and Afrique.
Dramatics in all truly, should not be confused, with Drama itself actually (as with it actually perhaps even, perceived really, merely even actually, simply a part in all, and disconnected even, from Drama itself).
The reason why this is stated, is because, most don't truly appreciate, Drama for what it really is, and have in all actually come to associate it with Dramatics in all too really. Again, this is stated too, because, Dramatics, is actually the way of living in all (as with 'drama' perhaps), seen, within Afrique actually and not America, or Europe either too even (where too does exist in all, the Drama, and in one form or another actually) [again all this said, because, alot of the Movies out there, tend to show Dramatics actually, rather than actual Drama too really].
What does define Dramatics truly though, are what, you do call in all, Antics (as with even, an exaggerated act of a kind too really) [and in many ways too, this is exactly what makes life in Afrique, rather hard/difficult, and Psychologically speaking too actually, for most people in it: the Antics, even emotional as with an outburst even, needed in all, and in many ways too actually, to simply get, just about anything really, done actually].
the above edition in all really, of 'the Adventures of Robin Hood', is actually a work really, of Arthurian Kenia origins (as is the world too in all of 'Puffin Classics' actually) [and it differs in all, from the original Robin Hood tales really, in that, it is based around Dramatics/Antics actually, and not general European Drama really, as the European originals in all actually are] [with the Arthurian Kenian editions in all too really, most similar in all again to the German editions actually].
**in many ways in all too, what does differentiate the Arthurian Kenian world, from those seen in Europe, is who in all perhaps, is considered really in all to be, the Enemy actually. With Arthurian Europe, speaking of the Enemy (and to Europe itself too actually) as 'the Nig' (or even truly, the unsociable person actually) [and as with the thoughts even truly, of Francis Bacon in all really] [for 'the Nig' in many ways, is truly, one of the most (if not the most even), unsociable person, you probably will ever meet out there really]. In the Arthurian Kenian world though the Enemy in all is perceived in all too really, as the 'Alienable person' actually (or even truly, and as with extremes even, 'Alien lifeforms' in all really) [or in general too, a person not perceived as being trustworthy even, and as with roles, responsibilities and duties too really, due to in all, being perceived actually, an an 'Alien'/outsider really (as with the very fact even, they can never be allowed truly even really, to be a part, of the community spoken about figuratively or 'herewithal' even) (as not only too, with Sovereignity in all actually, but also, as with the private/secret lives even, of the members of the community in all really)].
***in all too again really actually, Dramatics/Antics, should be seen, as being at the very heart even, of any Identity creation really, seen within Afrique, or risk too even actually, not being perceived in all, as belonging to Afrique in all too actually.
Dramatics in all truly, should not be confused, with Drama itself actually (as with it actually perhaps even, perceived really, merely even actually, simply a part in all, and disconnected even, from Drama itself).
The reason why this is stated, is because, most don't truly appreciate, Drama for what it really is, and have in all actually come to associate it with Dramatics in all too really. Again, this is stated too, because, Dramatics, is actually the way of living in all (as with 'drama' perhaps), seen, within Afrique actually and not America, or Europe either too even (where too does exist in all, the Drama, and in one form or another actually) [again all this said, because, alot of the Movies out there, tend to show Dramatics actually, rather than actual Drama too really].
What does define Dramatics truly though, are what, you do call in all, Antics (as with even, an exaggerated act of a kind too really) [and in many ways too, this is exactly what makes life in Afrique, rather hard/difficult, and Psychologically speaking too actually, for most people in it: the Antics, even emotional as with an outburst even, needed in all, and in many ways too actually, to simply get, just about anything really, done actually].
the above edition in all really, of 'the Adventures of Robin Hood', is actually a work really, of Arthurian Kenia origins (as is the world too in all of 'Puffin Classics' actually) [and it differs in all, from the original Robin Hood tales really, in that, it is based around Dramatics/Antics actually, and not general European Drama really, as the European originals in all actually are] [with the Arthurian Kenian editions in all too really, most similar in all again to the German editions actually].
**in many ways in all too, what does differentiate the Arthurian Kenian world, from those seen in Europe, is who in all perhaps, is considered really in all to be, the Enemy actually. With Arthurian Europe, speaking of the Enemy (and to Europe itself too actually) as 'the Nig' (or even truly, the unsociable person actually) [and as with the thoughts even truly, of Francis Bacon in all really] [for 'the Nig' in many ways, is truly, one of the most (if not the most even), unsociable person, you probably will ever meet out there really]. In the Arthurian Kenian world though the Enemy in all is perceived in all too really, as the 'Alienable person' actually (or even truly, and as with extremes even, 'Alien lifeforms' in all really) [or in general too, a person not perceived as being trustworthy even, and as with roles, responsibilities and duties too really, due to in all, being perceived actually, an an 'Alien'/outsider really (as with the very fact even, they can never be allowed truly even really, to be a part, of the community spoken about figuratively or 'herewithal' even) (as not only too, with Sovereignity in all actually, but also, as with the private/secret lives even, of the members of the community in all really)].
***in all too again really actually, Dramatics/Antics, should be seen, as being at the very heart even, of any Identity creation really, seen within Afrique, or risk too even actually, not being perceived in all, as belonging to Afrique in all too actually.
