What to say, of the Persian Civilization? What to say really!!!
There are those, who would even question the fact, that Persia, did ever if, exist really.
How really, to tell the story, of the Persian Civilization.
It is said, that Iran, is in many ways really, a Magical land.
Many though, would never understand this, unless, they have truly been there.
It is a land, where Man truly, believes, the 'Gods' obsolete, as it is rather so magical,
that the only thing, that drives one there, is Self-Belief [and Fantasy too even]. Knowing this,
is the foundation, of realizing, that the History of Iran, has truly been about, Fantasy after Fantasy, come true.
Iran has historically, more than any other region of the World, been associated with rather, famed Figures truly. Whether it be Darius, or even Xerxes, perhaps too even Genghis Khan (who originated actually, from Iran), or even too truly Cambysses (the maddest of them all), and perhaps even too culminating, in the modern era, with none other really, than Donald Rumsfeld [and the creation, of modern Iran].
There is another side though, of Iran (Persia to be exact), that gave the World, rather beloved Figures, three, popularly known: Aladdin, the Three Magi, and finally too even, Rostam [whom in popular form, can be acquainted with, 'Buffalo Bill', or even too really, Bill Cutting].
To truly though, know the History of Iran, is to truly too perhaps, know, the true meaning of, the words Iran, Persia, Persian, or even too finally, Iranian. That in all really, the History of Iran perhaps, is not only, truly too, grounded in Fantasy, but Fantasy too really, totally defined, by Symbolism in the form, of Names & Glyphs [truly too really, uniting elements of Branding or Advertising, with, National Consciousness and Historical Identity too] [thats what, Iran, really is; a Fantasy arising, from Symbolism, as based on Names & Glyphs mainly].
Let us first speak, of Iran, as associated really, with the Farsi Identity. What truly, is Farsi, one might truly wonder really. For Farsi, is nothing more really today, than the creation, of a Romanticized version of Irans History, which too is strongly associated, with Irans Architecture, but in most ways really, speaks truly of, the ambitions (Fantasies perhaps really), of a modern Iran [and displaced too really, by the likes of Donald Rumsfeld].
What truly though, is Farsi Identity? If you really want to know, at the very least, you might want to look up Irans History, on en.Wiki [for it truly is, Fantasy as unenvisioned (or unimagined too before really)].
Many though, do associated Farsi Identity, with the Architecture seen, in Iran. For Iran has been a land, where outsiders to it, driven truly too by, all forms of Fantasy, sought to create Civilization, for reasons too really unknown, and unfathomed too [the question truly is, who really is from Iran truly, or whether too, true Iranians are quick to welcome, outsiders to it, to settle, in Iran].
While Farsi as Identity seems admirable, it also, to some too, speaks of the conquest really, of the peoples of Iran [as alot, of Irans Architecture originates, from outside of Iran]. Some see this, but might be forgetful too, that the true inhabitants of Iran, are quick to welcome others, to their land really].
The earliest known of Farsi Identity, begins, actually with, the Indian (Gujarati) Civilization, creating Civilization in places like, Persepolis, and in many ways too, the very world, of Gilgamesh really. Then follows perhaps truly, the Arab Achaemenid Civilization [with a home too perhaps in, Ecbatana, Iran]. You see to, the creation, of Greek Civilization in Iran, with the Parthian Empire, and the living out of, the Alexandrian Myth, in more or less the, popularly known manner [for Alexander in Iran really, sought to reform its people, into more or less really, Fantasy driven Ideals].
The Sounds of the Alexandrian Parthian Empire:
http://www.youtube.com/watch?v=Snj-NQqbitk&feature=related
http://www.youtube.com/watch?v=emTSbiYqvaM
[the Anthony Hopkins Monologue above, does not speak really of, the Greek or Macedonian Alexander, but of the Persian Alexander. The Great Library of Alexandria, was not seen/found in Egypt actually, but actually really in, Iran]
You see too, the rise of Islamic Persia, and relatively unknown too really, to most, but one of its most illustrious sons, was none other than, Kublai Khan. The Romans too, did establish rather, short lived Civilization in, Iran, but not too much though, is known of, the Median/Kurdish Civilization.
But truly though, one of the most interesting, manifestations, of Civilization in Iran, is that of the Shiraz/Zanj-Swahili Civilization, within Iran itself [and based too somewhat, in the Iranian City of, Shiraz] [Which carries with it too, Swahili Architecture]. The Zanj from Zanzibar really, arrive in Iran, at a time when, its people really (the Farsi), are truly tired, of the present Kurdish rule. A time, when the Farsi, are oppressed actually, by the Kurdish Civilization present, and truly seek out, more, for their lives. The History of the Zanj, mistaken for slavery, is actually one of, the Swahili Zanj (and some too also, Omani Arabs), arriving in Iran, and with time creating, Civil discord, as with attempting really, to end, Farsi indentured labour, and replace it with, Civility really [one must truly know, what is been said here is that, so called Iranian/Shirazi culture, actually goes from, the Swahili World, to Iran, and not, the other way round]. Not only, do the Zanj create Civilization in Iran (as with Architecture too even), but in many ways really, it is, their prolonged warfare with the Kurds, that truly is of great interest [as often denoted, in the form really, of the rather well known Zanj Rebellion] [perhaps, the best and fairest treatment of the Zanj rebellion, is given in, Alexander Popovic's 'Revolt of the African Slaves in Iraq in the third/ninth century'] [the Zanj were never slaves, but also too, one must know that, black skinned Farsi, actually, do exist].
That in many ways really, has been the History of, the Farsi [as an Egalitarian people], but not actually really, the History of Persia.
And what too, of the Persian Identity? What truly, does it symbolize? To many unknown really, it speaks of the Language of Iran truly. For truly too, Iran is a land, whose History as with Religion perhaps, has mostly been recorded, within, the development, of, the Persian Language. Yet too really, this is rather difficult to explain in all, as it speaks of really, the History of Persian Linguistics [and that in all too, the development of the peoples of Iran, as mainly to do with, Transcendence, Enlightenment, Realization, or even too, Actualization, has been based on, Persian Linguistics, and the ability too even, to master, the Persian Language]. This though, is perhaps made much clearer [as with Transcendence, Enlightenment, Realization, and Actualization too], via the rather interesting world, of Persian Media [and Media truly too, that shocks, as with attempting to make one evolve, into a Higher Being, via the seeking of knowledge, true understanding, and comprehension even too].
http://iranpoliticsclub.net/fashion-models/mah/index.htm
[the site above, might prove disturbing to some out there, as with regards really, to children viewing it. Yet still, it is perhaps the best example of, attempting to explain in all really, Persian History/Language, and Persian Media too even. The very fact, that the viewing of such Media in Iran, was readily available to young children (and especially boys), and, this too involved, the development of the Persian Language, as with attempting really to explain, why all this (childrens viewing), was not wrong, and that in all too, this Media, presented rather tastefully, taught one, to attempt to gain really, a true understanding/comprehension of this, via truly rising above, limitations imposed on one, by ones, Exclaiming Self] [That in all really, the Persian Language, as with Transcendence, Enlightenment, Realization, or even too Actualization, is heavily involved, with attempting to explain (rise above), all forms, of Public Outcry (Exclamation)]
[The Cult (and Worship too) of the White Woman, has its origin, in, Persian Civilization]
Yet still my dear readers, that, was not Persia [for Persian Civilization, differs from Persia, and in all really too, speaks of a History, based heavily on, Media (and the seeking too of, Transcendence etc.)] [A way of recording, a 'kind' of History today (as with version really), rather favoured in, the World really, as with believing that, Media, does truly represent, History].
You too also have, the Iranian Identity. What too truly though, does it speak of really? For Iranian, does not only really speak of, the rather well known, Iranian Physical Identity, but also too really, of the Iranian Mind. The Mind (as Hero really), and the belief too that, Iranians, are truly gifted, in, this area. What though, is Iranian History? Popularly, it is 'Buffalo Bill', Bill Cutting, or even too, the British themselves. A History, of Minds, believing really in the, impossible, and setting out, to make it happen [and beliefs truly too, of the kind that say "the Sun truly, never does set, on, the British Empire"] [It was 'Buffalo Bill', who truly conquered, the American 'Wilds', and Bill Cutting too, was at the very heart, of, the rise, of New York City] [The History, of the British has, never truly been well understood, as it meshes too with, European History really. In all really, the British Empire was not, as horrendous (as many presuppose), but actually really was (i.e. if you take, the European elements in it); for while, the British created Imperialism in India (olden day Social NGO's really), it was the English/Europeans, that introduced Servitude, Caste Systems, Nazi Camps, and even finally too, Slavery, into the Indian World] [the British, have always held a, precarious position, in the European World (as with being European or not), and the rather false belief too, that the only true Europeans, are those, from Egypt/Nubian Civilization] [Even in Kenya's horrendous Nazi styled Camps, torture, was actually carried out, by the Australians]
Iranian History though, as perhaps best exemplified by, the British, and the British Empire in all too, is not only one of, a Physical Identity (heavily Melanated, and of great Musculature too), but actually one too, truly associated with, the Religion of, Mithraism. A Religion, that attempts truly, to create Great Minds, mainly via the opening of, the Neuromelanin tracts inside one [and in all really, making one, rather creative/gifted, as having mainly to do with, Holographic Universes]. What though, does Mithraism truly teach? It teaches one really, a kind of Persian Humour, associated really too, with Gifted Minds [the Humour too, associated really, with many a movie today of, a one Man-Hero, walking/working against, all odds, and all by themselves too] [In many ways too really, the best example perhaps being, how modern Warfare, is fought today really (but especially too really, during the times of, Bayonets and Sabers), and a form of Warfare really, associated with rushing into, a Melee, and fighting oneself out of it (with as many casualties, as possible really)] [That too, was Warfare, as seen in the Farsi world, and introduced into, the Western Hemisphere, by the British, and, British-Americans too even].
In all really, Iranian History, is Iranian Physical Identity (Melanated really), and Iranian Minds (as showing Persian Humour too, in attaining Success, of all kinds/forms too) [and all centered around, the Religion, of, Mithraism]
All this though really, my very dear readers, was not, Persia.
What then, one might ask, was, Persia? Did Persia, ever, truly did exist?
It is known truly, that, there is something out there really, that some do call, Persia. A World (Civilization really), unknown to most, but, did truly exist, as Persia really, did exist, and still known manifest today really, in the form, of, the Art, seen, in Iran. This truly, was Persia.
To however though, make this clearer is to say, that Irans Art, has its origins, in, the Aryan and Chinese Civilizations, but becomes markedly Iran/Persia, with the introduction of, the Zoroastrianism Religion, into, this very Art. For Persia truly, was, Zoroastrianism.
What though, is Zoroastrianism really about? At its very heart perhaps, its based on, so called Aryan Ideals of, seeking out Purity (in all its forms really). For this truly, was Persia, as the seeking of Purity became, a rather important component of, Irans/Persia's Art, and Art too, that came to heavily influence, the Islamic Civilization even [as with the presenting of things, as being Pure/Holy really].
This though, is a small component, of what, Zoroastrianism, truly teaches. For while Zoroastrianism, is heavily associated with, seeking Purity/Holiness with regards, to how one actually, does Present themselves, at its heart though, its about becoming, truly Holy [as with even truly, developing, a Halo, over, ones Head really].
How though, this is done is truly too, what was shocking, about, Iran. For truly though, the seeking of Purity/Holiness in Zoroastrianism, was all about rising above, what Society, considered, to be, Taboo, and seeing it, as not being, as such at all [what, this truly speaks off is, the fact that, in Persia, Incest, or even too, 'Class based' Adultery, was in many ways perhaps really, acceptable, as with attempting really, to rise, above, Taboo in all] [This all speaks, of a Person truly, so Saintly/Holy, they, could not be tainted, in any manner or form really].
The seeking of Purity/Holiness, was also strongly associated, with the development of Melanin, and the very fact that, being totally Pure/Holy, not only enabled one to, access all forms of Knowledge easily (as with luck even), but in many ways too, made one Magical, as truly with the mastering, by the followers of Zoroastrianism, of the Paranormal [from, Levitation, to even, Psycho-Kinesis too]. And all this too, as with Gifts imparted even, parlayed really too, into the Art of Persia, as being rather, deeply Mystical Art too, and representing in all really too, not only Ideals of Purity/Holiness, but also too, of Knowledge, rather acquainted with, the rising, over Taboo, and finally too really, the understanding too, of the Paranormal [as with an architectural based study of, Persia's Mystical Art].
This truly, was Persia, and in all too (as with Zoroastrianism even), but yet again Persia, as Civilization too really, did exist, in the form, of Drama associated, with, Zoroastrianism [Drama, that even the Egyptians, probably read too, during, their free time]. A Drama, rather so draconian as it, involved, the questioning of ones Purity/Holiness [at all times really]. Locking one up, in a room, with naked Women, was a small part of Persia's Drama. Another involved, being in a room, with two men/villains, about, to show up in it, and one lying down really, as though dead, and having the two villains, actually believe, one to be dead (by somehow, stopping, ones heart beating), and the two villains then perhaps, putting ones body, into a sack/bag, and the throwing, of one too perhaps, outside a Window (4 storeys high), and with ones body then, being taken to the Mogue, and one then truly, awakening from all this, as with having survived the fall, via, Levitation, and walking away, to live, to fight, another battle another day [that, as perhaps best explains really, everyday Persia, and the Drama too, of, its Civilization].
And in ending it all really, all this, becomes manifest as with, perhaps envisioning Iran, as perhaps being truly, the true Garden of Eden, as with regards really, to the Forbidden (and Fantasy too even), truly defining what, Iran, has always been about [the struggle for Mans Soul, by both, God (Order), and the 'Evil Serpent' (Disorder)].
There are those, who would even question the fact, that Persia, did ever if, exist really.
How really, to tell the story, of the Persian Civilization.
It is said, that Iran, is in many ways really, a Magical land.
Many though, would never understand this, unless, they have truly been there.
It is a land, where Man truly, believes, the 'Gods' obsolete, as it is rather so magical,
that the only thing, that drives one there, is Self-Belief [and Fantasy too even]. Knowing this,
is the foundation, of realizing, that the History of Iran, has truly been about, Fantasy after Fantasy, come true.
Iran has historically, more than any other region of the World, been associated with rather, famed Figures truly. Whether it be Darius, or even Xerxes, perhaps too even Genghis Khan (who originated actually, from Iran), or even too truly Cambysses (the maddest of them all), and perhaps even too culminating, in the modern era, with none other really, than Donald Rumsfeld [and the creation, of modern Iran].
There is another side though, of Iran (Persia to be exact), that gave the World, rather beloved Figures, three, popularly known: Aladdin, the Three Magi, and finally too even, Rostam [whom in popular form, can be acquainted with, 'Buffalo Bill', or even too really, Bill Cutting].
To truly though, know the History of Iran, is to truly too perhaps, know, the true meaning of, the words Iran, Persia, Persian, or even too finally, Iranian. That in all really, the History of Iran perhaps, is not only, truly too, grounded in Fantasy, but Fantasy too really, totally defined, by Symbolism in the form, of Names & Glyphs [truly too really, uniting elements of Branding or Advertising, with, National Consciousness and Historical Identity too] [thats what, Iran, really is; a Fantasy arising, from Symbolism, as based on Names & Glyphs mainly].
Let us first speak, of Iran, as associated really, with the Farsi Identity. What truly, is Farsi, one might truly wonder really. For Farsi, is nothing more really today, than the creation, of a Romanticized version of Irans History, which too is strongly associated, with Irans Architecture, but in most ways really, speaks truly of, the ambitions (Fantasies perhaps really), of a modern Iran [and displaced too really, by the likes of Donald Rumsfeld].
What truly though, is Farsi Identity? If you really want to know, at the very least, you might want to look up Irans History, on en.Wiki [for it truly is, Fantasy as unenvisioned (or unimagined too before really)].
Many though, do associated Farsi Identity, with the Architecture seen, in Iran. For Iran has been a land, where outsiders to it, driven truly too by, all forms of Fantasy, sought to create Civilization, for reasons too really unknown, and unfathomed too [the question truly is, who really is from Iran truly, or whether too, true Iranians are quick to welcome, outsiders to it, to settle, in Iran].
While Farsi as Identity seems admirable, it also, to some too, speaks of the conquest really, of the peoples of Iran [as alot, of Irans Architecture originates, from outside of Iran]. Some see this, but might be forgetful too, that the true inhabitants of Iran, are quick to welcome others, to their land really].
The earliest known of Farsi Identity, begins, actually with, the Indian (Gujarati) Civilization, creating Civilization in places like, Persepolis, and in many ways too, the very world, of Gilgamesh really. Then follows perhaps truly, the Arab Achaemenid Civilization [with a home too perhaps in, Ecbatana, Iran]. You see to, the creation, of Greek Civilization in Iran, with the Parthian Empire, and the living out of, the Alexandrian Myth, in more or less the, popularly known manner [for Alexander in Iran really, sought to reform its people, into more or less really, Fantasy driven Ideals].
The Sounds of the Alexandrian Parthian Empire:
http://www.youtube.com/watch?v=Snj-NQqbitk&feature=related
http://www.youtube.com/watch?v=emTSbiYqvaM
[the Anthony Hopkins Monologue above, does not speak really of, the Greek or Macedonian Alexander, but of the Persian Alexander. The Great Library of Alexandria, was not seen/found in Egypt actually, but actually really in, Iran]
You see too, the rise of Islamic Persia, and relatively unknown too really, to most, but one of its most illustrious sons, was none other than, Kublai Khan. The Romans too, did establish rather, short lived Civilization in, Iran, but not too much though, is known of, the Median/Kurdish Civilization.
But truly though, one of the most interesting, manifestations, of Civilization in Iran, is that of the Shiraz/Zanj-Swahili Civilization, within Iran itself [and based too somewhat, in the Iranian City of, Shiraz] [Which carries with it too, Swahili Architecture]. The Zanj from Zanzibar really, arrive in Iran, at a time when, its people really (the Farsi), are truly tired, of the present Kurdish rule. A time, when the Farsi, are oppressed actually, by the Kurdish Civilization present, and truly seek out, more, for their lives. The History of the Zanj, mistaken for slavery, is actually one of, the Swahili Zanj (and some too also, Omani Arabs), arriving in Iran, and with time creating, Civil discord, as with attempting really, to end, Farsi indentured labour, and replace it with, Civility really [one must truly know, what is been said here is that, so called Iranian/Shirazi culture, actually goes from, the Swahili World, to Iran, and not, the other way round]. Not only, do the Zanj create Civilization in Iran (as with Architecture too even), but in many ways really, it is, their prolonged warfare with the Kurds, that truly is of great interest [as often denoted, in the form really, of the rather well known Zanj Rebellion] [perhaps, the best and fairest treatment of the Zanj rebellion, is given in, Alexander Popovic's 'Revolt of the African Slaves in Iraq in the third/ninth century'] [the Zanj were never slaves, but also too, one must know that, black skinned Farsi, actually, do exist].
That in many ways really, has been the History of, the Farsi [as an Egalitarian people], but not actually really, the History of Persia.
And what too, of the Persian Identity? What truly, does it symbolize? To many unknown really, it speaks of the Language of Iran truly. For truly too, Iran is a land, whose History as with Religion perhaps, has mostly been recorded, within, the development, of, the Persian Language. Yet too really, this is rather difficult to explain in all, as it speaks of really, the History of Persian Linguistics [and that in all too, the development of the peoples of Iran, as mainly to do with, Transcendence, Enlightenment, Realization, or even too, Actualization, has been based on, Persian Linguistics, and the ability too even, to master, the Persian Language]. This though, is perhaps made much clearer [as with Transcendence, Enlightenment, Realization, and Actualization too], via the rather interesting world, of Persian Media [and Media truly too, that shocks, as with attempting to make one evolve, into a Higher Being, via the seeking of knowledge, true understanding, and comprehension even too].
http://iranpoliticsclub.net/fashion-models/mah/index.htm
[the site above, might prove disturbing to some out there, as with regards really, to children viewing it. Yet still, it is perhaps the best example of, attempting to explain in all really, Persian History/Language, and Persian Media too even. The very fact, that the viewing of such Media in Iran, was readily available to young children (and especially boys), and, this too involved, the development of the Persian Language, as with attempting really to explain, why all this (childrens viewing), was not wrong, and that in all too, this Media, presented rather tastefully, taught one, to attempt to gain really, a true understanding/comprehension of this, via truly rising above, limitations imposed on one, by ones, Exclaiming Self] [That in all really, the Persian Language, as with Transcendence, Enlightenment, Realization, or even too Actualization, is heavily involved, with attempting to explain (rise above), all forms, of Public Outcry (Exclamation)]
[The Cult (and Worship too) of the White Woman, has its origin, in, Persian Civilization]
Yet still my dear readers, that, was not Persia [for Persian Civilization, differs from Persia, and in all really too, speaks of a History, based heavily on, Media (and the seeking too of, Transcendence etc.)] [A way of recording, a 'kind' of History today (as with version really), rather favoured in, the World really, as with believing that, Media, does truly represent, History].
You too also have, the Iranian Identity. What too truly though, does it speak of really? For Iranian, does not only really speak of, the rather well known, Iranian Physical Identity, but also too really, of the Iranian Mind. The Mind (as Hero really), and the belief too that, Iranians, are truly gifted, in, this area. What though, is Iranian History? Popularly, it is 'Buffalo Bill', Bill Cutting, or even too, the British themselves. A History, of Minds, believing really in the, impossible, and setting out, to make it happen [and beliefs truly too, of the kind that say "the Sun truly, never does set, on, the British Empire"] [It was 'Buffalo Bill', who truly conquered, the American 'Wilds', and Bill Cutting too, was at the very heart, of, the rise, of New York City] [The History, of the British has, never truly been well understood, as it meshes too with, European History really. In all really, the British Empire was not, as horrendous (as many presuppose), but actually really was (i.e. if you take, the European elements in it); for while, the British created Imperialism in India (olden day Social NGO's really), it was the English/Europeans, that introduced Servitude, Caste Systems, Nazi Camps, and even finally too, Slavery, into the Indian World] [the British, have always held a, precarious position, in the European World (as with being European or not), and the rather false belief too, that the only true Europeans, are those, from Egypt/Nubian Civilization] [Even in Kenya's horrendous Nazi styled Camps, torture, was actually carried out, by the Australians]
Iranian History though, as perhaps best exemplified by, the British, and the British Empire in all too, is not only one of, a Physical Identity (heavily Melanated, and of great Musculature too), but actually one too, truly associated with, the Religion of, Mithraism. A Religion, that attempts truly, to create Great Minds, mainly via the opening of, the Neuromelanin tracts inside one [and in all really, making one, rather creative/gifted, as having mainly to do with, Holographic Universes]. What though, does Mithraism truly teach? It teaches one really, a kind of Persian Humour, associated really too, with Gifted Minds [the Humour too, associated really, with many a movie today of, a one Man-Hero, walking/working against, all odds, and all by themselves too] [In many ways too really, the best example perhaps being, how modern Warfare, is fought today really (but especially too really, during the times of, Bayonets and Sabers), and a form of Warfare really, associated with rushing into, a Melee, and fighting oneself out of it (with as many casualties, as possible really)] [That too, was Warfare, as seen in the Farsi world, and introduced into, the Western Hemisphere, by the British, and, British-Americans too even].
In all really, Iranian History, is Iranian Physical Identity (Melanated really), and Iranian Minds (as showing Persian Humour too, in attaining Success, of all kinds/forms too) [and all centered around, the Religion, of, Mithraism]
All this though really, my very dear readers, was not, Persia.
What then, one might ask, was, Persia? Did Persia, ever, truly did exist?
It is known truly, that, there is something out there really, that some do call, Persia. A World (Civilization really), unknown to most, but, did truly exist, as Persia really, did exist, and still known manifest today really, in the form, of, the Art, seen, in Iran. This truly, was Persia.
To however though, make this clearer is to say, that Irans Art, has its origins, in, the Aryan and Chinese Civilizations, but becomes markedly Iran/Persia, with the introduction of, the Zoroastrianism Religion, into, this very Art. For Persia truly, was, Zoroastrianism.
What though, is Zoroastrianism really about? At its very heart perhaps, its based on, so called Aryan Ideals of, seeking out Purity (in all its forms really). For this truly, was Persia, as the seeking of Purity became, a rather important component of, Irans/Persia's Art, and Art too, that came to heavily influence, the Islamic Civilization even [as with the presenting of things, as being Pure/Holy really].
This though, is a small component, of what, Zoroastrianism, truly teaches. For while Zoroastrianism, is heavily associated with, seeking Purity/Holiness with regards, to how one actually, does Present themselves, at its heart though, its about becoming, truly Holy [as with even truly, developing, a Halo, over, ones Head really].
How though, this is done is truly too, what was shocking, about, Iran. For truly though, the seeking of Purity/Holiness in Zoroastrianism, was all about rising above, what Society, considered, to be, Taboo, and seeing it, as not being, as such at all [what, this truly speaks off is, the fact that, in Persia, Incest, or even too, 'Class based' Adultery, was in many ways perhaps really, acceptable, as with attempting really, to rise, above, Taboo in all] [This all speaks, of a Person truly, so Saintly/Holy, they, could not be tainted, in any manner or form really].
The seeking of Purity/Holiness, was also strongly associated, with the development of Melanin, and the very fact that, being totally Pure/Holy, not only enabled one to, access all forms of Knowledge easily (as with luck even), but in many ways too, made one Magical, as truly with the mastering, by the followers of Zoroastrianism, of the Paranormal [from, Levitation, to even, Psycho-Kinesis too]. And all this too, as with Gifts imparted even, parlayed really too, into the Art of Persia, as being rather, deeply Mystical Art too, and representing in all really too, not only Ideals of Purity/Holiness, but also too, of Knowledge, rather acquainted with, the rising, over Taboo, and finally too really, the understanding too, of the Paranormal [as with an architectural based study of, Persia's Mystical Art].
This truly, was Persia, and in all too (as with Zoroastrianism even), but yet again Persia, as Civilization too really, did exist, in the form, of Drama associated, with, Zoroastrianism [Drama, that even the Egyptians, probably read too, during, their free time]. A Drama, rather so draconian as it, involved, the questioning of ones Purity/Holiness [at all times really]. Locking one up, in a room, with naked Women, was a small part of Persia's Drama. Another involved, being in a room, with two men/villains, about, to show up in it, and one lying down really, as though dead, and having the two villains, actually believe, one to be dead (by somehow, stopping, ones heart beating), and the two villains then perhaps, putting ones body, into a sack/bag, and the throwing, of one too perhaps, outside a Window (4 storeys high), and with ones body then, being taken to the Mogue, and one then truly, awakening from all this, as with having survived the fall, via, Levitation, and walking away, to live, to fight, another battle another day [that, as perhaps best explains really, everyday Persia, and the Drama too, of, its Civilization].
And in ending it all really, all this, becomes manifest as with, perhaps envisioning Iran, as perhaps being truly, the true Garden of Eden, as with regards really, to the Forbidden (and Fantasy too even), truly defining what, Iran, has always been about [the struggle for Mans Soul, by both, God (Order), and the 'Evil Serpent' (Disorder)].
