or 'Africa Re-ignited' truly.
- in many ways perhaps in all, Africa, is a place, recognized, as having many problems truly, and they in all, actually truly too, stemming from two main sources: the African Persona, and, the African conceptualization of Time itself too really.
There is a concept of Time in all, used oftenly today, in Africa. A concept of Time too, that many have come (derogatorily even), to refer to as 'African Time'. It is a concept of Time, that was actually born with, the 'Egypto-Nubian world', and has in all (and as with Africa) [and minus Egypt (and Afrique even somewhat)], come, to characterize just about, all forms of problems really, seen in Africa today [with time in Afrique really, previously, highly based around, conceptualizing it, as 'Time as Energy' in all really ('Time' entry)]. A manner in all, of conceptualizing even, Space-Time Reality, and heavily based around, basing Time itself, on the Heart actually (the belief even, that the Heart, can stream in Knowledge of all kinds into it, but 'Knowledge' too, heavily based around even, being rescued in all really) [a kind of 'Knowledge' too, associated in all, with being heartfelt, or even, caring perhaps too really, that in all too, came to define, Egypts ('Cus') relations in all, and with Nubia too actually]. In all truly, those living in the Egypto-Nubian hemisphere of existence, came to define in all, Space-Time Reality, based around this concept in all too, of Time itself [Heartfelt, and a form of Time too really, associated in all, with 'poverty' actually].
While the choice of Time to be used, is left to Africans in all to decide (with 'Time as Song' even, recommended truly, and as with a start actually, and for Africa minus Afrique too really) [and with Afrique again as mentioned before, historically even, always operating on 'Time as Energy' actually], the bigger problem in all, facing Africa, has to do with the African Persona actually [as with it even, mainly inexistent for most Africans out there (and with it even, reachings its heights, and in 'Black Africa' too, with the Congo peoples actually)].
For the Egyptians though, developing the Egyptian Persona in all (and in an Egypt, Desert filled too actually), was based truly around even, the Performance Arts actually (and with they even, being more developed actually, than in Rome/'Roman Civilization' really)].
For the Egyptians in all, the development of the Egyptian Persona (and highly based around too, the Performance Arts actually) [and the birth even, of the Theatre Stage in all truly], was paramount in all, in surviving, in the Desert actually [and with Egyptian Performance Arts (and as with the Romans too in the future), coming to define, their Personas truly, and as with regards, to just about anything out there really (including the Sciences themselves)] [as with the simple case, of having a Ghost in a Play, and attempting in all, to explain its presence in all truly].
Africa, which has had even, severe Persona issues, could be adviced in all, that using the Performance Arts, to develop suitable Personas really, is actually the way to go in all really, to surviving in all, in Africa itself too actually [and what in all, made even, the Yoruba truly, more advanced, than their Neighbours actually (Yoruba Theatre) (and as with it leading too also, to the development in all, of the Yoruba Administrative 'National Government' Cabinet)]. For most of the rest of Africa, poor Personas in all, have had them struggling in all too, with regards to surviving really, and on the Continent too actually [and as with even, learning to simply pace themselves in all actually (and pacing too, something of importance in doing just about, anything, and everything truly too, successfully, within Africa itself)] [and with what, they do term 'National Drama' in all, to be equated truly (and in many ways actually), with 'National Government' (and as a way too, of truly raising, the status even, of a Country in itself really)].
In all, it is adviced that Africans look to Roman and Japanese even, Theatre/Performance Arts actually, to helping them in all, develop, suitable Personas really.
In Afrique though, Persona development, has always been based around, Performance Song in all actually [and as it in many ways truly, an Artform, easily inspired even, by Nature in Afrique too in all actually].
Song in Afrique once upon a time:
http://www.youtube.com/watch?v=0lE-YjjZhwc
Performance Song:
***********
The Arthurian Kenian Persona (and not, South African/British):
- in many ways perhaps in all, Africa, is a place, recognized, as having many problems truly, and they in all, actually truly too, stemming from two main sources: the African Persona, and, the African conceptualization of Time itself too really.
There is a concept of Time in all, used oftenly today, in Africa. A concept of Time too, that many have come (derogatorily even), to refer to as 'African Time'. It is a concept of Time, that was actually born with, the 'Egypto-Nubian world', and has in all (and as with Africa) [and minus Egypt (and Afrique even somewhat)], come, to characterize just about, all forms of problems really, seen in Africa today [with time in Afrique really, previously, highly based around, conceptualizing it, as 'Time as Energy' in all really ('Time' entry)]. A manner in all, of conceptualizing even, Space-Time Reality, and heavily based around, basing Time itself, on the Heart actually (the belief even, that the Heart, can stream in Knowledge of all kinds into it, but 'Knowledge' too, heavily based around even, being rescued in all really) [a kind of 'Knowledge' too, associated in all, with being heartfelt, or even, caring perhaps too really, that in all too, came to define, Egypts ('Cus') relations in all, and with Nubia too actually]. In all truly, those living in the Egypto-Nubian hemisphere of existence, came to define in all, Space-Time Reality, based around this concept in all too, of Time itself [Heartfelt, and a form of Time too really, associated in all, with 'poverty' actually].
While the choice of Time to be used, is left to Africans in all to decide (with 'Time as Song' even, recommended truly, and as with a start actually, and for Africa minus Afrique too really) [and with Afrique again as mentioned before, historically even, always operating on 'Time as Energy' actually], the bigger problem in all, facing Africa, has to do with the African Persona actually [as with it even, mainly inexistent for most Africans out there (and with it even, reachings its heights, and in 'Black Africa' too, with the Congo peoples actually)].
For the Egyptians though, developing the Egyptian Persona in all (and in an Egypt, Desert filled too actually), was based truly around even, the Performance Arts actually (and with they even, being more developed actually, than in Rome/'Roman Civilization' really)].
For the Egyptians in all, the development of the Egyptian Persona (and highly based around too, the Performance Arts actually) [and the birth even, of the Theatre Stage in all truly], was paramount in all, in surviving, in the Desert actually [and with Egyptian Performance Arts (and as with the Romans too in the future), coming to define, their Personas truly, and as with regards, to just about anything out there really (including the Sciences themselves)] [as with the simple case, of having a Ghost in a Play, and attempting in all, to explain its presence in all truly].
Africa, which has had even, severe Persona issues, could be adviced in all, that using the Performance Arts, to develop suitable Personas really, is actually the way to go in all really, to surviving in all, in Africa itself too actually [and what in all, made even, the Yoruba truly, more advanced, than their Neighbours actually (Yoruba Theatre) (and as with it leading too also, to the development in all, of the Yoruba Administrative 'National Government' Cabinet)]. For most of the rest of Africa, poor Personas in all, have had them struggling in all too, with regards to surviving really, and on the Continent too actually [and as with even, learning to simply pace themselves in all actually (and pacing too, something of importance in doing just about, anything, and everything truly too, successfully, within Africa itself)] [and with what, they do term 'National Drama' in all, to be equated truly (and in many ways actually), with 'National Government' (and as a way too, of truly raising, the status even, of a Country in itself really)].
In all, it is adviced that Africans look to Roman and Japanese even, Theatre/Performance Arts actually, to helping them in all, develop, suitable Personas really.
In Afrique though, Persona development, has always been based around, Performance Song in all actually [and as it in many ways truly, an Artform, easily inspired even, by Nature in Afrique too in all actually].
Song in Afrique once upon a time:
http://www.youtube.com/watch?v=0lE-YjjZhwc
Performance Song:
***********
The Arthurian Kenian Persona (and not, South African/British):
