, and as with Italians even, being a main source of Knowledge from outside France (and for the French that is), but with the French too even, considering Italians in France in all, somewhat truly Family actually (but with Italians in France in all, coming and leaving at will actually) [but truly in all again (and as with regards even, to this 'French leave' in all actually), the French themselves, wondering about even, Italian Cultural influence, seen not only around Europe itself, but even, in Boston itself too actually (as with some of this influence, seemingly French in all too really) (and as with speaking truly even, of where in all, did Toulouses'/Languedoc interests lie in all actually, and as with Toulouse Breton speech in all again, actually mirroring, Boston speech in many ways too really (think Robet DeNiro here, Al Pacino, or even James Gandolfini too actually))]. In all again (and as with this difficult to explain even), the King of France feeling rather alienable in all, in Toulouse/Languedoc itself actually [and finally again, to perhaps make all this clearer, is to state that, life lived around Religious Imagery in all, is actually highly associated, with not only the Worklife in all truly, but also, the Moon too actually (and as with many preferring, to be awake at Night too really), and Worklife too (and as with the Institution of the 'King of France'), speaking in many ways even, of Profiteering in all, and as with all this, coming to highly redefine even, French Family life in all (and away, from the dictates even, of the Institution of the 'King of France' that is)] [and talk too even in all, of Family life in Toulouse/Languedoc, more or less truly Italian actually, than French in all too really] [and as with French Family life in all again (not only lived around the day actually), but it in all again, best described as being Royal in all too actually (and as with France even, not truly having, a Royal Class of its own actually) (but everyone again, pretty much truly, Royal in one way or another actually)].
The Italians & the French:
- the Story of Imperial Rome, has never truly, been well told, other than it imagined, to be the History even, of a few Individuals (Roman) and who in all, attempt to stabilize in many ways, what is perceived, as a rather, unstable, Roman Empire [and instability too, arising from a said Jewish presence in all, or even, instability in all too seen, in the Markets found within the Realm of the Roman Empire actually]. This though, is a poor way in all, of viewing and talking about, Imperial Rome in all really.
To better understand Imperial Rome [and the Jewish Wars too even], is to view even actually, as more or less a Geo-political matter in all too actually. At a time, when the so called Roman Empire is doing rather well, Rome itself, is invaded pretty much, by all sorts of peoples in all, coming in all again, to seek out Wealth and Prosperity, and in a Rome too, that many out there, believe to embody in all, all this actually. The end result, is a Rome filled with all forms of Figures even (outsiders too), and Vagabonds actually (and of the maverick nature too even), with the end result truly in all being actually, a Rome now considered rather Politically unstable, due to the difficulty in all, of dealing with all this movement/immigration [and as it happened in all too actually]. In all again, the main issue becomes, who is truly Roman and who is not [as Rome itself, is actually besieged, by many an Intelligent person in all, and some even, perceived by the Masses, as being more cultured in all perhaps, than the Romans themselves (and as with even, speaking of certain 'Egyptian populaces' in all too actually)].
It is then, that Rome, once highly defined around Social Imagery [and Images of Rome too as highly Successful even], is now though, highly defined by Political Imagery [and the rise too even, of the Roman Battalion into Roman and World History itself too really]. In a Rome now, highly defined by Political Imagery, and as with it even, truly deemed and viewed as rather unstable in all actually, the Romans in all, attempt to create Identities, that will see to it that, they are in all, truly perceived as being Roman (and everyone else, as more or less an outsider truly), and all this allowing them to rule over Rome, and as with regards even, to more or less popular beliefs in all, that they now, can't lose what it took them, along time even, to truly build actually [that being, the Roman 'way of life' in all truly].
It is here then [and as with Rome too even, a major Italian port-city in all], that Italians in all again, begin to take interest, in whats going on in Rome, and as with all this even, truly becoming, a Geo-political matter in all actually [and capable too, of destabilizing Italy in itself actually]. It is here again, that the Roman Caesars themselves, actually turn to Italy (as with the Civilization itself too), for help in all, with regards, to how to truly, define themselves, as Romans actually [and in a Rome now, filled with all forms of interesting Individuals in all, with many of them even, rather fashionable in their ways, and in an Egyptian sense too actually] [and the very birth even, of the Roman slur word perhaps: 'the gypos']. It is to Italy ('rural'/Traditional Italy actually), that the Romans do turn to, and with regards, to attempting to create in all, Political Imagery that is, that will truly help them in all again, continue to rule over Rome, and with it time too even truly, truly stabilize it in all [and as with Imperial Rome too, the turning point of the Roman Empire in itself, and as with it now even, beginning to become in all, Civilization actually].
It is again, to 'rural'/Traditional Italy, than the Romans in all, do seek out Artwork truly [as with not only Song, but also the Italian/Greek Gods too actually], to in all help them, create powerful even, Political Imagery, that will in all again, help them actually, survive an issue, that War in itself, would truly even, ensure, they losing everything they had struggled/strived to create actually [and speaking in all again, of the kind of loss perhaps, that Theology itself, would not be able to explain truly (other than talk of, the 'Human experience' in all too really)]. In all again, via the use of 'Nature based Song' (as with Italian Nature/Soil), Italian Artworks, and the now adopted Italian/Greek Gods actually [as with the case of Karma even, Cupid in a Roman form actually], the Romans in all, then truly begin, not just creating Political Imagery to help them survive truly, but truly also, create a World/Realm in all, that in many ways as with Geo-politics actually, would come to influence, how many out there, do view Political Instability in all too really [that is, from the perspective in all, of Imperialism actually (and take-overs too even really)]. To help them survive this tumultuous period, the Romans in all again, turn towards Egyptian Political History, and as with studying the ways of Pharaohs too even, begin to fashion themselves again in all, in a somewhat similar manner even, and giving birth and rise in all really, to the very world even, of the Roman Generals actually [and as with the Romans perhaps, coming to truly even, appreciate Egyptian History in itself, and as based on, the Political struggles even, that Egyptian Civilization itself (and as with internal strife too even), has in all gone through actually]. In many ways, it is the Romans that truly do begin to popularize Egypt as a Political powerhouse, the Pyramids as symbols of Egyptian Political Might, and the Pharaohs themselves, as perceived even, the greatest Rulers in all that did ever live actually [and as based around even, Egyptian Geo-politics in all actually].
To perhaps in all summarize this best, is to get to the core, of what the Romans truly did do, and as with creating, the Roman Civilization in all too actually. To understand this further, is to speak of, Roman Political Imagery in all, and as with it even, not only Italian influenced in all again, but it in itself truly, coming to give birth to a new form in all, of Roman Architecture actually [that in many ways in itself, would give birth actually, to Roman Civilization in itself truly]. Again, all this better explained by talking about the fact, that Political Imagery, talks of Individuals in all, highly concerned truly, with Knowledge access in all [and as with wanting to know something, at a precise moment actually, and not earlier or even later in all truly]. A World/Realm in all again, where Italy is now viewed even, as a source truly, of a Roman Renaissance in all [and as with Culture even (and Olives too)], and Egypt, as the source even, of newer in all, Roman Political Philosophy actually, and finally again truly, a World in all truly, lived around, the worship of the Sun in all actually [and as with the Sun truly too, coming to embody even (and as with general lifestyles too that is), Space-Time Realities in all actually, and with the Sun in all, truly coming to define even, where truly again, one should be (Politically speaking that is), when the Clock in all, does strike a certain hour (and all this speaking too even, of not only Survival in itself actually, but also, Political survival in itself too really)].
In all though, what can best be said is that, the Romans in all (and as with the Italians before too even), come to truly fully realize, that their being Roman in all, is again truly defined, by their being and living (and as with Creativity too even), on Italian Soil/Nature [and as with Italian Nature based Environments in all, at the very least, responsible even somewhat truly, for all forms of Italian/Roman Imagery actually, and even truly in all, Italian/Roman speech in all too actually].
*
*Toulouse
To better understand perhaps, the very World of Imperialism in all truly, is to in all again, see it even, from presenting in all, a similar World view actually [and that of Colonialism too even really]. A World in all again, best truly exemplified perhaps, by the very Realm even, of French Republican Politics in all too really. France in all (and as with its History in many ways connected to Italy's) [and via Toulouse/Languedoc in all too really], has always been a region in all, where the Private Individual in all again, has truly threatened actually, to take over French Political life [and as with attempting truly, to truly redefine French life in all, and away even, from the Institution of the 'Queen of France' actually (and an Institution too, highly correlated in all, with French Christianity actually) (and talk too even in all, of French Public Service actually) (and all this again, as with the Arthurian/French Chevalier in all actually)].
It is during these times, that the French Roman (as with the Republic) Cardinals [and with France in all too even, Systematically, ruled over by a Bishop actually], would in many ways too even, attempt to help the 'Queen of France', re-direct in all, French life [and presumably somewhat truly, away from the Private realm in all actually]. This in many ways, spoke of Colonialism [as with the 'Queen of France' even, coming to somewhat dictate in all, French Social life in many ways too really].
To better explain this in a short manner is to say, that such a World/Realm in all (of Colonialism that is), is highly associated, with Religious Imagery in all actually [and as compared even, to Social Imagery in all too really]. In all, in a France where the Private realm has taken over, not only does one see violence of all sorts actually [and as with domestic violence too even], but all this, attemptedly mitigated in all, by asking French Citizens in all again, to live life based around Religious Imagery actually (and as with the Private too even), rather than Social Imagery [and with Social Imagery, highly based around, enjoying life itself, and to its outmost potentials too actually] [and with Social Imagery again, truly highly based around, the Seasons in all too actually].
Again, all this truly, giving birth to a World that strongly connects even, Paris to Toulouse/Languedoc, and surprisingly even [and as with Religious Imagery based truly around, how one does Present themselves in all actually], coming to call into question, whom exactly, were the Italians in France in all actually [and as with Italians living in France in all, having come to create their very own World/Realm of operations, that not only constituted the Arthurian world even, but also truly, an existence based around Paris, Toulouse/Languedoc, and finally even, Boston (and on the shores of America too that is)] [and with a further group even, having homes even, in Umbria, Italy, and with this even, extending somewhat truly (and as with Mercantilism too even), into the Swahili Coast itself too actually].
A tumultuous History in France in all, and as with Italians even, being a main source of Knowledge from outside France (and for the French that is), but with the French too even, considering Italians in France in all, somewhat truly Family actually (but with Italians in France in all, coming and leaving at will actually) [but truly in all again (and as with regards even, to this 'French leave' in all actually), the French themselves, wondering about even, Italian Cultural influence, seen not only around Europe itself, but even, in Boston itself too actually (as with some of this influence, seemingly French in all too really) (and as with speaking truly even, of where in all, did Toulouses'/Languedoc interests lie in all actually, and as with Toulouse Breton speech in all again, actually mirroring, Boston speech in many ways too really (think Robet DeNiro here, Al Pacino, or even James Gandolfini too actually))]. In all again (and as with this difficult to explain even), the King of France feeling rather alienable in all, in Toulouse/Languedoc itself actually [and finally again, to perhaps make all this clearer, is to state that, life lived around Religious Imagery in all, is actually highly associated, with not only the Worklife in all truly, but also, the Moon too actually (and as with many preferring, to be awake at Night too really), and Worklife too (and as with the Institution of the 'King of France'), speaking in many ways even, of Profiteering in all, and as with all this, coming to highly redefine even, French Family life in all (and away, from the dictates even, of the Institution of the 'King of France' that is)] [and talk too even in all, of Family life in Toulouse/Languedoc, more or less truly Italian actually, than French in all too really] [and as with French Family life in all again (not only lived around the day actually), but it in all again, best described as being Royal in all too actually (and as with France even, not truly having, a Royal Class of its own actually) (but everyone again, pretty much truly, Royal in one way or another actually)].
The Italians & the French:
