at the very heart too, of Italian Communications
and the rise too, of Italian Royalty [such as 'The House of Medici'], and World History even.
and the rise too, of Italian Royalty [such as 'The House of Medici'], and World History even.
Saturday, July 30, 2011
Egypt: Land of the Gods
Most out there, truly falsely believe, they are descendants (in one way or another), of the Ancient Egyptians. They tend to believe this, not from a Religion-based perspective, but more or less, from a genetical one, or even, a cultural one too. Ways of identifying with the Egyptians, perhaps suited, best, for smaller Civilization, and not, the Egyptians truly.
To perhaps best, understand the Egyptians, is to in all, view them, Geo-politically [as it was they, who in all, did invent really, the Geo-political Realm, that many, do know today] [on the otherhand, it was the Greeks, that began, the practise, of spreading Religion around, while the Italians in all, invented really, World History].
How best, to view, Egypt, Geo-politically? First of, you have, the different phases of Egyptian History [Old Kingdom, New Kingdom, Pharaonic, Thebes, Dynasty etc.], with many, who do identify with Egypt, never taking into account, the rather even, huge differences, between these phases. Speak of, having Egyptian ties, at the very least, speaks of, strongly identifying, with the different, Egyptian phases [with the main differences between them, being even, the different kinds, of Gods, they did worship] [Egypt after all, was Civilization (Egyptian Gods)] [even in Thebes, Egyptian Gods, such as Bes, were primarily worshiped, in one way or another].
Second though, a more better known way, of viewing Egyptian History, as with Geo-politics even, is the basic division (born to, in Pharaonic Egypt too), of seeing Egypt, as not only, Kemet, and Kush [which eventually gave birth, to the worlds, of Lower Egypt, and Upper Egypt too really]. Lower Egypt, spoke not only, of Kemet, but also, its union perhaps really, Geo-politically, with Mesopotamia. Upper Egypt, spoke of, not only Kush, but its associations really too, with Nubia. Yet still, one must realize, that Mesopotamia, and Nubia, were never truly, a part of Egypt, as with Nubians even, being restricted (even severely), from entering, Kush/Egypt.
You then have too, Geo-politically even, the so called, Egyptian world, heralded in all really, by Egyptian Women, and also partially, by Egyptian luminaries, such as, Imhotep [one should note, the stand-alone term, 'Egyptian', has always really, been used, to refer, to Egyptian Women really, and not, the Men truly] [the Men, were associated, with the phrase 'the Land of the Egyptians']. It was the Egyptian world though, that gave birth, to the very many, Kingdoms (and born too even, of Egyptian gypsies), that eventually sprung up, all over [such as Numidia, the Levant, Lydia etc.] [a world associated too, with the spread, of Egyptian 'gods' (and not 'Gods'), such as Horus, Sri Krishna, or even, Imhotep himself] [all these too (the Kingdoms that is), being rather, heavily cultural, and not, political].
You also have, Geo-politically too, the Egyptian Art World, with many, falsely believing even, that, they are truly, Egyptian, this way [i.e. Genetically speaking]. Truth is, while the Egyptian Art World, is seen out there, it is not seen really, as it was, in Egypt. The Egyptian Art World out there, was born of, not actually, making Egyptian Art (Dance mainly), but actually, from listening, to Egyptian Music (and derived, from Egyptian Dance too), and then seeking, to create, ones own Music (such as, with the Romanesque Art World, and India too), or even, new Dance (as with the Sufi Art World really). In all, these Art Worlds, are not truly, genuinely, Egyptian, as many do presuppose, but in all truly, inspired (as with original works even), by, Egyptian Music [and not, Egyptian Dance even].
You also have, what they do term, Egyptian Civilization. Egyptian Civilization, at its heart at least, refers to, the very fact, that those, who have evolved, in Egyptian Civilization, have a Voice, that sounds, in a certain manner/way [as with tonality, tone, bass, pitch etc.]. This in all too, does speak of, living in all truly, as the Egyptians did [including, what they ate, the clothes they put on, the social customs they adhered too etc.]. In many ways truly, Egypt perceived as this, truly speaks only of, the Old Kingdom, the New Kingdom, Pharaonic, and Dynasty Egypt too [with Thebes, being rather, somewhat, Graeco-Italian, with regards to all this]. An Egypt, many today, strongly identify with, but actually, as with historical accounts even, know little truly, about really.
You also have, what the Greeks, did term 'Aegyptus', or what can also be called 'the egypto-' world, it being really, an Egypt, primarily associated, with its Priesthoods [and especially too really, Kemetic], and its spread, of various Knowledgeable works, all over [with the Jewish World really (as with Phoenicia), and even, Ancient Spain truly, arising, as such really]. An Egypt, most truly still, don't know too much about, but as with 'the Secret History of the World', has probably come, to influence us, more, than most perhaps, do think.
Yet still, to say the least, all the above, were never truly Egypt, for Egypt, was only truly associated, with its Gods [who in many ways, did define, the 'Egyptians', as a Race really]. Gods too, never worshiped anywhere else, outside Egypt, as with the difficulty in all, associated with this. To understand best, the Egyptians as a Race, is to in all too, understand, the Egyptian Gods themselves, as with what truly, was expected of one, from, worshiping them. This is said, because, Egyptian Religion, differed drastically even, from other 'Civilizational Religion' [as with even, the rather huge false belief, that the Nubian Gods, were derived, from the Egyptian Gods too really] [In many ways really too, Egypt, only connects, outside of it (with regards to this), with Greece, where Gods, such as Hermes, were really, of, Egyptian origins]. While the Greek Gods, as distinct even, from other 'Civilizational Gods', inspired one (via their worship), to become in all, rather Gifted Muses [as with creating even, exceptional, Philosophical works really], and the Italian Gods, heavily associated, with giving one, Visions [and of all kinds really], the Egyptian Gods, actually turned one, into what one could best term, a Logician [this mentioned, because, the Greek Gods, turned the Greeks, into Sophists really (Philosophically gifted Muses), while the Italian Gods, turned them, into Thinkers] [a Logician on the otherhand, is someone in all, who actually, begins, theorizing really, from first principles (as with no knowledge even, of, anything)] [The Roman Gods, and European Gods even on the otherhand (they both derived, from the Greek Gods really, as with the Black Madonnas even), turned them, into Visionaries (or people in general, idea-filled, who then, bring them all together really)].
Why this is mentioned, is to perhaps, understand, not only, the Egyptians as a Race, but also too very much, the Italians, Greeks, Romans, or even, Europeans (French really), as with knowing even, in other Civilizations out there, the worship of their Gods, was associated truly too, with the use, of Oracles, to accumulate Knowledge in all [this is especially true even, of the Nubian and African Gods/gods too, which today, are falsely believed, somewhat Egyptian] [that in all, the heavy worship, of Gods in other Civilizations, went hand in hand, with, the developing really, of Oracles, not only, to accumulate Knowledge with (as with guidance), but also, with regards, to understanding oneself, religiously] [in all, Gods truly, that demanded, their adherents, to fully even, memorize, several hundred pages, of, Oracle material in itself].
This in all, is the key, to understanding (or seeing even), the Egyptians, as they truly really were.
[even the worship, of Isis, in Europe, was done mainly, from a 'god' perspective, or even truly, via, the 'egypto-' world (as with selected prayers even, to be recited)] [In Europe, Europeans, were not associated for instance, with the Drama, associated, with Isis in all]
To in all too, see the Egyptians, as they truly were [and as people even really, and even too perhaps, as they walked truly], is to perhaps too really, see them, from the primary colours, often hiddenly associated, with, Egypt [as with in all, these colours, as with hues even, demonstrating perhaps, how, the Egyptians in all, did Exclaim, or even, react, in Shock (respectively)]:
(Exclaim)
(Shock)
*This all, is truly, the key, to understanding, the Egyptian Gods, as with they, primarily really, teaching one, how, to Exclaim, or even too really, how, to react in all, to Shock really.
To perhaps best, understand the Egyptians, is to in all, view them, Geo-politically [as it was they, who in all, did invent really, the Geo-political Realm, that many, do know today] [on the otherhand, it was the Greeks, that began, the practise, of spreading Religion around, while the Italians in all, invented really, World History].
How best, to view, Egypt, Geo-politically? First of, you have, the different phases of Egyptian History [Old Kingdom, New Kingdom, Pharaonic, Thebes, Dynasty etc.], with many, who do identify with Egypt, never taking into account, the rather even, huge differences, between these phases. Speak of, having Egyptian ties, at the very least, speaks of, strongly identifying, with the different, Egyptian phases [with the main differences between them, being even, the different kinds, of Gods, they did worship] [Egypt after all, was Civilization (Egyptian Gods)] [even in Thebes, Egyptian Gods, such as Bes, were primarily worshiped, in one way or another].
Second though, a more better known way, of viewing Egyptian History, as with Geo-politics even, is the basic division (born to, in Pharaonic Egypt too), of seeing Egypt, as not only, Kemet, and Kush [which eventually gave birth, to the worlds, of Lower Egypt, and Upper Egypt too really]. Lower Egypt, spoke not only, of Kemet, but also, its union perhaps really, Geo-politically, with Mesopotamia. Upper Egypt, spoke of, not only Kush, but its associations really too, with Nubia. Yet still, one must realize, that Mesopotamia, and Nubia, were never truly, a part of Egypt, as with Nubians even, being restricted (even severely), from entering, Kush/Egypt.
You then have too, Geo-politically even, the so called, Egyptian world, heralded in all really, by Egyptian Women, and also partially, by Egyptian luminaries, such as, Imhotep [one should note, the stand-alone term, 'Egyptian', has always really, been used, to refer, to Egyptian Women really, and not, the Men truly] [the Men, were associated, with the phrase 'the Land of the Egyptians']. It was the Egyptian world though, that gave birth, to the very many, Kingdoms (and born too even, of Egyptian gypsies), that eventually sprung up, all over [such as Numidia, the Levant, Lydia etc.] [a world associated too, with the spread, of Egyptian 'gods' (and not 'Gods'), such as Horus, Sri Krishna, or even, Imhotep himself] [all these too (the Kingdoms that is), being rather, heavily cultural, and not, political].
You also have, Geo-politically too, the Egyptian Art World, with many, falsely believing even, that, they are truly, Egyptian, this way [i.e. Genetically speaking]. Truth is, while the Egyptian Art World, is seen out there, it is not seen really, as it was, in Egypt. The Egyptian Art World out there, was born of, not actually, making Egyptian Art (Dance mainly), but actually, from listening, to Egyptian Music (and derived, from Egyptian Dance too), and then seeking, to create, ones own Music (such as, with the Romanesque Art World, and India too), or even, new Dance (as with the Sufi Art World really). In all, these Art Worlds, are not truly, genuinely, Egyptian, as many do presuppose, but in all truly, inspired (as with original works even), by, Egyptian Music [and not, Egyptian Dance even].
You also have, what they do term, Egyptian Civilization. Egyptian Civilization, at its heart at least, refers to, the very fact, that those, who have evolved, in Egyptian Civilization, have a Voice, that sounds, in a certain manner/way [as with tonality, tone, bass, pitch etc.]. This in all too, does speak of, living in all truly, as the Egyptians did [including, what they ate, the clothes they put on, the social customs they adhered too etc.]. In many ways truly, Egypt perceived as this, truly speaks only of, the Old Kingdom, the New Kingdom, Pharaonic, and Dynasty Egypt too [with Thebes, being rather, somewhat, Graeco-Italian, with regards to all this]. An Egypt, many today, strongly identify with, but actually, as with historical accounts even, know little truly, about really.
You also have, what the Greeks, did term 'Aegyptus', or what can also be called 'the egypto-' world, it being really, an Egypt, primarily associated, with its Priesthoods [and especially too really, Kemetic], and its spread, of various Knowledgeable works, all over [with the Jewish World really (as with Phoenicia), and even, Ancient Spain truly, arising, as such really]. An Egypt, most truly still, don't know too much about, but as with 'the Secret History of the World', has probably come, to influence us, more, than most perhaps, do think.
Yet still, to say the least, all the above, were never truly Egypt, for Egypt, was only truly associated, with its Gods [who in many ways, did define, the 'Egyptians', as a Race really]. Gods too, never worshiped anywhere else, outside Egypt, as with the difficulty in all, associated with this. To understand best, the Egyptians as a Race, is to in all too, understand, the Egyptian Gods themselves, as with what truly, was expected of one, from, worshiping them. This is said, because, Egyptian Religion, differed drastically even, from other 'Civilizational Religion' [as with even, the rather huge false belief, that the Nubian Gods, were derived, from the Egyptian Gods too really] [In many ways really too, Egypt, only connects, outside of it (with regards to this), with Greece, where Gods, such as Hermes, were really, of, Egyptian origins]. While the Greek Gods, as distinct even, from other 'Civilizational Gods', inspired one (via their worship), to become in all, rather Gifted Muses [as with creating even, exceptional, Philosophical works really], and the Italian Gods, heavily associated, with giving one, Visions [and of all kinds really], the Egyptian Gods, actually turned one, into what one could best term, a Logician [this mentioned, because, the Greek Gods, turned the Greeks, into Sophists really (Philosophically gifted Muses), while the Italian Gods, turned them, into Thinkers] [a Logician on the otherhand, is someone in all, who actually, begins, theorizing really, from first principles (as with no knowledge even, of, anything)] [The Roman Gods, and European Gods even on the otherhand (they both derived, from the Greek Gods really, as with the Black Madonnas even), turned them, into Visionaries (or people in general, idea-filled, who then, bring them all together really)].
Why this is mentioned, is to perhaps, understand, not only, the Egyptians as a Race, but also too very much, the Italians, Greeks, Romans, or even, Europeans (French really), as with knowing even, in other Civilizations out there, the worship of their Gods, was associated truly too, with the use, of Oracles, to accumulate Knowledge in all [this is especially true even, of the Nubian and African Gods/gods too, which today, are falsely believed, somewhat Egyptian] [that in all, the heavy worship, of Gods in other Civilizations, went hand in hand, with, the developing really, of Oracles, not only, to accumulate Knowledge with (as with guidance), but also, with regards, to understanding oneself, religiously] [in all, Gods truly, that demanded, their adherents, to fully even, memorize, several hundred pages, of, Oracle material in itself].
This in all, is the key, to understanding (or seeing even), the Egyptians, as they truly really were.
[even the worship, of Isis, in Europe, was done mainly, from a 'god' perspective, or even truly, via, the 'egypto-' world (as with selected prayers even, to be recited)] [In Europe, Europeans, were not associated for instance, with the Drama, associated, with Isis in all]
To in all too, see the Egyptians, as they truly were [and as people even really, and even too perhaps, as they walked truly], is to perhaps too really, see them, from the primary colours, often hiddenly associated, with, Egypt [as with in all, these colours, as with hues even, demonstrating perhaps, how, the Egyptians in all, did Exclaim, or even, react, in Shock (respectively)]:
(Exclaim)
(Shock)
*This all, is truly, the key, to understanding, the Egyptian Gods, as with they, primarily really, teaching one, how, to Exclaim, or even too really, how, to react in all, to Shock really.
Friday, July 29, 2011
Ancient Greece
Ancient Greece (moods and themes too), as it once did look too, in the ancient times.
Wednesday, July 27, 2011
Power vs. Energy
The arguments, about Power and Energy, never do truly end. Most know today, or perhaps really, fail to realize, that we actually, live, in a Power filled World [and not, Energy driven, as many (the Media even), would want us, to believe].
We live, in Power filled worlds, and most, fail to realize really, just how backward, all this really is [for Power, was unused, in the rather Ancient times, before, Humans, discovered how in all, to harness, Energy] [this goes too, in alignment, with Religious Thought (as with 'Mind energy', in the form of thoughts, creating reality), and in many ways, speaks of how, Religion, does truly, view, Evolution on this Earth (Power vs. Energy)].
[This does differ too, from Evolutionary Psychology, which does speak, of Evolution, from a Cultural (Archeology, Anthropology etc.), perspective, and also, general Evolutionary Theory, which speaks of Evolution mainly, from the perspective, of Intelligence garnering really (Stone-Age, Iron-Age etc.)]
Power today, is highly manifest, in the form of Images [and not the Word truly]. Images, very Western in nature, as with in all, symbolizing, White Power, White Thought, and even, White Speech too really [White Power, with regards really, to a belief, that White skinned people, are somewhat, more innately powerful, than the rest of us (and as with history even); White Thought, with the general belief, that 'White People', simply know, how to solve problems, better than the rest of us; White Speech, with a belief, in Power based Objects (like Calculators), and the fact, unknown to many, that many Power based Objects today, go hand in hand even, with White Speech really]
What in all, is been said, is that, most live, unknowingly really, in (a) White Image filled, Power environment(s), believing, falsely even [as with freeing ones mind too really], that survival in all, is totally truly, associated, with the three above: White Power, White Thought, and finally even, White Speech really.
One must free, their minds, from such erroneous thought [especially that, of a belief, in innately powerful, white skinned people], by realizing, as with the ancients even, that Power, is a primitive way actually [as with the Wheel invention], of doing things. The Ancients in all, always did use, Energy [as with mind held thoughts, creating reality really].
One must be able, to know, the difference, between Power, and Energy, sensually [that Power, is in all, 'sensed out', while Energy, is in all, 'felt out'].
Knowing this, is knowing, that one, can easily solve, most of their problems, by understanding (attempting at least even), Energy, in itself, but also knowing too, that different forms of Energy, actually, do suit, different Regions, of the World [in all, that the 'Power of Imagination', is infinitely superior, to that, of the Computer too really].
[If one, was to walk in, into a bookshop for instance, one could easily know, a good book for one, by knowing, that books, written from the Energy perspective, can be 'felt out', while those, written from a Power perspective, can be 'sensed out'] [Knowing this, is to know, that Power today, is highly, of the Military nature (as with Military Research even), and that, most books out there, problem solving, are useless to one, as they do not offer really (highly problematic even), militaristic solutions]
Below, will be presented, to the Masses, various forms of Energy (per Region), which, when well understood [as with study & thought] [and as with, their generation even], can be used, to solve or deal with even, just about, any kind of problem, one faces. That in all, when one truly understands, Energy (as with study even), one can do, anything, they truly wish to do.
North America: Sound Energy
- those in North America, will realize, that the efficient use, of Sound Energy [as with speech control even], is actually, the way, just about, anything, gets done really.
South America: Wind Energy
- for those in South America, understanding truly, Wind Energy (as with even, how it is generated in all), is not only, the key, to knowing how, to hold a Mass Protest, but also too, how to change, swiftly even, when the need really, is called upon.
Europe: Water Energy
- what really though, is Water Energy? It is in all, Potential Energy, and Kinetic Energy too (two forms of Energy, falsely presumed, to be part, of other forms of Energy). In Europe, understanding Water Energy, as with Insight really too, speaks of, understanding things, from Potential(s) [including Alkaline Batteries], to Kinetic(s) [including the Mechanical (and not, Mechanics)].
Africa: Light Energy
- in Africa, Energy, is best utilized, from the perspective, of Light Energy [and not, Solar Energy either]. Light Energy here, speaks of really, what Light in all, does do to something [as not only, with the 'surficial', but also, with regards, to affecting, afflicting, or confusing something really]. That in all, thats generally how, those in Africa, should think really, with regards, to doing anything [as with the African gods too really] [or the Nubian Gods even]
South East Asia: Heat Energy
- those in South East Asia, will find, that even getting a date from someone, involves somewhat, 'putting the heat', on them, as with attempting in all, strongly perhaps even, to convince them (as such) [and in many ways too really, Lord Rama, is, Heat Energy, personified].
East Asia: Geothermal Energy
- those in East Asia, will find, that Energy, in their worlds, operates truly, along the lines, of Geothermal Energy really. Geothermal Energy here, speaks not only of, Hot Springs (and other such Aquifers), but also, of the world really, of Fuels [from Oil, to even, Biomass]. In all really, Energy, based highly on, the 'burning' perhaps, of, Natural materials.
The Middle East: Atomic Energy
- Atomic Energy, is highly misunderstood in many ways, with all the talk, of splitting atoms (and the likes even). Atomic Energy though, actually does speak of, the Newtonian World, of Newtonian Forces [and 'Mechanics', in general too], and in all, not studying only, the motion/movement/activity, of the Earth itself [as with Tesla even], but also, of the Planets themselves [as with Astro-physics] [in all, studies too, based on pull and pushes (as with, the Newtonian Forces themselves, and 'Mechanics' too)]
[In Italy, Energy, was partly studied, from the perspective, of 'Planetary Motion' really, but along the lines, of Centrifugal, and Centripetal forces too really (and the world too even, of Nuclear Energy)]
Afrique: Solar Energy
- in Afrique, one would find, that understanding Solar Energy, is actually, the way to do, just about anything. Solar Energy, differs, from Light Energy, as it in all, speaks of really, a study of (Solar) Energy, as with regards really, to Gravity, Electromagnetism, Electric Charge (Weak force), and finally, Vapours/Gas (Strong force). In all really, the world, that not only gave one, Electricity (Electromagnetism), or even, Electronics (Electric Charge), but also too, the Gas Cooker (Vapours/Gas) [and a way too, of conceiving Energy, not only seen, in 18th Dynasty Egypt (as with Aten Worship really), but also, in Italian Civilization (and the discovery in all, of Gravity, Electromagnetism, Electric Charge, and Vapours/Gas too really)]
We live, in Power filled worlds, and most, fail to realize really, just how backward, all this really is [for Power, was unused, in the rather Ancient times, before, Humans, discovered how in all, to harness, Energy] [this goes too, in alignment, with Religious Thought (as with 'Mind energy', in the form of thoughts, creating reality), and in many ways, speaks of how, Religion, does truly, view, Evolution on this Earth (Power vs. Energy)].
[This does differ too, from Evolutionary Psychology, which does speak, of Evolution, from a Cultural (Archeology, Anthropology etc.), perspective, and also, general Evolutionary Theory, which speaks of Evolution mainly, from the perspective, of Intelligence garnering really (Stone-Age, Iron-Age etc.)]
Power today, is highly manifest, in the form of Images [and not the Word truly]. Images, very Western in nature, as with in all, symbolizing, White Power, White Thought, and even, White Speech too really [White Power, with regards really, to a belief, that White skinned people, are somewhat, more innately powerful, than the rest of us (and as with history even); White Thought, with the general belief, that 'White People', simply know, how to solve problems, better than the rest of us; White Speech, with a belief, in Power based Objects (like Calculators), and the fact, unknown to many, that many Power based Objects today, go hand in hand even, with White Speech really]
What in all, is been said, is that, most live, unknowingly really, in (a) White Image filled, Power environment(s), believing, falsely even [as with freeing ones mind too really], that survival in all, is totally truly, associated, with the three above: White Power, White Thought, and finally even, White Speech really.
One must free, their minds, from such erroneous thought [especially that, of a belief, in innately powerful, white skinned people], by realizing, as with the ancients even, that Power, is a primitive way actually [as with the Wheel invention], of doing things. The Ancients in all, always did use, Energy [as with mind held thoughts, creating reality really].
One must be able, to know, the difference, between Power, and Energy, sensually [that Power, is in all, 'sensed out', while Energy, is in all, 'felt out'].
Knowing this, is knowing, that one, can easily solve, most of their problems, by understanding (attempting at least even), Energy, in itself, but also knowing too, that different forms of Energy, actually, do suit, different Regions, of the World [in all, that the 'Power of Imagination', is infinitely superior, to that, of the Computer too really].
[If one, was to walk in, into a bookshop for instance, one could easily know, a good book for one, by knowing, that books, written from the Energy perspective, can be 'felt out', while those, written from a Power perspective, can be 'sensed out'] [Knowing this, is to know, that Power today, is highly, of the Military nature (as with Military Research even), and that, most books out there, problem solving, are useless to one, as they do not offer really (highly problematic even), militaristic solutions]
Below, will be presented, to the Masses, various forms of Energy (per Region), which, when well understood [as with study & thought] [and as with, their generation even], can be used, to solve or deal with even, just about, any kind of problem, one faces. That in all, when one truly understands, Energy (as with study even), one can do, anything, they truly wish to do.
North America: Sound Energy
- those in North America, will realize, that the efficient use, of Sound Energy [as with speech control even], is actually, the way, just about, anything, gets done really.
South America: Wind Energy
- for those in South America, understanding truly, Wind Energy (as with even, how it is generated in all), is not only, the key, to knowing how, to hold a Mass Protest, but also too, how to change, swiftly even, when the need really, is called upon.
Europe: Water Energy
- what really though, is Water Energy? It is in all, Potential Energy, and Kinetic Energy too (two forms of Energy, falsely presumed, to be part, of other forms of Energy). In Europe, understanding Water Energy, as with Insight really too, speaks of, understanding things, from Potential(s) [including Alkaline Batteries], to Kinetic(s) [including the Mechanical (and not, Mechanics)].
Africa: Light Energy
- in Africa, Energy, is best utilized, from the perspective, of Light Energy [and not, Solar Energy either]. Light Energy here, speaks of really, what Light in all, does do to something [as not only, with the 'surficial', but also, with regards, to affecting, afflicting, or confusing something really]. That in all, thats generally how, those in Africa, should think really, with regards, to doing anything [as with the African gods too really] [or the Nubian Gods even]
South East Asia: Heat Energy
- those in South East Asia, will find, that even getting a date from someone, involves somewhat, 'putting the heat', on them, as with attempting in all, strongly perhaps even, to convince them (as such) [and in many ways too really, Lord Rama, is, Heat Energy, personified].
East Asia: Geothermal Energy
- those in East Asia, will find, that Energy, in their worlds, operates truly, along the lines, of Geothermal Energy really. Geothermal Energy here, speaks not only of, Hot Springs (and other such Aquifers), but also, of the world really, of Fuels [from Oil, to even, Biomass]. In all really, Energy, based highly on, the 'burning' perhaps, of, Natural materials.
The Middle East: Atomic Energy
- Atomic Energy, is highly misunderstood in many ways, with all the talk, of splitting atoms (and the likes even). Atomic Energy though, actually does speak of, the Newtonian World, of Newtonian Forces [and 'Mechanics', in general too], and in all, not studying only, the motion/movement/activity, of the Earth itself [as with Tesla even], but also, of the Planets themselves [as with Astro-physics] [in all, studies too, based on pull and pushes (as with, the Newtonian Forces themselves, and 'Mechanics' too)]
[In Italy, Energy, was partly studied, from the perspective, of 'Planetary Motion' really, but along the lines, of Centrifugal, and Centripetal forces too really (and the world too even, of Nuclear Energy)]
Afrique: Solar Energy
- in Afrique, one would find, that understanding Solar Energy, is actually, the way to do, just about anything. Solar Energy, differs, from Light Energy, as it in all, speaks of really, a study of (Solar) Energy, as with regards really, to Gravity, Electromagnetism, Electric Charge (Weak force), and finally, Vapours/Gas (Strong force). In all really, the world, that not only gave one, Electricity (Electromagnetism), or even, Electronics (Electric Charge), but also too, the Gas Cooker (Vapours/Gas) [and a way too, of conceiving Energy, not only seen, in 18th Dynasty Egypt (as with Aten Worship really), but also, in Italian Civilization (and the discovery in all, of Gravity, Electromagnetism, Electric Charge, and Vapours/Gas too really)]
Tuesday, July 26, 2011
Italian Civilization (Malta)
and as with, Amunet really too.
How to start of Civilization:
1. Thebes based Media (and centered around, Opera, Italian, as a traditional form, of music really) [and based around too, totally embodying, Black Green, as a colour (themes and moods)]
2. Imaginative Writings (of the Religious and Spiritual kind too) [and all this too, centered around, the Monastery, as a Learning Center really] (Italian-English too, is required, as a prerequisite, to joining, this 'course')
3. Italian Ancestor Veneration, of Italian Ancestors [and in many ways too, the basis of formulating ones life (as with the Body even), as an (Italian) Jinni, or even, an (Italian) Psychai]
The name Malta, while having, Thebes Egypt antecedents, is actually truly, inspired, by its association really, with rather famed in all, Italian Artist, Donatello (Brown) [and probably, the greatest Italian, that ever lived really]
How to start of Civilization:
1. Thebes based Media (and centered around, Opera, Italian, as a traditional form, of music really) [and based around too, totally embodying, Black Green, as a colour (themes and moods)]
2. Imaginative Writings (of the Religious and Spiritual kind too) [and all this too, centered around, the Monastery, as a Learning Center really] (Italian-English too, is required, as a prerequisite, to joining, this 'course')
3. Italian Ancestor Veneration, of Italian Ancestors [and in many ways too, the basis of formulating ones life (as with the Body even), as an (Italian) Jinni, or even, an (Italian) Psychai]
The name Malta, while having, Thebes Egypt antecedents, is actually truly, inspired, by its association really, with rather famed in all, Italian Artist, Donatello (Brown) [and probably, the greatest Italian, that ever lived really]
Relics (school of Americanista Historic Studies)
Relics, are something, most today, never do really think about, and even going as far, as to confuse them really, with Antiques, or even, Artefacts truly. Artefacts, known in many ways, speak really of, objects truly, that tell us, rather intimately even, whom a people (often ancient in their ways), truly were perhaps. They in all, truly embody a people, in an object, of one kind, or another [but today, often only perceived, from the 'Aesthetics' point of view really]. Antiques though on the otherhand, consist truly of, olden day objects, still existing in all, as they pretty much, did, in their time.
Relics, unknown to many really, speak of actually, cultural activities [deemed primeval often], that have been practised [in a Region too really], from even, the ancient days themselves. Cultural practises, passed down by Century really (and not Generation), and in many ways truly, connect us, to the ancient times, as with they, having never truly really, changed at all [as with us in all really too, strongly even, identifying, with the ancients themselves even].
Below, will be presented, various cultural practises (primeval even) [and Relics in all too], that truly, do connect us, to the ancients, and very much too also, to the Regions, one does live in [as with in all, fitting in really, to anything, happening, in and about too really].
North America: The Lake
Historically, life in North America, has always revolved, around the Lake, with it seen, as a place really, to Swim, go Canoeing, or even, as simply, a Meditative spot, one can resort too. In all, Billy Budds, true hiding place really.
South America: The Library
In South America, life truly, has in many ways, revolved around, the Library [as a place, of Solace, Fun, and even, engaging chatting too even]. A life, based around, reading all kinds of works (as with self-improvement basically), and progressing in life too, based around, all this really [Library here, does also include, the 'movie library', amongst, other such libraries even too].
Europe: The Cathedral
In Europe, life has always revolved, around the Cathedral, and primarily, as with Meditative Prayer really [and not, simply, just Prayer really]. Yet still too really, the Wedding, has in many ways too, highly defined, European life, as has Morning/Evening/Night church services (of all kinds), and finally even, Festivals/Celebrations [and Galas even too], and of all kinds too really.
Africa: The Market Square
The 'Market Square', unknown to many, has its origins, in the African 'world' [Ghana Kingdoms, and especially too even, the Ashanti/Akan peoples], and was taken, to Europe (the UK really), by Ashanti/Akan immigres, to the place [in the mid-late 19th Century]. In many ways, the 'Market Square', has traditionally always, been a place, where Africans, met friends and outsiders really (especially political), to their 'Squares', where one too, heard the 'latest', in all forms really, of developments, and finally, as with Timbuktu even [and with it, once being a center, of World Trade too even], where one, could buy, the most, interesting, of all things really.
South East Asia: The Temple
In South East Asia, life has truly, always revolved, around the Temple. It being, a place for prayer [and the offering, of 'thankings' really (and not alms)], a place too, for community get togethers, and finally even, as with evening seances, a place to hold, all forms and kinds, of meetings and classes even, for the benefit of all [and running even, late, into the nights too really].
East Asia: Martial Arts Schools
In East Asia, life truly, has always revolved (unnoticeably even), around, Martial Arts schools. 'schools' too, which heavily figured, in East Asian political life [as with even, all forms, of security really], and places too, where one went to meditate really (and seek out, the advice even, of a trained 'master' really, on all kinds of things); and finally, as with the Dojo even, not only a place, to seek out, a physical education really, but also too, a place, where all forms of Texts (ancient and modern), were stored, and deemed too, rather beneficial, to their populaces.
The Middle East: Madarassas
Madarassas, often commonly seen, in the Islamic world really, take, a rather interesting approach, in the Middle East, with the conceptualization really, of 'Higher Learning' [in the form too, of the Institute really, and not, the Institutional]. 'Higher Learning' here, encompassing too, Night School, Evening Classes, or even, the rather famed in all, Technical Institute too really [and the saviour in many ways, of Africa today really]. Madarassas in all, were places, where one met new friends (and people in general too really), learned all forms, of interesting Knowledge (including, Esotericism, or even, Highly Practical Knowledge too really), and finally, places where one, could get, all kinds of help needed, in an endevour (or pursuit really), of any kind [as with Research materials even, or even too really, Monetary funding really].
[In Italy, while life, mirrored that of Europe, it however was mainly really, based around, the Church (and not Cathedral), with the Church too, as a form or kind really, of Learning Center truly. This too though, was also accompanied, by the worship, of certain Greek & Roman gods, such as Apollo, who in all, as with the Egyptian Gods, taught/enlightened/educated one, on all forms, of Knowledge really (from Love, to Sexuality, or even, Money too really)]
Afrique: The Fire Camp
The Campfire, has in all, been a rather, highly culturally spiritually, way of living, seen in Afrique (through the ages). In many ways, as with, the traditional tribes [and Cushitic too really], seen in the place, life, was heavily based around, the Campfire, as a meeting place really, to speak, and talk, on all kinds of things really. Campfires too, that went on, through most of the night, ending usually, in the early mornings [5:00 a.m], with life in general, in Afrique, often for many, beginning by 10:00 a.m, and ending, by 4:00 p.m. The Fire Camp on the otherhand, as a cultural relic really, does have its origins, with Americanistas in Afrique, but also adopted too, by the Victorians, in Kenya [with the Fire Camp too in all, falsely believed, a way of life even, seen in Europe, and North America (instead, of the Cathedral, and Lake too really)]. The Americanista Fire Camp, was one where, one simply lived in (partly), studied within too really, and also, engaging in all forms, of religious practises (Osiris based too) [which including, Hunting even]. The Victorian Fire Camp though, was one, where one ate, the most interesting of foods, partied, with all kinds, of surprise guests [which eventually, made Kenya, a top tourist destination, as really with, the different kinds, of peoples (surprisingly), one would meet] [including, top scholars, to movie actors even], and in general, engaged in all forms, of camaraderie, from, book readings, to watching 'films' (of the projector kind), to engaging in prayer service [along the lines, of the modern Mass], and finally even, forming relationships, of all kinds really [including, the International (work based) even]. In all really, a place, where one met, all forms of people (as with they, popping in), and giving rise influentially, to all forms too, of late-night bars and clubs, seen all over Afrique, today.
[Do note, that all the above really, is how, life has truly, been lived, in the ancient past, and not, based around, 'Recreation', as many today, often, falsely imagine, or believe even too really]
Relics, unknown to many really, speak of actually, cultural activities [deemed primeval often], that have been practised [in a Region too really], from even, the ancient days themselves. Cultural practises, passed down by Century really (and not Generation), and in many ways truly, connect us, to the ancient times, as with they, having never truly really, changed at all [as with us in all really too, strongly even, identifying, with the ancients themselves even].
Below, will be presented, various cultural practises (primeval even) [and Relics in all too], that truly, do connect us, to the ancients, and very much too also, to the Regions, one does live in [as with in all, fitting in really, to anything, happening, in and about too really].
North America: The Lake
Historically, life in North America, has always revolved, around the Lake, with it seen, as a place really, to Swim, go Canoeing, or even, as simply, a Meditative spot, one can resort too. In all, Billy Budds, true hiding place really.
South America: The Library
In South America, life truly, has in many ways, revolved around, the Library [as a place, of Solace, Fun, and even, engaging chatting too even]. A life, based around, reading all kinds of works (as with self-improvement basically), and progressing in life too, based around, all this really [Library here, does also include, the 'movie library', amongst, other such libraries even too].
Europe: The Cathedral
In Europe, life has always revolved, around the Cathedral, and primarily, as with Meditative Prayer really [and not, simply, just Prayer really]. Yet still too really, the Wedding, has in many ways too, highly defined, European life, as has Morning/Evening/Night church services (of all kinds), and finally even, Festivals/Celebrations [and Galas even too], and of all kinds too really.
Africa: The Market Square
The 'Market Square', unknown to many, has its origins, in the African 'world' [Ghana Kingdoms, and especially too even, the Ashanti/Akan peoples], and was taken, to Europe (the UK really), by Ashanti/Akan immigres, to the place [in the mid-late 19th Century]. In many ways, the 'Market Square', has traditionally always, been a place, where Africans, met friends and outsiders really (especially political), to their 'Squares', where one too, heard the 'latest', in all forms really, of developments, and finally, as with Timbuktu even [and with it, once being a center, of World Trade too even], where one, could buy, the most, interesting, of all things really.
South East Asia: The Temple
In South East Asia, life has truly, always revolved, around the Temple. It being, a place for prayer [and the offering, of 'thankings' really (and not alms)], a place too, for community get togethers, and finally even, as with evening seances, a place to hold, all forms and kinds, of meetings and classes even, for the benefit of all [and running even, late, into the nights too really].
East Asia: Martial Arts Schools
In East Asia, life truly, has always revolved (unnoticeably even), around, Martial Arts schools. 'schools' too, which heavily figured, in East Asian political life [as with even, all forms, of security really], and places too, where one went to meditate really (and seek out, the advice even, of a trained 'master' really, on all kinds of things); and finally, as with the Dojo even, not only a place, to seek out, a physical education really, but also too, a place, where all forms of Texts (ancient and modern), were stored, and deemed too, rather beneficial, to their populaces.
The Middle East: Madarassas
Madarassas, often commonly seen, in the Islamic world really, take, a rather interesting approach, in the Middle East, with the conceptualization really, of 'Higher Learning' [in the form too, of the Institute really, and not, the Institutional]. 'Higher Learning' here, encompassing too, Night School, Evening Classes, or even, the rather famed in all, Technical Institute too really [and the saviour in many ways, of Africa today really]. Madarassas in all, were places, where one met new friends (and people in general too really), learned all forms, of interesting Knowledge (including, Esotericism, or even, Highly Practical Knowledge too really), and finally, places where one, could get, all kinds of help needed, in an endevour (or pursuit really), of any kind [as with Research materials even, or even too really, Monetary funding really].
[In Italy, while life, mirrored that of Europe, it however was mainly really, based around, the Church (and not Cathedral), with the Church too, as a form or kind really, of Learning Center truly. This too though, was also accompanied, by the worship, of certain Greek & Roman gods, such as Apollo, who in all, as with the Egyptian Gods, taught/enlightened/educated one, on all forms, of Knowledge really (from Love, to Sexuality, or even, Money too really)]
Afrique: The Fire Camp
The Campfire, has in all, been a rather, highly culturally spiritually, way of living, seen in Afrique (through the ages). In many ways, as with, the traditional tribes [and Cushitic too really], seen in the place, life, was heavily based around, the Campfire, as a meeting place really, to speak, and talk, on all kinds of things really. Campfires too, that went on, through most of the night, ending usually, in the early mornings [5:00 a.m], with life in general, in Afrique, often for many, beginning by 10:00 a.m, and ending, by 4:00 p.m. The Fire Camp on the otherhand, as a cultural relic really, does have its origins, with Americanistas in Afrique, but also adopted too, by the Victorians, in Kenya [with the Fire Camp too in all, falsely believed, a way of life even, seen in Europe, and North America (instead, of the Cathedral, and Lake too really)]. The Americanista Fire Camp, was one where, one simply lived in (partly), studied within too really, and also, engaging in all forms, of religious practises (Osiris based too) [which including, Hunting even]. The Victorian Fire Camp though, was one, where one ate, the most interesting of foods, partied, with all kinds, of surprise guests [which eventually, made Kenya, a top tourist destination, as really with, the different kinds, of peoples (surprisingly), one would meet] [including, top scholars, to movie actors even], and in general, engaged in all forms, of camaraderie, from, book readings, to watching 'films' (of the projector kind), to engaging in prayer service [along the lines, of the modern Mass], and finally even, forming relationships, of all kinds really [including, the International (work based) even]. In all really, a place, where one met, all forms of people (as with they, popping in), and giving rise influentially, to all forms too, of late-night bars and clubs, seen all over Afrique, today.
[Do note, that all the above really, is how, life has truly, been lived, in the ancient past, and not, based around, 'Recreation', as many today, often, falsely imagine, or believe even too really]
Knowledge Systems & the Freudian
The 'Pleasure Principle', is a concept really, coined in all, by Sigmund Freud. At its very base really, it speaks of, the belief really, that everything we do, in life, should have, an element, or aspect really even, of pleasure somewhat, to it all. That in many ways, this is truly, the goal of life itself.
Knowledge Systems in all though, are associated too really, with various physical points, in our bodies. These points, three of them perhaps really, influence too really, how in all, we do in average truly really, do function in all.
For instance really, Knowledge Systems, associated, with our Working Memory, and even truly really, our Higher Beings, are strongly too associated, with our "Anal spot" too. That in all really, when we have Anal issues, of any kind really, it in all means, we are actually, hampered really, from acting/reacting automatically, systematically, and congenially/realistically too.
Knowledge Systems too, associated, with our Preconscious Memory, and even too, our Speech abilities, appear to be strongly connected, to pressure points, seen in our Wrists. That in all, having weakened Wrists, or even, fragile ones, results in us in all, developing truly, speech problems, of all kinds and forms.
Knowledge Systems too finally, associated, with our Long-term Memory, and in all too, our abilities even, to properly Write, Read and Count too really, are in all truly really, connected, to our Sinuses. That in all, having improper working Sinuses, does hamper truly, our abilities, to, Read, Write, or even Count too.
In all, it can be said, problems within [and with really], the above physical/'pressure' points, do hamper, our ability, to experience any form, of pleasure really, as with hampering even (or interfering really), with the proper workings, of our 'Knowledge Systems' in all too.
Knowledge Systems in all though, are associated too really, with various physical points, in our bodies. These points, three of them perhaps really, influence too really, how in all, we do in average truly really, do function in all.
For instance really, Knowledge Systems, associated, with our Working Memory, and even truly really, our Higher Beings, are strongly too associated, with our "Anal spot" too. That in all really, when we have Anal issues, of any kind really, it in all means, we are actually, hampered really, from acting/reacting automatically, systematically, and congenially/realistically too.
Knowledge Systems too, associated, with our Preconscious Memory, and even too, our Speech abilities, appear to be strongly connected, to pressure points, seen in our Wrists. That in all, having weakened Wrists, or even, fragile ones, results in us in all, developing truly, speech problems, of all kinds and forms.
Knowledge Systems too finally, associated, with our Long-term Memory, and in all too, our abilities even, to properly Write, Read and Count too really, are in all truly really, connected, to our Sinuses. That in all, having improper working Sinuses, does hamper truly, our abilities, to, Read, Write, or even Count too.
In all, it can be said, problems within [and with really], the above physical/'pressure' points, do hamper, our ability, to experience any form, of pleasure really, as with hampering even (or interfering really), with the proper workings, of our 'Knowledge Systems' in all too.
Monday, July 25, 2011
Knowledge Systems
Most have probably heard, of the term 'Knowledge Systems', but especially perhaps really, in the form of, Traditional Knowledge Systems. Many though, don't truly really know, what Knowledge Systems, actually do refer to really. Knowledge Systems, to be perceived right, should actually be known/realized as, pretty much, Solitary Knowledge Systems [but with they, actually being rather, Communal too, and not actually, Community based really].
To understand this better, is to know, that the Solitary Figure/figure, is pretty much, whom we are, as defined by, our Memory Systems [and in all truly really, our Working Memory, Long-term Memory, and Preconscious Memory too even]. Having said this, and the reader perhaps too, having come to comprehend this, is to know, perhaps, that there are, certain specific, Knowledge Systems, that drive us really, as awakened beings, associated, with these three, forms of Memory.
The first kind, of Knowledge Systems, associated with our Memories as such [and Working Memory specifically], has actually, to do, with our Higher Beings. Knowledge Systems, that truly, teach us, how to function, work, or operate even, along the lines, of our Higher Beings, but today actually, replaced in all really, by News Media (of one kind, or another) [News Media, also pretty much includes, modern Education initiatives] [to understand this better, is to know, that how we function, work, or operate too even, as our Higher Beings, has to do, with how, we act/react, automatically, congenially/realistically, and systematically (protocol like) too even (which News Media, in all its forms really, today, highly attempts, to teach us how to do) (i.e. act/react, automatically, congenially/realistically, and, systematically too even)].
The second kind of Knowledge Systems, associated with our Memories [Preconscious Memory really], has actually to do, with our Speech abilities. Speech in all, determines, not how we think really, but actually truly, how we actually, do think things up. Speech too, traditionally, has always been associated, with 'Tongues', and not, Languages solely. Most today though, don't speak really, any form or kinds, of 'Tongues' really, but actually truly speak in, modern manners and ways, which speaks of really, modern languages. Problem with Language/language, is that, it does not, allow one really, to think up, anything really, other than thoughts, truly associated, with Vocabulary too really. 'Tongues' on the otherhand, as with being mystical too, allow for one, to think up, even the most, magical, of thoughts even really too. In all truly, many today, are truly messed up, due to not only, not speaking 'Tongues', but also too really, speaking rather, poor even, modern Languages/'languages' (slangs really). This, as with our Memory Systems even, having proper organization, as with regards really, to access too, can only be rectified really, by the learning truly, of an olden 'Tongue' [as with the recommending, of Greek, Sanskrit, Urdu etc., for the various, different Regions, of the World].
The third kind of Knowledge, and associated, with our Memories too [Long-term Memory], has in all really, with our abilities, to master, what some do term, the 3 R's [Reading, Writing and Arithmetic]. What many though, do not, discern really, is that, there do exist, several, Reading formats ('How to Read' entry for instance), Writing systems, and even, Counting Systems too really. To understand, the importance, of the 3 R's, in our daily lives, is to know, that, they are highly associated, with the general (at least), everyday runnings really, of, our societies & Society. Knowing this, and knowing, that different forms, of the 3 R's, do exist, is to know too, that our Writing Systems today, come from Europe (as with the modern alphabet really), our Reading Systems, Byzantine (as with being displayed really, and not, showcased or even, demonstrated perhaps really) ('demonstrated', as with a work, by Dumas), and finally, our Counting Systems, Islamic (and heavily too, Decimal based). Olden Societies, did actually, have different forms and kinds, of the 3 R's, that were best suited, for their communities, with a common system really, in many ways truly today, giving birth, to what, they do term, Internationalism [and pretty much, the attempt, to Standardize, just about everything out there, to be equal, and the same even]. In many ways, one can say, it is this, Standardization, of the 3 R's, that in many ways truly, did kill, the old Worlds.
Western Knowledge Systems:
The attempt to kill, Traditional Knowledge Systems really, and the Solitary being in all too, has to do pretty much, with replacing them, with Western Knowledge Systems [News Media, modern English (Business like), and finally, the known today, 3 R's (as mentioned above)]. In all, Knowledge Systems, created, to turn those, deemed Non-Western, into servile like beings [meaning in all, non-threatening truly, by nature] (or even truly really, the world, of Inferiority Complexes too). In many ways, these Western Knowledge Systems, have turned the World, not only to one, highly based, on 'Square Views' ('The View' entry), but also too unknown to many really, the birth, of Western Social and Societal problems even [that displaying Knowledge in general, leads truly, to a culture, of noticing things, and in many ways too, making crime (western), highly based, on the noticeable really] [Yet still, there is nothing much too wrong, with the 3 R's, as conceptualized today (this conceptualization, interestingly enough, having arisen, in Prussian Russia) (and taken worldwide too even, by Prussian and Russian, Academics), but still, what is actually been said, is that, there do exist, other such 3 R's, which would serve, peoples around the World, in better ways, than that used today (western)] [even then, perhaps, one can be standardized, for international use (as with saying truly, the western method of this, is actually, not the best truly)].
Modern Democracy & Demagogy:
Unknown to most really, what Western Knowledge Systems, truly did do, to the Masses/World, is actually, did formally create, Modern Democracy (and modern Demagogy too even). To understand all this better, is perhaps to know, what truly lies, at the heart, of Demagogy itself [and as a form of control really too]. Demagogy, does not actually have to do, with controlling, the attempt, to speak out, about, ones 'rights' really [as with often a politician, asking one, to 'speak up'], but actually really, has to do, with controlling really, how one (we all really), do actually, do Talk. When you manipulate one (another), based on how, they Talk, you imbue in them really, a Castration Complex, of a kind [that in all, poor talkers (and not speakers too either), are actually in all, losers really, of one kind or another].
For many out there too, with Sexual Issues (of any kind really) [including a fear, of women even], do note, it has to do, with the inability really, of one, to express themselves, as talkers.
To understand truly, the rise of Demagogy, and even too, the formalization, of Modern Democracy, is to know really, of a Wave of Violence, that did sweep the earth, during the Sixties, and 70's even. A Wave of Violence, whose goal in all, was to implement Demagogy, not in Society really, but actually really truly, in Households [and seeing the rise, of not only, Feminist Society, but also actually too, the spread, of the worship really, of Satanism all over].
This Wave of Violence, not only cemented, Feminism, all around the World really, but what truly, did make for all this, was the kind, of Violence perpetrated [violence, in the form really, of Bands (as with Banditry even), and not, Groups (as many presuppose even)]. A Wave of Violence, targeted at those (men really), who chose in all, to be Independent, in one way, or another [with the end goal of all this, being in all at least, the coming of Women, in the Western World atleast, in to controlling, Western Financial & Monetary Systems] [and its various, ups and downs too really] (as with overspending (national budgets), based on, simply enjoying themselves truly).
This Wave of Violence, did have, its repercussions [severe even], with in general, the end result being, a Western World in all, facing Economic collapse, and the subsequent rise, of the attempt in all, to 'destroy', non-Western Economies, in favour really, of, Western Economies [as with FDI even]. A Wave of Violence too, as with Religion really, sees in all to, a culture, based around Sex/Pornography, Violence (even Teen), and Drugs/Crime (and Money laundering too really), rise up, in and around the World, not only, somewhat destroying communities (and Economies too) all over, but also in all, making lots of money really, for the Western World [which included even, killing off, some of their populations, in this manner].
To deal with all this, what they do term, State Procedure [best exemplified perhaps, by the US Government] [as with Press Meetings, or even, TV Presidential Addresses], was born to really, to help deal, with all this, that was happening [as with even, the rather famed 'State of the Union' broadcasts]. This world, of State Procedure [and heavily too, of Prussian origins really], and perhaps too, best exemplified in all, by Henry Kissinger (in his White House years), gave birth, to the world, of Political Stagings [coups, overthrows, or even, falsified Economic based news]. A world too, that saw, the rise, of International Diplomacy (as perceived today really), to help deal, with all this [as even, with the creation, of all forms and kinds, of Unions (the EU for instance), Coalitions, Alliances etc.], and in all too really, the very creation, of the Modern World [highly militarized even], that we all do really, live in, today.
[Kissinger, did not actually write, the Text below, recommended for those, interested somewhat, in how, we all got here; it however though, was written, by someone, well acquainted with Kissinger, and also too, of Prussian descent]
To understand this better, is to know, that the Solitary Figure/figure, is pretty much, whom we are, as defined by, our Memory Systems [and in all truly really, our Working Memory, Long-term Memory, and Preconscious Memory too even]. Having said this, and the reader perhaps too, having come to comprehend this, is to know, perhaps, that there are, certain specific, Knowledge Systems, that drive us really, as awakened beings, associated, with these three, forms of Memory.
The first kind, of Knowledge Systems, associated with our Memories as such [and Working Memory specifically], has actually, to do, with our Higher Beings. Knowledge Systems, that truly, teach us, how to function, work, or operate even, along the lines, of our Higher Beings, but today actually, replaced in all really, by News Media (of one kind, or another) [News Media, also pretty much includes, modern Education initiatives] [to understand this better, is to know, that how we function, work, or operate too even, as our Higher Beings, has to do, with how, we act/react, automatically, congenially/realistically, and systematically (protocol like) too even (which News Media, in all its forms really, today, highly attempts, to teach us how to do) (i.e. act/react, automatically, congenially/realistically, and, systematically too even)].
The second kind of Knowledge Systems, associated with our Memories [Preconscious Memory really], has actually to do, with our Speech abilities. Speech in all, determines, not how we think really, but actually truly, how we actually, do think things up. Speech too, traditionally, has always been associated, with 'Tongues', and not, Languages solely. Most today though, don't speak really, any form or kinds, of 'Tongues' really, but actually truly speak in, modern manners and ways, which speaks of really, modern languages. Problem with Language/language, is that, it does not, allow one really, to think up, anything really, other than thoughts, truly associated, with Vocabulary too really. 'Tongues' on the otherhand, as with being mystical too, allow for one, to think up, even the most, magical, of thoughts even really too. In all truly, many today, are truly messed up, due to not only, not speaking 'Tongues', but also too really, speaking rather, poor even, modern Languages/'languages' (slangs really). This, as with our Memory Systems even, having proper organization, as with regards really, to access too, can only be rectified really, by the learning truly, of an olden 'Tongue' [as with the recommending, of Greek, Sanskrit, Urdu etc., for the various, different Regions, of the World].
The third kind of Knowledge, and associated, with our Memories too [Long-term Memory], has in all really, with our abilities, to master, what some do term, the 3 R's [Reading, Writing and Arithmetic]. What many though, do not, discern really, is that, there do exist, several, Reading formats ('How to Read' entry for instance), Writing systems, and even, Counting Systems too really. To understand, the importance, of the 3 R's, in our daily lives, is to know, that, they are highly associated, with the general (at least), everyday runnings really, of, our societies & Society. Knowing this, and knowing, that different forms, of the 3 R's, do exist, is to know too, that our Writing Systems today, come from Europe (as with the modern alphabet really), our Reading Systems, Byzantine (as with being displayed really, and not, showcased or even, demonstrated perhaps really) ('demonstrated', as with a work, by Dumas), and finally, our Counting Systems, Islamic (and heavily too, Decimal based). Olden Societies, did actually, have different forms and kinds, of the 3 R's, that were best suited, for their communities, with a common system really, in many ways truly today, giving birth, to what, they do term, Internationalism [and pretty much, the attempt, to Standardize, just about everything out there, to be equal, and the same even]. In many ways, one can say, it is this, Standardization, of the 3 R's, that in many ways truly, did kill, the old Worlds.
Western Knowledge Systems:
The attempt to kill, Traditional Knowledge Systems really, and the Solitary being in all too, has to do pretty much, with replacing them, with Western Knowledge Systems [News Media, modern English (Business like), and finally, the known today, 3 R's (as mentioned above)]. In all, Knowledge Systems, created, to turn those, deemed Non-Western, into servile like beings [meaning in all, non-threatening truly, by nature] (or even truly really, the world, of Inferiority Complexes too). In many ways, these Western Knowledge Systems, have turned the World, not only to one, highly based, on 'Square Views' ('The View' entry), but also too unknown to many really, the birth, of Western Social and Societal problems even [that displaying Knowledge in general, leads truly, to a culture, of noticing things, and in many ways too, making crime (western), highly based, on the noticeable really] [Yet still, there is nothing much too wrong, with the 3 R's, as conceptualized today (this conceptualization, interestingly enough, having arisen, in Prussian Russia) (and taken worldwide too even, by Prussian and Russian, Academics), but still, what is actually been said, is that, there do exist, other such 3 R's, which would serve, peoples around the World, in better ways, than that used today (western)] [even then, perhaps, one can be standardized, for international use (as with saying truly, the western method of this, is actually, not the best truly)].
Modern Democracy & Demagogy:
Unknown to most really, what Western Knowledge Systems, truly did do, to the Masses/World, is actually, did formally create, Modern Democracy (and modern Demagogy too even). To understand all this better, is perhaps to know, what truly lies, at the heart, of Demagogy itself [and as a form of control really too]. Demagogy, does not actually have to do, with controlling, the attempt, to speak out, about, ones 'rights' really [as with often a politician, asking one, to 'speak up'], but actually really, has to do, with controlling really, how one (we all really), do actually, do Talk. When you manipulate one (another), based on how, they Talk, you imbue in them really, a Castration Complex, of a kind [that in all, poor talkers (and not speakers too either), are actually in all, losers really, of one kind or another].
For many out there too, with Sexual Issues (of any kind really) [including a fear, of women even], do note, it has to do, with the inability really, of one, to express themselves, as talkers.
To understand truly, the rise of Demagogy, and even too, the formalization, of Modern Democracy, is to know really, of a Wave of Violence, that did sweep the earth, during the Sixties, and 70's even. A Wave of Violence, whose goal in all, was to implement Demagogy, not in Society really, but actually really truly, in Households [and seeing the rise, of not only, Feminist Society, but also actually too, the spread, of the worship really, of Satanism all over].
This Wave of Violence, not only cemented, Feminism, all around the World really, but what truly, did make for all this, was the kind, of Violence perpetrated [violence, in the form really, of Bands (as with Banditry even), and not, Groups (as many presuppose even)]. A Wave of Violence, targeted at those (men really), who chose in all, to be Independent, in one way, or another [with the end goal of all this, being in all at least, the coming of Women, in the Western World atleast, in to controlling, Western Financial & Monetary Systems] [and its various, ups and downs too really] (as with overspending (national budgets), based on, simply enjoying themselves truly).
This Wave of Violence, did have, its repercussions [severe even], with in general, the end result being, a Western World in all, facing Economic collapse, and the subsequent rise, of the attempt in all, to 'destroy', non-Western Economies, in favour really, of, Western Economies [as with FDI even]. A Wave of Violence too, as with Religion really, sees in all to, a culture, based around Sex/Pornography, Violence (even Teen), and Drugs/Crime (and Money laundering too really), rise up, in and around the World, not only, somewhat destroying communities (and Economies too) all over, but also in all, making lots of money really, for the Western World [which included even, killing off, some of their populations, in this manner].
To deal with all this, what they do term, State Procedure [best exemplified perhaps, by the US Government] [as with Press Meetings, or even, TV Presidential Addresses], was born to really, to help deal, with all this, that was happening [as with even, the rather famed 'State of the Union' broadcasts]. This world, of State Procedure [and heavily too, of Prussian origins really], and perhaps too, best exemplified in all, by Henry Kissinger (in his White House years), gave birth, to the world, of Political Stagings [coups, overthrows, or even, falsified Economic based news]. A world too, that saw, the rise, of International Diplomacy (as perceived today really), to help deal, with all this [as even, with the creation, of all forms and kinds, of Unions (the EU for instance), Coalitions, Alliances etc.], and in all too really, the very creation, of the Modern World [highly militarized even], that we all do really, live in, today.
[Kissinger, did not actually write, the Text below, recommended for those, interested somewhat, in how, we all got here; it however though, was written, by someone, well acquainted with Kissinger, and also too, of Prussian descent]
Sunday, July 24, 2011
Princess Arthyra
Most out there, have probably heard, of the importance, of Song, in our lives. At the very least, it keeps us sane somewhat, and also truly, very much, psychiatrically healthy. To understand this better, is to know, that Song, is intricately, and intimately even, connected, with the natural/evolutionary forces, often artistically perhaps, associated, with Laughter, Crying and Grief too even. To explain this better, is not only to say, that Evolution, does entail the three really, but all our experiences too, can be in all, explained, and detailed perhaps too even, based on these three forces really. In many ways truly, to truly even, speak of History itself, is to speak of, the depths, of experience really too, as associated truly, with Laughter, Crying and Grief [and which by knowing too, makes one aware, that nothing much, has happened, in History, in the last 500 years really] (other than perhaps, the rise and spread, of Islam).
Song though today, has been replaced largely, by Popular Media, and especially, in the form too really, of the movies [most too, being rather unmoving in all (and in nature too really)].
Song too, is not Music, but actually heavily, based on, Vocalizing 'things'. Most out there, have probably heard, of the belief, that India, was truly, the greatest Civilization, of them all. To know this (and understand it even) [as with knowing even, whom Krishna truly was, to India], is to know, that of all the peoples on the Earth, it was truly, the Indians, that sang, the most heartfelt, and 'deepest' too even, of Songs [Songs so heartfelt, opening one, to the forces of Laughter, Crying and Grief (in a way, only, Krishna, and even too really, Gautama Buddha, could only, have envisioned) ; that it truly, was the Indians, who experienced, Laughter, Crying and Grief, at its deepest, and most, intimate levels too really]. An India, of Song too, who as with Krishna, was primarily referred to, as Mohandas [with Indian Song in all, responsible, for the creation, of India (as a People really too)] [Song too, as with Krishna even, that made Indians, the freest people, in the whole wide world, by their true understanding, of what, did entail Laughter, Crying and Grief, in just about, any situation given (including, an exam, and 'speak' too really, of 'Indian Intelligence' in all)].
This entry though, speaks of Princess Arthyra. To know this, is to first know, that Princess Arthyra, has her home, in Afrique really. To better understand this, is to truly know, the true history, of Afrique [as with its origins truly, not only with Akhenaten, and his said, repose there, before his creating really, the 18th Egyptian Dynasty, but actually too, as with Pharaonic Egypt, and its attempts really too, to settle there really]. Since then, unknown to many, many peoples, have actually tried, to make a home there, including, Ancient Europeans [as with my surprisingly even saying too really, the Vikings (really)]. The best attempt though, as with Song really, to turn Afrique, into a home, was primarily done by, J.R.R Tolkien [who falsely is said, to have been South African, but actually lived in, Ethiopia, and Kenia too even]. It was Tolkien, with many of his works [other than the Lord of the Rings], who attempted in all, to create Myth, as with Song really (and in a literary form too), for those, attempting to claim, Afrique, as a home really; [other such known works too, include, the 'Necronomicon', which too, is Song, in literary form, and in all too, suited, for Afrique also] [Lovecraft too, actually did live, in Afrique/Kenia]
Princess Arthyra, is also too really, a simple 'Song' perhaps, and in literary form too really, and in all too, speaking really, of the attempt in all, to create, an Arthurian like presence, in Afrique. A Song mainly too, written in Jest, but actually really, written too, in an Arthurian form of English, that somewhat mirrors, Bahraini English really [it being Mohammedan, and with inspirations too really, from 19th Dynasty Egypt], but actually best sounds, like the English of Lovecraft, or even, the manner of speech/language, shown by, Ralph Brown, in the 'Waynes World 2' movie; [in many ways too really, as a reference too also, it was the Celts, and especially, the Briton Celts, that were responsible, for making, Song, in Europe too really]
Princess Arthyra: Princess of Guile
Princess Arthyra, Princess Arthyra, seated all alone, at home. Door is locked, curtains drawn too, and she, seated on a couch, wonders, whom might be out there, lurking, or stealing through, in an act of jest, or mockery too.
Wonder, turns to doubt, as Princess Arthyra, truly feels, or senses, motion around her, as if, something, steals in the night even. Doubt to action, before fear takes hold, sees Princess Arthyra, seek to peek, out, of the drawn curtains, as to what, truly, might be lurking just by.
Curtain, slightly drawn open, sees to it, Princess Arthyra, noticing, a figure, stealthy moving, almost in jest too, as her sharply, focused eyes, makes out the figure, it being none other, than Leila, so called, Princess Leila, and arch-nemesis, number one.
Curtain drawn shut, and motion, to the outside, of the house itself, finds Princess Arthyra, sharply surprised, at the total absence, of Leila, found. "Where could she be?", Princess Arthyra, aghast in mind and thought, says out, but not too loud, as thoughts, of Leila, arch-nemesis, number one, atop the house itself, makes her shudder, at mockery, just gone too far.
Back into the house, having gone round it, twice, if not thrice, unrecognizably, finds Princess Arthyra, aghast, at finding, none other, than Leila, arch-nemesis, Princess Leila, seated silent, if not upright even, in the Kitchen, of the house itself.
Stare to look, ghastly thoughts to mocking smiles, and pointing fingers, hands in alignment, but drawn apart, has Leila, look back at Arthyra, Princess Arthyra, and say out aloud, "where have you been to?!!" Aghast, taken aback, Princess Arthyra, looks deep, into the eyes, of Leila, finding no motive, to what, could lay ahead.
A fight later, punch thrown but ducked, by Leila and Arthyra in harmony, sees Leila, thrown out, of the house, with Arthyra, Princess Arthyra, beckoning, at her dog, luciffer, to do his very worst; jump at Leila, and shake her at the very least, to bits and pieces.
Luciffer, called upon, simply jumps around, barking aloud, wondering to himself, whom amongst the two, so juicy in sight, he should take a bite, into. Arthyra, shocked at luciffer, picks a stick, ready to poke, at luciffer, if not, 'hit the hell', thwack, out of Leila. Leila unfazed, looks at luciffer, and then appears, as if to make, a go, at Arthyra, Princess Arthyra.
Luccifer watching, Arthyra aiming, and Leila gearing up, sees doubt, arrive on her face, Leilas, as she presupposes, that luciffer, could very well, come to her aid, and take a bite, fleshy, into Arthyras bottom. She waits, thinking this to happen, as it happening, on Arthyra, attempting to smack her, while Arthyra, in mocking jest too, as if ready to hit, awaits luciffer, to do his worst. Luciffer but watches, both in a state, of pause, as he wonders, which amongst the two, offers an incentive, for action, a bite, based on a move, perceived in all, rather wrongly truly.
Leila doubts, Arthyra's intentions, luciffer watches, Arthyra in anticipation, and Arthyra, peeking lookingly, at luciffer, wonders what, Leila thinks, of it all, as luciffer, turns playful, at the thought, of Arthyra, having noticed, he. "Do your worst!!", screams out Leila, at Arthyra apparently, but finds luciffer, stare at her, interestingly, as if a bite, is due, if not, a snap by the inches, at the very least. Arthyra, pauses, luciffer, will act.
Luciffer, in the middle of it all, does act, and with a snap, at Arthyras heels, then turns, to give chase, at Leila, as both do wonder, what could have befallen, the dog, in mentality and stealth. Leila ducking, falling back, Arthyra noticing, appearing to smile, and luciffer, feeling victorious, now lunges, at Arthyra herself, making her reel, back, and fall too, onto the steps, into the house itself. Both down, luciffer glaring happily, a lick from he, to both of them, has Leila, jump up in shock, look back at Arthyra, still now seated, and with a swift turn, walks away, as if, never to return again ever!. Arthyra, simply sits, and watches.
Princess Arthyra, seated all alone, home again, with nothing around in sight or motion, with the only, outside thought abounding, being that of luciffer, and his mockery really, at her said jest too, of Leila, Princess Leila, and Arthyra, of Princess Arthyra.
Princess Arthyra, Princess Arthyra, seated all alone, at home. Door is locked, curtains drawn too, and she, seated on a couch, wonders, whom might be out there, lurking, or stealing through, in an act of jest, or mockery too.
Wonder, turns to doubt, as Princess Arthyra, truly feels, or senses, motion around her, as if, something, steals in the night even. Doubt to action, before fear takes hold, sees Princess Arthyra, seek to peek, out, of the drawn curtains, as to what, truly, might be lurking just by.
Curtain, slightly drawn open, sees to it, Princess Arthyra, noticing, a figure, stealthy moving, almost in jest too, as her sharply, focused eyes, makes out the figure, it being none other, than Leila, so called, Princess Leila, and arch-nemesis, number one.
Curtain drawn shut, and motion, to the outside, of the house itself, finds Princess Arthyra, sharply surprised, at the total absence, of Leila, found. "Where could she be?", Princess Arthyra, aghast in mind and thought, says out, but not too loud, as thoughts, of Leila, arch-nemesis, number one, atop the house itself, makes her shudder, at mockery, just gone too far.
Back into the house, having gone round it, twice, if not thrice, unrecognizably, finds Princess Arthyra, aghast, at finding, none other, than Leila, arch-nemesis, Princess Leila, seated silent, if not upright even, in the Kitchen, of the house itself.
Stare to look, ghastly thoughts to mocking smiles, and pointing fingers, hands in alignment, but drawn apart, has Leila, look back at Arthyra, Princess Arthyra, and say out aloud, "where have you been to?!!" Aghast, taken aback, Princess Arthyra, looks deep, into the eyes, of Leila, finding no motive, to what, could lay ahead.
A fight later, punch thrown but ducked, by Leila and Arthyra in harmony, sees Leila, thrown out, of the house, with Arthyra, Princess Arthyra, beckoning, at her dog, luciffer, to do his very worst; jump at Leila, and shake her at the very least, to bits and pieces.
Luciffer, called upon, simply jumps around, barking aloud, wondering to himself, whom amongst the two, so juicy in sight, he should take a bite, into. Arthyra, shocked at luciffer, picks a stick, ready to poke, at luciffer, if not, 'hit the hell', thwack, out of Leila. Leila unfazed, looks at luciffer, and then appears, as if to make, a go, at Arthyra, Princess Arthyra.
Luccifer watching, Arthyra aiming, and Leila gearing up, sees doubt, arrive on her face, Leilas, as she presupposes, that luciffer, could very well, come to her aid, and take a bite, fleshy, into Arthyras bottom. She waits, thinking this to happen, as it happening, on Arthyra, attempting to smack her, while Arthyra, in mocking jest too, as if ready to hit, awaits luciffer, to do his worst. Luciffer but watches, both in a state, of pause, as he wonders, which amongst the two, offers an incentive, for action, a bite, based on a move, perceived in all, rather wrongly truly.
Leila doubts, Arthyra's intentions, luciffer watches, Arthyra in anticipation, and Arthyra, peeking lookingly, at luciffer, wonders what, Leila thinks, of it all, as luciffer, turns playful, at the thought, of Arthyra, having noticed, he. "Do your worst!!", screams out Leila, at Arthyra apparently, but finds luciffer, stare at her, interestingly, as if a bite, is due, if not, a snap by the inches, at the very least. Arthyra, pauses, luciffer, will act.
Luciffer, in the middle of it all, does act, and with a snap, at Arthyras heels, then turns, to give chase, at Leila, as both do wonder, what could have befallen, the dog, in mentality and stealth. Leila ducking, falling back, Arthyra noticing, appearing to smile, and luciffer, feeling victorious, now lunges, at Arthyra herself, making her reel, back, and fall too, onto the steps, into the house itself. Both down, luciffer glaring happily, a lick from he, to both of them, has Leila, jump up in shock, look back at Arthyra, still now seated, and with a swift turn, walks away, as if, never to return again ever!. Arthyra, simply sits, and watches.
Princess Arthyra, seated all alone, home again, with nothing around in sight or motion, with the only, outside thought abounding, being that of luciffer, and his mockery really, at her said jest too, of Leila, Princess Leila, and Arthyra, of Princess Arthyra.
Saturday, July 23, 2011
Amnt
Central Asia, is Region really, that is actually, about, 1.5 times, the size, of Europe [despite, what the Maps do show]. It is also, a Region of the World, much, or rather even, uncharted [as with most forms really, of civilized existence really, never having existed there really].
Am-n-t, is a Name in all, dreamed up, in the same way/manner, that the 'Briton Celt' mind, once did dream up, 'Europe'. Am-n-t though, a term truly, of Thebes Egypt inspirations, is a creation/manifestation, of the 'Roman Celt' mind really.
To truly understand this, is to truly too, understand, how life, on this Earth, has pretty much, being lived out, since, the very beginnings even, of time itself. That in all truly, life, as with all its problems, trials, sufferings, issues etc., has always primarily, been based on, the 'Tribal'. Knowing this too, is to know too, that the Egyptians in many ways truly, unraveled this life, the Greeks, totally philosophized it, the Italians, totally lived it out, while the Europeans, truly experienced it really.
Am-n-t though, being the dreamed up inspiration, of the 'Roman Celt', actually speaks of, basing life totally, on the 'Caste' [and not, the 'Tribal']. In all, truly 'revolutionarizing' life, as with just about, truly, all its problems [and they, being based on, the 'Caste' really]. In many ways, this does speak of, truly isolating, Central Asia, from the rest of the World [in a similar manner, that China, was once truly really isolated, from the rest of the World, due to its Tribal life, revolving strongly, around, Race, and not, Disease (or people going crazy really)].
In all perhaps really, truly, the total 'revolutionarizing' even, of life on Earth, as with primarily basing, life on the 'Caste', and in a way truly, only the 'Italian Mind', could have truly really, dreamed it all up really too.
Announcement: Announcing too, the birth, of the 'German Celt'. The 'German Celt', is a 'Tribe', as to be seen really, in Afrique, where life, unknowingly perhaps, to the Ethiopian mind, is best lived on, the 'Tribe', and not truly, the 'Tribal'.
Ad Honorarium: Ted, was the very first, 'German Celt'. It was he too really, that wrote, "Samuel Pepy's" [the (perhaps) 'German Celt' bible], and written too, in Bahraini English, and not, Shakespearean English too either.
Aggrandizement & Self-Aggrandizement
Most out there, have issues, pertaining, to Aggrandizement, and Self-Aggrandizement too really. What both, do speak of really though, is not praise, and self-praise really, as many, are prone to mistakenly believe, but actually, Idolatory, and Self-Idolatory too really. This in many ways too, has to do, with libidinal forces, in our Libido, that make us in all, tend to aggrandize, others/things, or even, ourselves too really. Forces, that must be made, stable (in one way or another), or have us, easily afflicted, affected, or confused even, not only, by our environments and others really, but also, by one very own, unmediated thoughts, and beliefs systems too even [in all, never seeing ourselves, as we really are, but instead, strongly identifying, with our environments or others, or even too really, our very own, erroneous thinking in all].
The Ancient Egyptians, and Europeans even, knew very much, how to deal, with Aggrandizement, and Self-Aggrandizement too really. With regards to Egypt though, this is truly in many ways, what separated, different Egyptian Phases (perhaps), from each other. For instance, Old Kingdom Egypt, and these issues, of aggrandizement in all, dealt with them, by, perhaps really, projecting all their issues somehow [as with identity/identifying with], on Pharaohs, such as, Djoser [and the said builder, of the 'Step Pyramid']. New Kingdom Egypt, heavily identified even, with the 'powers', of the Sphinx. Pharaonic Egypt, had the Pyramid (by Imhotep), while Thebes Egypt, put all their 'powers' really, into the Nile [this in all, being the Egypt, heavily associated, with the Nile too really]. Dynasty Egypt, strongly identified too (as with Purity, Clarity and Clearness even), with Rubies (or simply, 'Rube').
In Europe too, one does find, that the concept, of National Treasure, is used, to do, the very same thing. National Treasure though, differed [as with it, even, simply being a Name, or a Work of Art even too]. In England, you for instance, probably had, Shakespeare. In France, the name itself, France [as exemplifying really, a highly civilized status], was whom, they really were [with France though, been actually, an Italian-French conceptualization, and heavily centered, around, the Queen of France]. In Germany, you had, the Black Knight Armor (and 'Uniform'). In Italy, it was mainly, really, Architecture.
What will be presented below, is a way, for people really, in different Regions of the World, to deal with, issues of Aggrandizement/Idolatory, and Self-Aggrandizement/Self-Idolatory, by simply projecting, these issues, into all forms, of 'material forms' really [and often too sometimes, in the 'artefact' form really], as a way of dealing with, Identity issues, based around, mental instability perhaps, born too, of all this really. In many ways too, these 'material forms', tend to strongly influence, our environments (as with how, we shape or create them really), as based truly on perhaps, shapes, colours/tints, and textures/features even [too].
[In many ways too really, all this helps us, develop an 'attachment' perhaps really, to the places we live in, as with seeing them truly, as 'homes' perhaps, and not seeking, to aggrandize, locales or places, that are out there, anywhere (everywhere)]
North America: Silver
In North America, where Silver [as with Culinary even], has often, been deemed rather valuable, the mineral of Silver, as with projection really, has been known, to calm down peoples, as with regards, to all forms, of aggrandizement. In America though, attempts have been made, to make the Grand Canyon, such an 'Ornament'.
[Do note, one is free, to choose any 'material form' really, as with creating, 'State Identities' too, based on, certain, 'material forms', to deal with, such issues] [as with the small example even, of Minnesota perhaps really, and 'Lake Minnesota' too even]
South America: Iron
It is in South America, where Iron, has often in many ways, being made, into a fabled even, 'element', as with the belief even really, that Civilization, truly began to exist really, with the so called, 'Iron Age'.
Europe: Rubies
For a Europe, where Names, or Art works even [of the 'National Treasure' mold too really], have been used, for such sole purposes, Rubies truly, have in many ways, being used, for all this, since the times truly too, of, Ancient Europe itself [and the Europe really, of 'Tribes' (Germanic, Slavic etc.)]
Africa: Gold
In Africa, beginning with the Nubian Civilization (and, with the name Nubia itself too, said to refer really, to Gold), and even, the Malian Empires (Almoravid, Timbuktu etc.) [and as mainly too really, with, Mansa Musa], Gold, has often been used, to deal really, with issues, pertaining to, Self-Aggrandizement, and Aggrandizement too even [all this, often in the form too, of ornamental jewelry, or even, Royal Insignia, such as those, associated, with the Ashanti Asantehene for instance (really)].
South East Asia: The Diamond
The fascination truly, never ends, with South East Asians, and the Diamond [and connecting India today, with, the India even, of Krishna].
East Asia: Rivers
In East Asia, an obsession, with Rivers [as with myths even, based around, the creation of Japan itself too really], has been used, to create, all forms, of, Political Identities really, instead perhaps, of, creating, Spiritual Identities perhaps really, as with the projection, of any issues, based on aggrandizement of all kinds, by in all, creating, cultural existences perhaps really, based around, these Rivers [as with Thebes Egypt and the Nile or even, the Austrians and the Danube river].
The Middle East: Mosques
In the Middle East, Mosques, have often been used, for dealing, with all forms, of aggrandizement issues really [with in many ways too, the Mosque at Mecca, being one, of the true marvels, of Architecture, in the past, 1000 years maybe].
Afrique: The Koran
In Afrique, where aggrandizement issues, have often been dealt with, by projecting these issues, onto the names, of the Countries found within it [Ethiopia, Somalia, or Kenya even], the Koran, is in most ways truly, seen, as being the best solution, for all this [Ethiopia and Somalia, as with Idolatory issues really, and aggrandizement even, has led, to all forms, of warfare, and limited even, thinking in all] [Kenya though, as with the Koran, not only being the solution to all this, dealing, with these issues, has seen some, such as the Kikuyu, put their 'powers' into, Mountains (such as Mount Kenya)] [Kenya, on the otherhand really though (as with other choices really too), could use, Mount Kilimanjaro, or even, the name really, Kenia].
[Do note, that all this, the above, should influence in all, ones environments, as even with, the kind of curtains (fabric perhaps), one has up, or even truly even, its 'colour'/tint really]
The Ancient Egyptians, and Europeans even, knew very much, how to deal, with Aggrandizement, and Self-Aggrandizement too really. With regards to Egypt though, this is truly in many ways, what separated, different Egyptian Phases (perhaps), from each other. For instance, Old Kingdom Egypt, and these issues, of aggrandizement in all, dealt with them, by, perhaps really, projecting all their issues somehow [as with identity/identifying with], on Pharaohs, such as, Djoser [and the said builder, of the 'Step Pyramid']. New Kingdom Egypt, heavily identified even, with the 'powers', of the Sphinx. Pharaonic Egypt, had the Pyramid (by Imhotep), while Thebes Egypt, put all their 'powers' really, into the Nile [this in all, being the Egypt, heavily associated, with the Nile too really]. Dynasty Egypt, strongly identified too (as with Purity, Clarity and Clearness even), with Rubies (or simply, 'Rube').
In Europe too, one does find, that the concept, of National Treasure, is used, to do, the very same thing. National Treasure though, differed [as with it, even, simply being a Name, or a Work of Art even too]. In England, you for instance, probably had, Shakespeare. In France, the name itself, France [as exemplifying really, a highly civilized status], was whom, they really were [with France though, been actually, an Italian-French conceptualization, and heavily centered, around, the Queen of France]. In Germany, you had, the Black Knight Armor (and 'Uniform'). In Italy, it was mainly, really, Architecture.
What will be presented below, is a way, for people really, in different Regions of the World, to deal with, issues of Aggrandizement/Idolatory, and Self-Aggrandizement/Self-Idolatory, by simply projecting, these issues, into all forms, of 'material forms' really [and often too sometimes, in the 'artefact' form really], as a way of dealing with, Identity issues, based around, mental instability perhaps, born too, of all this really. In many ways too, these 'material forms', tend to strongly influence, our environments (as with how, we shape or create them really), as based truly on perhaps, shapes, colours/tints, and textures/features even [too].
[In many ways too really, all this helps us, develop an 'attachment' perhaps really, to the places we live in, as with seeing them truly, as 'homes' perhaps, and not seeking, to aggrandize, locales or places, that are out there, anywhere (everywhere)]
North America: Silver
In North America, where Silver [as with Culinary even], has often, been deemed rather valuable, the mineral of Silver, as with projection really, has been known, to calm down peoples, as with regards, to all forms, of aggrandizement. In America though, attempts have been made, to make the Grand Canyon, such an 'Ornament'.
[Do note, one is free, to choose any 'material form' really, as with creating, 'State Identities' too, based on, certain, 'material forms', to deal with, such issues] [as with the small example even, of Minnesota perhaps really, and 'Lake Minnesota' too even]
South America: Iron
It is in South America, where Iron, has often in many ways, being made, into a fabled even, 'element', as with the belief even really, that Civilization, truly began to exist really, with the so called, 'Iron Age'.
Europe: Rubies
For a Europe, where Names, or Art works even [of the 'National Treasure' mold too really], have been used, for such sole purposes, Rubies truly, have in many ways, being used, for all this, since the times truly too, of, Ancient Europe itself [and the Europe really, of 'Tribes' (Germanic, Slavic etc.)]
Africa: Gold
In Africa, beginning with the Nubian Civilization (and, with the name Nubia itself too, said to refer really, to Gold), and even, the Malian Empires (Almoravid, Timbuktu etc.) [and as mainly too really, with, Mansa Musa], Gold, has often been used, to deal really, with issues, pertaining to, Self-Aggrandizement, and Aggrandizement too even [all this, often in the form too, of ornamental jewelry, or even, Royal Insignia, such as those, associated, with the Ashanti Asantehene for instance (really)].
South East Asia: The Diamond
The fascination truly, never ends, with South East Asians, and the Diamond [and connecting India today, with, the India even, of Krishna].
East Asia: Rivers
In East Asia, an obsession, with Rivers [as with myths even, based around, the creation of Japan itself too really], has been used, to create, all forms, of, Political Identities really, instead perhaps, of, creating, Spiritual Identities perhaps really, as with the projection, of any issues, based on aggrandizement of all kinds, by in all, creating, cultural existences perhaps really, based around, these Rivers [as with Thebes Egypt and the Nile or even, the Austrians and the Danube river].
The Middle East: Mosques
In the Middle East, Mosques, have often been used, for dealing, with all forms, of aggrandizement issues really [with in many ways too, the Mosque at Mecca, being one, of the true marvels, of Architecture, in the past, 1000 years maybe].
Afrique: The Koran
In Afrique, where aggrandizement issues, have often been dealt with, by projecting these issues, onto the names, of the Countries found within it [Ethiopia, Somalia, or Kenya even], the Koran, is in most ways truly, seen, as being the best solution, for all this [Ethiopia and Somalia, as with Idolatory issues really, and aggrandizement even, has led, to all forms, of warfare, and limited even, thinking in all] [Kenya though, as with the Koran, not only being the solution to all this, dealing, with these issues, has seen some, such as the Kikuyu, put their 'powers' into, Mountains (such as Mount Kenya)] [Kenya, on the otherhand really though (as with other choices really too), could use, Mount Kilimanjaro, or even, the name really, Kenia].
[Do note, that all this, the above, should influence in all, ones environments, as even with, the kind of curtains (fabric perhaps), one has up, or even truly even, its 'colour'/tint really]
Friday, July 22, 2011
Egyptian Boxing
[Dhalsim]
Egyptian Boxing, is probably, the oldest form of Boxing, known to man. In many ways too, a precursor probably, to Muay Thai itself. Dhalsim above, in many ways really, possesses, a kind of Body, seen in Kush [Upper Egypt], in the Ancient times. To understand this better, is to know, that the normal height today, seen around the World, is about 5' 7". In the old World, it was about, 6' 4". Second to this, is to know, that the Chest Breadth, of the old World, was in many ways, twice or 1.5 even, of that, seen today.
This is stated, so that one, as with Sagat right below, can understand, the kind of Bodies, that made, for Politics even, and existences too, in the old World.
[Sagat]
The Body of Sagat above, is not that of Muay Thai really, but actually, the kind of Bodies, that were prevalently seen, in France, during the Revolutionary times, and French Civil War times too. This is said, as a reminder again, that these, were the kinds, of Bodies, that were involved, in the violence, seen in France, during these times periods.
To understand this even much better, is to know, how those, in the old World, differed from those/many, today, as with regards even, to body manners, mannerisms, and body language even. To realize this, other than know it, is to know, that today, most out there, tend to avoid, Injury, at all cost. Those in the old days, surprisingly enough (as with conditioning even), tended to avoid, Hurt, and not Injury really [something, perhaps hard to understand, as with they, not only, conditioned (as with the Body and Communications too really), to in general, escape Injury, but also, having rather healthy Bodies, such that, Injury, was not as painful, as with the Body, even, blocking out the pain, via a psychological mechanism].
Sounds difficult perhaps, to comprehend, but for some out there, a knife injury, is not, as painful, as a slap, by a woman they love [Hurt really]. This is the key, to seeing Civilization even, from everyday behaviours really, as with Europe even too, where Injury, is often, not seen really, in the history books/records, but Hurt, is rather common [as with European behaviours in general, about, avoiding Hurt really] [and, unlike today, where Behaviour is about, avoiding, Injury really].
Characters such as Dhalsim though, are the kind, who don't even really, avoid Hurt, or Injury, but another form of pain, one could call, 'Pleasurizing' [as with someone, giving one a Hug, in public]. This is the key, to understanding, the rather interesting moves, one would see, in olden day Fighting Forms, as they truly even, being based, on avoiding, Pleasurizing, and not really, Hurt, or Injury even too [but seeking for instance instead, to inflict, what they do term, a deep wound, as with a stare even, causing, Hurt to one] [Hurt and Injury too, were avoided even, almost, automatically really].
Thats how really, in many ways, the old World, truly was.
In many ways too, as with psychological mechanisms, and psychological beings themselves, this actually, was a way, of evolving, out of this Earth [and very Osiris based too], as with in all, escaping perhaps, Injury, Hurt and Pleasurizing, not only, from the Body health perspective, but also too, developing, psychological mechanisms, that made, any of the three mentioned 'pains', avoidable at all costs.
This too finally, is the key, to probably knowing, how different, the old World, was from the Modern, as with understanding [and as with Envisioning too really, and the Body], that Commerce, Trade, or Business even, was driven in the past, with regards, to avoiding, Hurt, or Pleasurizing even, unlike today, where it is driven primarily, with regards, to avoiding, Injury really [any pain though, above that to be avoided, was often institutionalized, in one way, or another, as with regards really, to Religion itself].
[Italian Bodies:]
Egyptian Boxing, is probably, the oldest form of Boxing, known to man. In many ways too, a precursor probably, to Muay Thai itself. Dhalsim above, in many ways really, possesses, a kind of Body, seen in Kush [Upper Egypt], in the Ancient times. To understand this better, is to know, that the normal height today, seen around the World, is about 5' 7". In the old World, it was about, 6' 4". Second to this, is to know, that the Chest Breadth, of the old World, was in many ways, twice or 1.5 even, of that, seen today.
This is stated, so that one, as with Sagat right below, can understand, the kind of Bodies, that made, for Politics even, and existences too, in the old World.
[Sagat]
The Body of Sagat above, is not that of Muay Thai really, but actually, the kind of Bodies, that were prevalently seen, in France, during the Revolutionary times, and French Civil War times too. This is said, as a reminder again, that these, were the kinds, of Bodies, that were involved, in the violence, seen in France, during these times periods.
To understand this even much better, is to know, how those, in the old World, differed from those/many, today, as with regards even, to body manners, mannerisms, and body language even. To realize this, other than know it, is to know, that today, most out there, tend to avoid, Injury, at all cost. Those in the old days, surprisingly enough (as with conditioning even), tended to avoid, Hurt, and not Injury really [something, perhaps hard to understand, as with they, not only, conditioned (as with the Body and Communications too really), to in general, escape Injury, but also, having rather healthy Bodies, such that, Injury, was not as painful, as with the Body, even, blocking out the pain, via a psychological mechanism].
Sounds difficult perhaps, to comprehend, but for some out there, a knife injury, is not, as painful, as a slap, by a woman they love [Hurt really]. This is the key, to seeing Civilization even, from everyday behaviours really, as with Europe even too, where Injury, is often, not seen really, in the history books/records, but Hurt, is rather common [as with European behaviours in general, about, avoiding Hurt really] [and, unlike today, where Behaviour is about, avoiding, Injury really].
Characters such as Dhalsim though, are the kind, who don't even really, avoid Hurt, or Injury, but another form of pain, one could call, 'Pleasurizing' [as with someone, giving one a Hug, in public]. This is the key, to understanding, the rather interesting moves, one would see, in olden day Fighting Forms, as they truly even, being based, on avoiding, Pleasurizing, and not really, Hurt, or Injury even too [but seeking for instance instead, to inflict, what they do term, a deep wound, as with a stare even, causing, Hurt to one] [Hurt and Injury too, were avoided even, almost, automatically really].
Thats how really, in many ways, the old World, truly was.
In many ways too, as with psychological mechanisms, and psychological beings themselves, this actually, was a way, of evolving, out of this Earth [and very Osiris based too], as with in all, escaping perhaps, Injury, Hurt and Pleasurizing, not only, from the Body health perspective, but also too, developing, psychological mechanisms, that made, any of the three mentioned 'pains', avoidable at all costs.
This too finally, is the key, to probably knowing, how different, the old World, was from the Modern, as with understanding [and as with Envisioning too really, and the Body], that Commerce, Trade, or Business even, was driven in the past, with regards, to avoiding, Hurt, or Pleasurizing even, unlike today, where it is driven primarily, with regards, to avoiding, Injury really [any pain though, above that to be avoided, was often institutionalized, in one way, or another, as with regards really, to Religion itself].
[Italian Bodies:]
Thursday, July 21, 2011
Point.Focus
This entry, speaks of, what some might call 'Point Focus'. 'Point Focus' to many, is a rather, unknown term, but speaks of really, our three Primal Archetypes (of the Joker, Trickster, and Magician), and in general, the Stability, Balance and Equilibrium problems, that face them.
For most today though, these issues, are dealt with, by a Feminine presence, of one kind, or another. In all, most out there, live in Womens society, where just about, any or every problem even, is solved, in one way or another, via, the input, of a woman. The problem with this though, is that, most out there, are unable really, to see Reality, for what it really is [depending, on a Feminine source, of one kind, or another, to tell them of it]. What you then find, is that, most today, live in a World, truly dominated even, by perhaps, one, two, three, or even several perhaps, Feminine figures, when one realizes too, that Women too even, seek out, a Feminine presence, to deal, with almost, all their problems. Feminine presences, that offer advice in all, and very much organized too, in a Hierarchical manner, similar in nature, to the way, Feminist societies, are in general, organized.
As a result really, of depending on Women, to Discern, 'Figure out', or Recognize even, ones Realities, one realizes, most out there, rarely ever see, their Physical Realities, for what, they really are [for instance really, most out there, cannot name, the kind of flowers, trees, or birds even, that permeate, their environments] [most might not even be aware, that hills, abound, in the physical locales, they inhabit] [they just, don't see them at all really]. They in all, don't see, their Realities (or Worlds even), in a similar manner (or way), to how, the ancients did [and with the end result being, a developing fear of, Nature, Women and 'Pain' too in general] ['Pain' here, refers to how for instance, one goes about, reading a book; should one read, a page a day, or maybe even, a page every three days].
What this entry, will attempt to do, is to show one, how they can in all, take away, their 'Point Focus', from Feminine presences, in their midsts, and learn again, to live life, like the ancients once did [making their own decisions or judgements, without asking around, too much]. Traditionally, this was associated even, with Astrology, as based on knowing, ones Ascendant Sign, or even, the kind of Astrology, termed 'Tarot Astrology' [an Astrology, dealing with those, living in a Region really, and basically, how to survive in it].
What will be presented below, are 'Astrological Signs' [and by Region too], that one, can put, all 'their powers into', as with seeking out, stability, balance and equilibrium, in their lives, and not having to depend, on womens communications networks, for all this [as with most, truly living, in 'prisons' really, created, by such, communications networks too really].
North America: Gemini the Twins
- In North America, the 'Astrological Sign', of Gemini the Twins, speaks of in many ways, whom North Americans are, when seeking out, issues of stability in their lives [they in all, seek out, someone rather close, a confidante, to deal with, such issues really].
South America: Scorpio the Scorpion
- In South America, the 'Astrological Sign' of Scorpio the Scorpion, states in many ways, what does happen, to South Americans, on failing to find, the right 'balance', in dealing, with their problems [they get stung really].
Europe: Virgo the Virgin
- In Europe, the 'Astrological Sign', of Virgo the Virgin, says in many ways, how Europeans in general, have always dealt with, 'equilibrium' issues, of all kinds [rather innocently].
*Note: this is not true, of Italy, where 'Point Focus', has always been, associated really with Sagittarius.
Africa: Leo the Lion
- in Africa, as in Ancient Egypt once too, the 'Astrological Sign', of Leo the Lion, was used, to deal with all forms, of 'stability' issues, as with regards really, to making all forms, of decisions, rather decisively even.
South East Asia: Cancer the Crab
- in South East Asia, the 'Astrological Sign' of Cancer the Crab, has in general really [Indian Astrology in all, being, a rather wide field really], been used, to deal with all forms, of 'stability' issues, as with one, 'grabbing a hold of a reality', in dealing with them really.
East Asia: Aquarius the Water Bearer
- in an East Asia, where being, a Water Bearer, has traditionally even, being a profession, rather than, a sign of poverty, the 'Astrological Sign' of Aquarius the Water Bearer, in many ways, does best represent, whom they are, with regards to 'Point Focus', and dealing with, all forms, of 'equilibrium' issues really.
The Middle East & Afrique: Capricorn the Sea Goat
- for the Middle East and Afrique, one does find, that the 'Astrological Sign', of Capricorn the Sea Goat, has been used, to deal with 'balance' issues mainly, as with mainly, a tradition, of worship, associated around, 'Ocean Spirits', of one kind, or another too even.
For most today though, these issues, are dealt with, by a Feminine presence, of one kind, or another. In all, most out there, live in Womens society, where just about, any or every problem even, is solved, in one way or another, via, the input, of a woman. The problem with this though, is that, most out there, are unable really, to see Reality, for what it really is [depending, on a Feminine source, of one kind, or another, to tell them of it]. What you then find, is that, most today, live in a World, truly dominated even, by perhaps, one, two, three, or even several perhaps, Feminine figures, when one realizes too, that Women too even, seek out, a Feminine presence, to deal, with almost, all their problems. Feminine presences, that offer advice in all, and very much organized too, in a Hierarchical manner, similar in nature, to the way, Feminist societies, are in general, organized.
As a result really, of depending on Women, to Discern, 'Figure out', or Recognize even, ones Realities, one realizes, most out there, rarely ever see, their Physical Realities, for what, they really are [for instance really, most out there, cannot name, the kind of flowers, trees, or birds even, that permeate, their environments] [most might not even be aware, that hills, abound, in the physical locales, they inhabit] [they just, don't see them at all really]. They in all, don't see, their Realities (or Worlds even), in a similar manner (or way), to how, the ancients did [and with the end result being, a developing fear of, Nature, Women and 'Pain' too in general] ['Pain' here, refers to how for instance, one goes about, reading a book; should one read, a page a day, or maybe even, a page every three days].
What this entry, will attempt to do, is to show one, how they can in all, take away, their 'Point Focus', from Feminine presences, in their midsts, and learn again, to live life, like the ancients once did [making their own decisions or judgements, without asking around, too much]. Traditionally, this was associated even, with Astrology, as based on knowing, ones Ascendant Sign, or even, the kind of Astrology, termed 'Tarot Astrology' [an Astrology, dealing with those, living in a Region really, and basically, how to survive in it].
What will be presented below, are 'Astrological Signs' [and by Region too], that one, can put, all 'their powers into', as with seeking out, stability, balance and equilibrium, in their lives, and not having to depend, on womens communications networks, for all this [as with most, truly living, in 'prisons' really, created, by such, communications networks too really].
North America: Gemini the Twins
- In North America, the 'Astrological Sign', of Gemini the Twins, speaks of in many ways, whom North Americans are, when seeking out, issues of stability in their lives [they in all, seek out, someone rather close, a confidante, to deal with, such issues really].
South America: Scorpio the Scorpion
- In South America, the 'Astrological Sign' of Scorpio the Scorpion, states in many ways, what does happen, to South Americans, on failing to find, the right 'balance', in dealing, with their problems [they get stung really].
Europe: Virgo the Virgin
- In Europe, the 'Astrological Sign', of Virgo the Virgin, says in many ways, how Europeans in general, have always dealt with, 'equilibrium' issues, of all kinds [rather innocently].
*Note: this is not true, of Italy, where 'Point Focus', has always been, associated really with Sagittarius.
Africa: Leo the Lion
- in Africa, as in Ancient Egypt once too, the 'Astrological Sign', of Leo the Lion, was used, to deal with all forms, of 'stability' issues, as with regards really, to making all forms, of decisions, rather decisively even.
South East Asia: Cancer the Crab
- in South East Asia, the 'Astrological Sign' of Cancer the Crab, has in general really [Indian Astrology in all, being, a rather wide field really], been used, to deal with all forms, of 'stability' issues, as with one, 'grabbing a hold of a reality', in dealing with them really.
East Asia: Aquarius the Water Bearer
- in an East Asia, where being, a Water Bearer, has traditionally even, being a profession, rather than, a sign of poverty, the 'Astrological Sign' of Aquarius the Water Bearer, in many ways, does best represent, whom they are, with regards to 'Point Focus', and dealing with, all forms, of 'equilibrium' issues really.
The Middle East & Afrique: Capricorn the Sea Goat
- for the Middle East and Afrique, one does find, that the 'Astrological Sign', of Capricorn the Sea Goat, has been used, to deal with 'balance' issues mainly, as with mainly, a tradition, of worship, associated around, 'Ocean Spirits', of one kind, or another too even.
Wednesday, July 20, 2011
Secret Sigullum: Le Morte d' Sexy Pig!
Secret Sigullum: Le Morte d' Sexy Pig!
Sexy Pig!, stand in room, in big home, in French countryside. He wait for someone. Someone who say, he have big message for him. As he stand there, he believe, someone else, in mansion with him. He feel place, him believing, something move about, in very empty mansion. He stand in room, more like corridor, with painting even, on wall, and vase with flower too, as he look ahead, at big wooden door, two, which he believe, open, and someone, come to see him. Him stand there, him knowing and believing, him in France, 1492.
Doors open, and two guardsmen, stand there, with iron hat on, black uniform, and long spear, in hand of each. Them open door, and look at Sexy Pig!, like them want him, enter through door. Sexy Pig!, begin to make way, to Door, and when near, him look inside, as he even walk still, as he wonder again, whom inside, room he now enter. Standing, on platform, at end, of narrow room, but long lengthwise, he see someone, walk around platform, with high chair on it, as he wonder, whom he is, since he no longer care again, for two guardsman, behind him. Person on platform, with hands behind, walking around, hands together too, turn to look him, and then maybe, say something. Him look a while, short while, before he say "Greetings, my name, is Lord Welling", he say to Sexy Pig!, as Sexy Pig!, look him, and wonder again, whom he really is, since he speak, with very, authoritative, voice. "I sent for you" say Lord Welling again, "because, someone needs your help". Sexy Pig!, wonder, whom want to know him, or need his help. Him not understand this, because, he know, Library, many out there, have big book, that offer one, lots of help. "You must have received my note, obviously" say Lord Welling, "and thats why, you are probably really here", finish Lord Welling again. Sexy Pig!, him not say anything, to now, him look again, at Lord Welling, and wonder, whom he is, and what he really do, here. Him move funny, thats what, Sexy Pig! notice, and him move in way, to make Sexy Pig!, feel strange, even uncomfortable.
"Your task, if you accept it, is easy" continue Lord Welling, after he ask, Sexy Pig!, if he have, any question, about whom he is, or what he really do, in mansion, in South of France. "Three people, have asked to meet you, for your help" continue again, Lord Welling, "you though, can only choose, amongst one of them" he finish again, as Sexy Pig!, wonder, what he really mean, and think even, whom these people are, and why, they need, for him to help. Lord Welling continue again "your three choices, lay on that table" Lord Welling say, while point, "over there", as he point, at table, distance a little, not too much, from platform. Sexy Pig!, almost immediately, as like him, not know what else, him do, him walk, immediately, to table, and looking, at, the three paper, note, turned upside down, white face up, him pick only one, as Lord Welling, tell him to. Him pick it up, look at it, and there be name, on paper written: 'Le Marquise de Fontaine'. Him look at it, somewhat then again, him look, at Lord Welling, as if him wonder, what he really do, if him do anything, with paper, and name on it. "Le Marquise de Fontaine" say Lord Welling, "then I will tell her, that she await you, at a place, I will contact you about, later", with which then, Lord Welling, exit platform, turn towards left of room, right to Sexy Pig!, and then he, walk out, at big door, at end, of room where, he walk towards to.
Sexy Pig!, receive message, mailman, local, drop letter, which he open, as soon as he get it. It from Lord Welling, one, but there is other, which he notice, from, 'Le Marquise de Fontaine' herself. He read, letter by Lord Welling first, for it say, that 'Le Marquise de Fontaine', agree to meet him, at big hall, in town center, Toulouse, where many people, go eat, talk, and just laugh, as them drink brew. Sexy Pig!, agree at this, because, there is small drawing, of 'Le Marquise de Fontaine', with letter from her, which say to him, she really want, to meet him, and talk with him, about something. 'Le Marquise de Fontaine', beautiful woman, so him agree readily, to do this.
When Sexy Pig!, arrive at town center, big hall, him not happy, to see, too many people there. Some go, to market, to buy things; them somewhat like peasant, from Spain too. Him look, at some one, pulling cart, with horse, with cart, with many thing, like even painting, good painting too, that man, sell for cheap maybe. Some say, painting magical, it bring you good luck, man too, has lamp, with genie, that offer one, good luck too. Sexy Pig!, make his way, into town hall, him having noticed, man, big man, him look somewhat, like Musketeer, and and him notice too, that maybe, man know him, or even maybe, see him, or notice him even, one way or another. Sexy Pig!, enter into building, town hall, and begin, to make his way, to eating place, not too many people too, as him realize and notice, most people, simply gather, in hall itself, speak, and other, in drinking hole, which part, a little, of hall itself again too. Him enter eating place, him smell bread baking, french stick bread, him smell, turkey cook too, and they make, sauce, brown, that go along, with turkey meal. Sexy Pig!, already fill, hungry, and he notice too, drink, like wine, red, but sweet, also sold too, and him feel thirst, for it already. Him look around, actively, as if him not want, to disturb anyone, or anyone, disturb him too, but him notice, almost frighteningly even, that 'Le Marquise de Fontaine', already see him, and somewhat look, as she even, wait him, to appear. Him make his way, to her, a bit shy, but not too scared, knowing or believing, nothing too wrong, with being shamed, or dying, at feet of beautiful woman.
Sexy Pig! sit silently, before 'Le Marquise de Fontaine', and as he sit fully, she look him eagerly, and then say, as if begin even "Sexy Pig!", she say "so you come", she somewhat finish, as Sexy Pig!, with startle even, say to her "you call me, Paulie". "Paulie" she say, again even, before, she ask, him, if he want, something to eat. She already eat, turkey, brown sauce, and french sticks too even, which Sexy Pig! also say, he like to eat too. She though, drink, blue drink, which he not really know, what it is. "So we eat" she say, "then we talk later" she finish, and when meal, for Sexy Pig! come quickly, him try, to eat it fast, while even look outside window, at grass, and people, in small garden, but him still try to, taste meal well. Meal eaten, as she talk pleasant, even make him smile a little, but him not, really show it, but him instead, look, like he wonder, she then ask him, how long, him stay in town. Him say, a while, him not leave, too soon, him not really have, other place, to seriously maybe, go to. She like that, so she give him, second note, and say to him, to come see her, at place, her house, not too far away, but far still, so, him still take, carriage. Sexy Pig! with small nod too, him agree, to this all.
'Le Marquise de Fontaine', she having leave, with some in place for eat, notice this, him see other man, look draconian, in eatery, look him somehow, and then place serviette, on table, and continue, to read, news magazinette, that he hold. Him have, one foot, almost up, on other chair, as he also, have, Teapot, good design too, from which, him drink like, black tea, or coffee even, but him not sure really, drink smell interesting, but him know too, him also sense, Vanilla scent. Sexy Pig!, him leave eatery, after paying for meal, with few coin, things not, expensive, in Toulouse, as everybody too, work in one way or other.
Sexy Pig!, him return, to small home, him in, but before, him also, visit painter, whom paint, really good painting, that make Sexy Pig!, wonder, and even smile, as him think, why painting, rather really interesting. Man have, open door gallery, in town hall, that Sexy Pig! like, but him wonder, why man, paint such strange thing. Sexy Pig!, look at man, with big hat on, and man say, "I sell you something, you like", and when Sexy Pig!, look at man again, man offer him, small book, which he then say to him "you read this, everyday, and I guarantee you, something very good, happen to you, atleast, once in this lifetime". Sexy Pig!, look at man eagerly, and take book, feeling very happy, that maybe, this make everything for him, very good, and he maybe, not spend too much time, searching for big experience, that him always, want to have. Sexy Pig! leave, go back to small house, his, with thatched grass on top, others, with tin top, place, Toulouse, have Metal Smelting place, which sell, different kind of metal, some even, sold far away: even some say, export, to place called Amerigo. Sexy Pig! decide to read book, while him think, of 'Le Marquise de Fontaine', and wonder, if she share, kiss with him.
Sexy Pig! in room, him arrive in carriage, driven by man, him barely notice. Him just look, like man from Toulouse, but somewhat, familiar. Time late, it somewhat, dark really, and him in room, in big house, of 'Le Marquise de Fontaine', as in room, seated too, looking at him, is 'Le Marquise de Fontaine', and other man, who stand next, to desk, with small chair there too, and small lamp, with almost, golden light, shine from it, and it work, using battery, small french invention. Man look at Sexy Pig!, and Sexy Pig! believe, him know him, or even see him, somewhere before. Him look Sexy Pig! think, like man, who look like Musketeer, him see before. Him have, similar tension. Man say to Sexy Pig!, "Paulie, its good you come, we need to talk, about something". Sexy Pig!, just look him, and then at 'Le Marquise de Fontaine', whom look at him, almost eagerly. Sexy Pig! again, look at Man, and wonder, if Man know, him feel somewhat, strong, but little attraction, to 'Le Marquise de Fontaine'. Man look again, at Sexy Pig!, as if to say, "I see you", and with even, somewhat small turn at 'Le Marquise de Fontaine', him maybe hint at, that Sexy Pig!, not know her, too well. Sexy Pig!, look at Man, and he believe, him know him, but him not know, whom really 'Le Marquise de Fontaine', really is.
Sexy Pig!, him jumping into carriage, that wait for him, it not wait, too long, thats what he tell, carriage driver, him sit well, and wait then, for carriage, to begin move. Him somewhat shake or nod, his head, biting somewhat, lower lip, after he think a little, of conversation, he have, with Man, and 'Le Marquise de Fontaine'. Him shake head a little, and, as he travel on back home, him wonder, what happen next to him. 'Le Marquise de Fontaine', share something with him, that someone, powerful, know him somehow, like him gifted, and he want, him to help, do something. Sexy Pig!, not know what to think of this, and he look at Man, who say to him, not in agreement, but in desiring "we want small help, we think, you able to do it". Sexy Pig!, him not truly, know what to think, and when he ask, what it is, Man not tell him directly, thinking even Sexy Pig!, or Paulie even, somewhat mannerless. Man say, "since you agree, we contact you again, later, and tell you everything". Sexy Pig ! agree, happy a little, to leave place, and not embarrass himself, before 'Le Marquise de Fontaine', or even, shame himself, before Man.
When note arrive, for second meeting, Sexy Pig!, prepare himself mentally, him even read, small book, that man, Painter, sell to him. When time come to leave, him find carriage early on, having told carriage owner, to come pick him, at place his, at certain time. When carriage arrive, Sexy Pig!, look at hand clock he own, jump into carriage, and as carriage draw away, him begin to feel happy, that maybe something, good, or exciting, happen, that make him feel 'bliss'. Sexy Pig!, not too happy, him never feel 'bliss', like him want to. Carriage arrive, man agree to wait, or maybe return, if he decide to go for drink, and Sexy Pig!, make his way, into house, of 'Le Marquise de Fontaine'. He enter house, and someone there, to receive him, it turn out, to be Lord Welling. "Greets" he say, as Sexy Pig!, not wanting remove coat, remove it, and hand it, somewhat, to Lord Welling. Sexy Pig!, enter other room, after Lord Welling, usher him in, and in there, him noticing first 'Le Marquise de Fontaine', him see, two other people, Man from before, and Man too, seated before, at eatery. Sexy Pig! enter, and stand there, somewhat notice 'Le Marquise de Fontaine', him see Man, from eatery, and hear, other Man, as he somewhat wait even, for Lord Welling, whom he believe too, to be first speaker, to enter room. Lord Welling enter, not too much delay, and 'Le Marquise de Fontaine', as if she smile, which he notice, before he look at Man, whom show him, like, "you know me", and Man too, from eatery, who as if say to him, "nothing to worry", she say "so you arrive, we begin". Sexy Pig! turn to look, at Lord Welling, and him feel, comfortable, as if, him even fart, and, not worry, about anything.
Sexy Pig!, jump into carriage again, after having left home, of 'Le Marquise de Fontaine'. He make him way, to his place again, after long meeting, but not too long. Him feel, him not trust, Lord Welling, too much really. Lord Welling, him say to Sexy Pig!, as everybody else look, with 'Le Marquise de Fontaine', having interesting smile, that someone, want to know him, but again, someone out there, maybe kill him, for this. Sexy Pig!, not know, what this mean, and he look at them, especially Man, Musketeer, like him not fully, understand, what this all about. Lord Welling, him speak again, him had said "there is nothing, to worry about", him begin, as Sexy Pig! notice Man, Musketeer, somewhat raise himself on toe, and even, Man from eatery, as if he somewhat hint, at 'Le Marquise de Fontaine'. Sexy Pig!, him notice Lord Welling too, whom look, like him have, serious face on, but face, somewhat like mock him even. "We have something small, but big, to say to you", say Lord Welling, as Sexy Pig! notice, that 'Le Marquise de Fontaine', continue to smile, and Man from eatery, move somewhat. "There is man out there, they call him 'The Man from Guillone', and him look for you, to maybe even, kill you" say Lord Welling, as Sexy Pig! wonder, why he change, the way he speak. Sexy Pig! look at everyone else, and wonder, why this is, and whom, this man be.
Sexy Pig! stand in home again, house, thatched roof, and him walk around, with hands behind back, as he remember, everything that, everybody, but especially, Man, Musketeer, say to him. They tell him something, him not understand, or know really, that, he even think, he maybe see, man, Painter, about it. The people he meet, them speak to him, like them, not know him, or even see him again, and he wonder, whom he is, after they tell him something. They tell him, that King of Denmark, want to see him, speak to him, but still, someone out there, man, still want, to kill him; man, they say, called, 'The Man from Guillone'. Sexy Pig!, not know what to think, but him know and feel, that these people, speak the truth, for them, speak truthfully. He think, of Painter again, and wonder again, how him get, to Denmark, after Lord Welling, give him papers, to do this. King of Denmark they say, recognize him, from long time ago, as someone, who maybe know, truth, to something, people, many, but secretly too, want to know. Lord Welling, tell him, travel arrangement, ready for him, to move to Denmark, and secretly, see King. Sexy Pig!, not really know, what to think anymore, other than maybe, talk, to Painter. Sexy Pig! wonder, why everything, so secretive, but him not want really, to ask, people, Lord Welling, everybody else, why this is so.
Sexy Pig!, feel a bit, sad, and scared even, when he realize, him feel alone, in Toulouse, him noticing, than Man, Musketeer, and even other Man from eatery, no longer, around town too, like before. Even 'Le Marquise de Fontaine', him never, see her again really, but him, hear about her. Him visit Painter, to talk even, and him wonder even, if Painter know "Man from Guillone", as he wonder, why this Man, want to kill him, and why even, King of Denmark, want to see him soon. Man from eatery, him say before, Sexy Pig! travel alot, nobody really know him, and they even, search for him alot. They finally find him, in Toulouse. Sexy Pig!, find all this interesting, but him know, it happen, him after all, leave home while young, not travel back, and him know, people maybe not see him, or notice him, when him visit somewhere, since him operate, him know, on different Wisdom, proverbial even, from other. He know, people with different Wisdom, maybe cross paths, but never meet really. One only meet, person, people, with same, proverbial Wisdom maybe.
Him never ask, Painter question, seeing him, as if outsider, as Man too, from Nantes, but Sexy Pig!, him though Italian, him operate, like him really, from Toulouse. Him know, proverbially at least, him Toulouse, and not Italy. Painter know, something bother Sexy Pig! but him not ask, him instead say "you look worried, but there is nothing, to worry about, if you read, the book I gave you". Sexy Pig!, not say much, but him realize, Man, Nantes, might know him a little, since maybe, him understand problem, similar, to Sexy Pig!. Man talk, and move, like something, always about to happen, but outside, Sexy Pig! feel, everything, normal, like only thing that move, is, work. "Nothing really happens out there" say the man, Painter, to Sexy Pig!, "so maybe, you not worry, too much". Sexy Pig! agree to this, but he still wonder, whom "Man from Guillone", really is, and why 'Le Marquise de Fontaine', whom before, happy and funny with him, even nice, look him, somehow strange, as if, she evil, or even, she know something bad. Him think, Man, Musketeer, know more, than he let know, but him again, unable, to find Man again in town really. Sexy Pig!, with hat on, that Painter sell him, decide, to move to Denmark, almost immediately, and see King of Denmark, because, him feel "Man from Guillone", maybe kill him, but him again, not wonder why this, but which day, maybe, it happen really. Sexy Pig! feel like life, almost change, as now, he not chase, anything in life, but him behave, like him, escape from everything, in life.
When Sexy Pig! move to Denmark, him wanting escape, Toulouse, him eventually, meet King of Denmark, under interesting, circumstances. King contact him, via loose woman, whom Sexy Pig!, agree to help, move something, but she instead, pass him note, with, information in it. Sexy Pig!, still not understand, why everything so secret, but she again, state something to him "meet man, before, midnight". Sexy Pig!, with note, on where to meet man, go home, but feel crazy, as he wait, for midnight. Midnight arrive, Sexy Pig!, meet man driving carriage, him look, a bit scary, like headless horseman even, who usher him, into carriage, and drive him, into Castle, where King of Denmark, reside. Sexy Pig!, not know anyone, in Copenhagen, people here, only state, things, them never tell one anything, unless, they know you, by religion. If only, you pray with them.
Inside Castle, he meet King, and Man, Musketeer, in Castle, and him feel, a bit relieved, that Man, Musketeer, really there. Him stand there, as King of Denmark, call to him, to come forth, and say something. Sexy Pig! agree, and, him look at King of Denmark, and say "nice to meet you". King of Denmark, shake his head, and with loud booming voice say "your voice has clarity in it, thats very good, I like that". Sexy Pig!, look at King again, and him feeling more comfortable, him look at Man, Musketeer, and wonder, what happen next. From door that open, in come, 'Le Marquise de Fontaine' carrying, hot bowl of soup, which she place, on table nearby. Sexy Pig!, wonder what all this, really mean. It now even, seem somewhat stupid.
Meal finished, Chicken soup, French bread, and Wine, Man, Musketeer, and King of Denmark, explain everything, to him. "You not know very well, whom you are, out there" he say, to Sexy Pig!, knowing, Sexy Pig!, to operate strictly, on certain form of proverbial Wisdom. Him say again "people not know you, but if, you tell them something, them, maybe, kill you" finish, Man, Musketeer, as Sexy Pig!, truly wonder if all this, real. King of Denmark say "you operate, on certain ways of thinking" he say, "you never see things, as they really are". "People out there, really crazy, but you only, speak, to certain few". "If you tell them anything, they think, they kill you". Sexy Pig!, him believe, him sense something, but him not really know, until 'Le Marquise de Fontaine' explain to him, that even, Lord Welling, kill him maybe, if him tell him something. Sexy Pig!, still not fully understand. Man from eatery, who too, eventually arrive, tell him "Nobody here, knows whom they are, on earth" "we not, understand, death, or whom we really are, here". Sexy Pig!, not know what, to think of this, him thinking, you live good life, you die, you not afraid really, of death. Sexy Pig! though, him feel tension, raised by all said, and him realize, that even earth, feel like closed room, when one think, that even death, not understood process really. "We think though, maybe you know something, small, about death, that make everything okay" Sexy Pig! hear, as he truly wonder, what this mean. Man, Musketeer, begin to say something, before King of Denmark, stop him somehow, and say "but whom are you, out there, in here, or anywhere else around?" Sexy Pig!, not thinking much say, "a good person". "So you just roam, the earth" say Man from eatery, " we want, to live it, but if not, we leave it". Sexy Pig! understand this, and realize, him different this way, him roam the earth, but other, seek to live in it. Him roam the earth, him see lots of things, then maybe, him die, still a good person. That way he think, maybe life completed, or finished. "This maybe, sound like nonsense to you" say 'Le Marquise de Fontaine', "but people, not know you, because you live differently, but if you dare maybe, live life on earth, you realize, many people out there, crazy, if you tell them, something". To Sexy Pig!, it all like philosophy, like them, have problem, problem before he believed his, but wonder again, maybe, it not his really. "Whom Man, from Guillone" he ask everybody, even King, "and why, he want to kill me", he say again, to which King say, "thats how death, to those, who roam this earth, might come". Sexy Pig! think about this, and he maybe think, this challenge, race even, that he remain good always, or die a sinner, on last day, of his life, him believing, for reason he not know, this not, a good thing. Like it something crazy, him even, go to hell, big hell, for being good, all his life, then in last minute, him sin. Him understand death process, that way somehow even. It sound crazy, but him not know, why, he think this way.
King of Denmark, tell Sexy Pig!, they feel, like them trapped, on this earth, until them, understand life, or death really. Until then, them simply exist, and not really live, life on earth. Life like closed box they say, especially for them, with good understanding, of history itself. 'Le Marquise de Fontaine', bring out, treasure box, with lots of treasure and jewelry, in it. Sexy Pig! look, wondering what, it is, or what, it mean even. King of Denmark, tell him something "we trapped here, we die, we come back here, we not know, whom we are, in any way, other than maybe, what we read, or clothes even we wear" "You understand this?" "We know, religion, but we not understand fully, whom we are, here, or, everywhere else, even". King of Denmark tell Sexy Pig!, "we walk around, we see things, but we not truly know, what we should see" "its like every moment, we blinded, but you, you see things differently, this we notice". Sexy Pig!, not know, what to say, him think a little, and realize, for him, every moment, feel like him, die a little, and then, reborn again. "This sound crazy, but maybe, you not understand, life, with history too" say Man from eatery, "many wars happen, in history, and people become changed" "them always now, blinded, when them see things" "You understand this" say 'Le Marquise de Fontaine', "something happen strongly, to psyche of people, that make them not aware, of past, with history even, but only aware, of present moment. "We here, but we stuck, we not know, death, like we know it before, from awareness, and history". "We not, have, continuum" "we know things, of past, but we not aware of them; we here, but past not here, but somehow is". Sexy Pig! look at everyone, like he understand something, him aware, but not really aware, of things, from past even. But still, him know, him feel different, about death, to him, it not awareness of past, but awakening, to present fully.
Sexy Pig!, look at treasure box, that 'Le Marquise de Fontaine', put in front of him, and she say "we think, this take us, to different dimension, where, life continue on" "Egyptians, believe this". Sexy Pig!, look at jewelry and treasure, and say "Hm! hm!, it not do that, that Templar treasure, it help you, awaken fully, to present, then you die". Sexy Pig! believe, maybe, they understand death, like him almost then, there, understand it: you awaken fully, to present; long-term awareness, evolutionary, not possible, without right history. Sexy Pig! understand, world, life, strange now, someone try, to change history, people not know, whom they are, here on earth, anymore. Sexy Pig!, at that moment, fully awaken, to present world, and him realize him maybe, die soon.
Sexy Pig!, stand in room, in big home, in French countryside. He wait for someone. Someone who say, he have big message for him. As he stand there, he believe, someone else, in mansion with him. He feel place, him believing, something move about, in very empty mansion. He stand in room, more like corridor, with painting even, on wall, and vase with flower too, as he look ahead, at big wooden door, two, which he believe, open, and someone, come to see him. Him stand there, him knowing and believing, him in France, 1492.
Doors open, and two guardsmen, stand there, with iron hat on, black uniform, and long spear, in hand of each. Them open door, and look at Sexy Pig!, like them want him, enter through door. Sexy Pig!, begin to make way, to Door, and when near, him look inside, as he even walk still, as he wonder again, whom inside, room he now enter. Standing, on platform, at end, of narrow room, but long lengthwise, he see someone, walk around platform, with high chair on it, as he wonder, whom he is, since he no longer care again, for two guardsman, behind him. Person on platform, with hands behind, walking around, hands together too, turn to look him, and then maybe, say something. Him look a while, short while, before he say "Greetings, my name, is Lord Welling", he say to Sexy Pig!, as Sexy Pig!, look him, and wonder again, whom he really is, since he speak, with very, authoritative, voice. "I sent for you" say Lord Welling again, "because, someone needs your help". Sexy Pig!, wonder, whom want to know him, or need his help. Him not understand this, because, he know, Library, many out there, have big book, that offer one, lots of help. "You must have received my note, obviously" say Lord Welling, "and thats why, you are probably really here", finish Lord Welling again. Sexy Pig!, him not say anything, to now, him look again, at Lord Welling, and wonder, whom he is, and what he really do, here. Him move funny, thats what, Sexy Pig! notice, and him move in way, to make Sexy Pig!, feel strange, even uncomfortable.
"Your task, if you accept it, is easy" continue Lord Welling, after he ask, Sexy Pig!, if he have, any question, about whom he is, or what he really do, in mansion, in South of France. "Three people, have asked to meet you, for your help" continue again, Lord Welling, "you though, can only choose, amongst one of them" he finish again, as Sexy Pig!, wonder, what he really mean, and think even, whom these people are, and why, they need, for him to help. Lord Welling continue again "your three choices, lay on that table" Lord Welling say, while point, "over there", as he point, at table, distance a little, not too much, from platform. Sexy Pig!, almost immediately, as like him, not know what else, him do, him walk, immediately, to table, and looking, at, the three paper, note, turned upside down, white face up, him pick only one, as Lord Welling, tell him to. Him pick it up, look at it, and there be name, on paper written: 'Le Marquise de Fontaine'. Him look at it, somewhat then again, him look, at Lord Welling, as if him wonder, what he really do, if him do anything, with paper, and name on it. "Le Marquise de Fontaine" say Lord Welling, "then I will tell her, that she await you, at a place, I will contact you about, later", with which then, Lord Welling, exit platform, turn towards left of room, right to Sexy Pig!, and then he, walk out, at big door, at end, of room where, he walk towards to.
Sexy Pig!, receive message, mailman, local, drop letter, which he open, as soon as he get it. It from Lord Welling, one, but there is other, which he notice, from, 'Le Marquise de Fontaine' herself. He read, letter by Lord Welling first, for it say, that 'Le Marquise de Fontaine', agree to meet him, at big hall, in town center, Toulouse, where many people, go eat, talk, and just laugh, as them drink brew. Sexy Pig!, agree at this, because, there is small drawing, of 'Le Marquise de Fontaine', with letter from her, which say to him, she really want, to meet him, and talk with him, about something. 'Le Marquise de Fontaine', beautiful woman, so him agree readily, to do this.
When Sexy Pig!, arrive at town center, big hall, him not happy, to see, too many people there. Some go, to market, to buy things; them somewhat like peasant, from Spain too. Him look, at some one, pulling cart, with horse, with cart, with many thing, like even painting, good painting too, that man, sell for cheap maybe. Some say, painting magical, it bring you good luck, man too, has lamp, with genie, that offer one, good luck too. Sexy Pig!, make his way, into town hall, him having noticed, man, big man, him look somewhat, like Musketeer, and and him notice too, that maybe, man know him, or even maybe, see him, or notice him even, one way or another. Sexy Pig!, enter into building, town hall, and begin, to make his way, to eating place, not too many people too, as him realize and notice, most people, simply gather, in hall itself, speak, and other, in drinking hole, which part, a little, of hall itself again too. Him enter eating place, him smell bread baking, french stick bread, him smell, turkey cook too, and they make, sauce, brown, that go along, with turkey meal. Sexy Pig!, already fill, hungry, and he notice too, drink, like wine, red, but sweet, also sold too, and him feel thirst, for it already. Him look around, actively, as if him not want, to disturb anyone, or anyone, disturb him too, but him notice, almost frighteningly even, that 'Le Marquise de Fontaine', already see him, and somewhat look, as she even, wait him, to appear. Him make his way, to her, a bit shy, but not too scared, knowing or believing, nothing too wrong, with being shamed, or dying, at feet of beautiful woman.
Sexy Pig! sit silently, before 'Le Marquise de Fontaine', and as he sit fully, she look him eagerly, and then say, as if begin even "Sexy Pig!", she say "so you come", she somewhat finish, as Sexy Pig!, with startle even, say to her "you call me, Paulie". "Paulie" she say, again even, before, she ask, him, if he want, something to eat. She already eat, turkey, brown sauce, and french sticks too even, which Sexy Pig! also say, he like to eat too. She though, drink, blue drink, which he not really know, what it is. "So we eat" she say, "then we talk later" she finish, and when meal, for Sexy Pig! come quickly, him try, to eat it fast, while even look outside window, at grass, and people, in small garden, but him still try to, taste meal well. Meal eaten, as she talk pleasant, even make him smile a little, but him not, really show it, but him instead, look, like he wonder, she then ask him, how long, him stay in town. Him say, a while, him not leave, too soon, him not really have, other place, to seriously maybe, go to. She like that, so she give him, second note, and say to him, to come see her, at place, her house, not too far away, but far still, so, him still take, carriage. Sexy Pig! with small nod too, him agree, to this all.
'Le Marquise de Fontaine', she having leave, with some in place for eat, notice this, him see other man, look draconian, in eatery, look him somehow, and then place serviette, on table, and continue, to read, news magazinette, that he hold. Him have, one foot, almost up, on other chair, as he also, have, Teapot, good design too, from which, him drink like, black tea, or coffee even, but him not sure really, drink smell interesting, but him know too, him also sense, Vanilla scent. Sexy Pig!, him leave eatery, after paying for meal, with few coin, things not, expensive, in Toulouse, as everybody too, work in one way or other.
Sexy Pig!, him return, to small home, him in, but before, him also, visit painter, whom paint, really good painting, that make Sexy Pig!, wonder, and even smile, as him think, why painting, rather really interesting. Man have, open door gallery, in town hall, that Sexy Pig! like, but him wonder, why man, paint such strange thing. Sexy Pig!, look at man, with big hat on, and man say, "I sell you something, you like", and when Sexy Pig!, look at man again, man offer him, small book, which he then say to him "you read this, everyday, and I guarantee you, something very good, happen to you, atleast, once in this lifetime". Sexy Pig!, look at man eagerly, and take book, feeling very happy, that maybe, this make everything for him, very good, and he maybe, not spend too much time, searching for big experience, that him always, want to have. Sexy Pig! leave, go back to small house, his, with thatched grass on top, others, with tin top, place, Toulouse, have Metal Smelting place, which sell, different kind of metal, some even, sold far away: even some say, export, to place called Amerigo. Sexy Pig! decide to read book, while him think, of 'Le Marquise de Fontaine', and wonder, if she share, kiss with him.
Sexy Pig! in room, him arrive in carriage, driven by man, him barely notice. Him just look, like man from Toulouse, but somewhat, familiar. Time late, it somewhat, dark really, and him in room, in big house, of 'Le Marquise de Fontaine', as in room, seated too, looking at him, is 'Le Marquise de Fontaine', and other man, who stand next, to desk, with small chair there too, and small lamp, with almost, golden light, shine from it, and it work, using battery, small french invention. Man look at Sexy Pig!, and Sexy Pig! believe, him know him, or even see him, somewhere before. Him look Sexy Pig! think, like man, who look like Musketeer, him see before. Him have, similar tension. Man say to Sexy Pig!, "Paulie, its good you come, we need to talk, about something". Sexy Pig!, just look him, and then at 'Le Marquise de Fontaine', whom look at him, almost eagerly. Sexy Pig! again, look at Man, and wonder, if Man know, him feel somewhat, strong, but little attraction, to 'Le Marquise de Fontaine'. Man look again, at Sexy Pig!, as if to say, "I see you", and with even, somewhat small turn at 'Le Marquise de Fontaine', him maybe hint at, that Sexy Pig!, not know her, too well. Sexy Pig!, look at Man, and he believe, him know him, but him not know, whom really 'Le Marquise de Fontaine', really is.
Sexy Pig!, him jumping into carriage, that wait for him, it not wait, too long, thats what he tell, carriage driver, him sit well, and wait then, for carriage, to begin move. Him somewhat shake or nod, his head, biting somewhat, lower lip, after he think a little, of conversation, he have, with Man, and 'Le Marquise de Fontaine'. Him shake head a little, and, as he travel on back home, him wonder, what happen next to him. 'Le Marquise de Fontaine', share something with him, that someone, powerful, know him somehow, like him gifted, and he want, him to help, do something. Sexy Pig!, not know what to think of this, and he look at Man, who say to him, not in agreement, but in desiring "we want small help, we think, you able to do it". Sexy Pig!, him not truly, know what to think, and when he ask, what it is, Man not tell him directly, thinking even Sexy Pig!, or Paulie even, somewhat mannerless. Man say, "since you agree, we contact you again, later, and tell you everything". Sexy Pig ! agree, happy a little, to leave place, and not embarrass himself, before 'Le Marquise de Fontaine', or even, shame himself, before Man.
When note arrive, for second meeting, Sexy Pig!, prepare himself mentally, him even read, small book, that man, Painter, sell to him. When time come to leave, him find carriage early on, having told carriage owner, to come pick him, at place his, at certain time. When carriage arrive, Sexy Pig!, look at hand clock he own, jump into carriage, and as carriage draw away, him begin to feel happy, that maybe something, good, or exciting, happen, that make him feel 'bliss'. Sexy Pig!, not too happy, him never feel 'bliss', like him want to. Carriage arrive, man agree to wait, or maybe return, if he decide to go for drink, and Sexy Pig!, make his way, into house, of 'Le Marquise de Fontaine'. He enter house, and someone there, to receive him, it turn out, to be Lord Welling. "Greets" he say, as Sexy Pig!, not wanting remove coat, remove it, and hand it, somewhat, to Lord Welling. Sexy Pig!, enter other room, after Lord Welling, usher him in, and in there, him noticing first 'Le Marquise de Fontaine', him see, two other people, Man from before, and Man too, seated before, at eatery. Sexy Pig! enter, and stand there, somewhat notice 'Le Marquise de Fontaine', him see Man, from eatery, and hear, other Man, as he somewhat wait even, for Lord Welling, whom he believe too, to be first speaker, to enter room. Lord Welling enter, not too much delay, and 'Le Marquise de Fontaine', as if she smile, which he notice, before he look at Man, whom show him, like, "you know me", and Man too, from eatery, who as if say to him, "nothing to worry", she say "so you arrive, we begin". Sexy Pig! turn to look, at Lord Welling, and him feel, comfortable, as if, him even fart, and, not worry, about anything.
Sexy Pig!, jump into carriage again, after having left home, of 'Le Marquise de Fontaine'. He make him way, to his place again, after long meeting, but not too long. Him feel, him not trust, Lord Welling, too much really. Lord Welling, him say to Sexy Pig!, as everybody else look, with 'Le Marquise de Fontaine', having interesting smile, that someone, want to know him, but again, someone out there, maybe kill him, for this. Sexy Pig!, not know, what this mean, and he look at them, especially Man, Musketeer, like him not fully, understand, what this all about. Lord Welling, him speak again, him had said "there is nothing, to worry about", him begin, as Sexy Pig! notice Man, Musketeer, somewhat raise himself on toe, and even, Man from eatery, as if he somewhat hint, at 'Le Marquise de Fontaine'. Sexy Pig!, him notice Lord Welling too, whom look, like him have, serious face on, but face, somewhat like mock him even. "We have something small, but big, to say to you", say Lord Welling, as Sexy Pig! notice, that 'Le Marquise de Fontaine', continue to smile, and Man from eatery, move somewhat. "There is man out there, they call him 'The Man from Guillone', and him look for you, to maybe even, kill you" say Lord Welling, as Sexy Pig! wonder, why he change, the way he speak. Sexy Pig! look at everyone else, and wonder, why this is, and whom, this man be.
Sexy Pig! stand in home again, house, thatched roof, and him walk around, with hands behind back, as he remember, everything that, everybody, but especially, Man, Musketeer, say to him. They tell him something, him not understand, or know really, that, he even think, he maybe see, man, Painter, about it. The people he meet, them speak to him, like them, not know him, or even see him again, and he wonder, whom he is, after they tell him something. They tell him, that King of Denmark, want to see him, speak to him, but still, someone out there, man, still want, to kill him; man, they say, called, 'The Man from Guillone'. Sexy Pig!, not know what to think, but him know and feel, that these people, speak the truth, for them, speak truthfully. He think, of Painter again, and wonder again, how him get, to Denmark, after Lord Welling, give him papers, to do this. King of Denmark they say, recognize him, from long time ago, as someone, who maybe know, truth, to something, people, many, but secretly too, want to know. Lord Welling, tell him, travel arrangement, ready for him, to move to Denmark, and secretly, see King. Sexy Pig!, not really know, what to think anymore, other than maybe, talk, to Painter. Sexy Pig! wonder, why everything, so secretive, but him not want really, to ask, people, Lord Welling, everybody else, why this is so.
Sexy Pig!, feel a bit, sad, and scared even, when he realize, him feel alone, in Toulouse, him noticing, than Man, Musketeer, and even other Man from eatery, no longer, around town too, like before. Even 'Le Marquise de Fontaine', him never, see her again really, but him, hear about her. Him visit Painter, to talk even, and him wonder even, if Painter know "Man from Guillone", as he wonder, why this Man, want to kill him, and why even, King of Denmark, want to see him soon. Man from eatery, him say before, Sexy Pig! travel alot, nobody really know him, and they even, search for him alot. They finally find him, in Toulouse. Sexy Pig!, find all this interesting, but him know, it happen, him after all, leave home while young, not travel back, and him know, people maybe not see him, or notice him, when him visit somewhere, since him operate, him know, on different Wisdom, proverbial even, from other. He know, people with different Wisdom, maybe cross paths, but never meet really. One only meet, person, people, with same, proverbial Wisdom maybe.
Him never ask, Painter question, seeing him, as if outsider, as Man too, from Nantes, but Sexy Pig!, him though Italian, him operate, like him really, from Toulouse. Him know, proverbially at least, him Toulouse, and not Italy. Painter know, something bother Sexy Pig! but him not ask, him instead say "you look worried, but there is nothing, to worry about, if you read, the book I gave you". Sexy Pig!, not say much, but him realize, Man, Nantes, might know him a little, since maybe, him understand problem, similar, to Sexy Pig!. Man talk, and move, like something, always about to happen, but outside, Sexy Pig! feel, everything, normal, like only thing that move, is, work. "Nothing really happens out there" say the man, Painter, to Sexy Pig!, "so maybe, you not worry, too much". Sexy Pig! agree to this, but he still wonder, whom "Man from Guillone", really is, and why 'Le Marquise de Fontaine', whom before, happy and funny with him, even nice, look him, somehow strange, as if, she evil, or even, she know something bad. Him think, Man, Musketeer, know more, than he let know, but him again, unable, to find Man again in town really. Sexy Pig!, with hat on, that Painter sell him, decide, to move to Denmark, almost immediately, and see King of Denmark, because, him feel "Man from Guillone", maybe kill him, but him again, not wonder why this, but which day, maybe, it happen really. Sexy Pig! feel like life, almost change, as now, he not chase, anything in life, but him behave, like him, escape from everything, in life.
When Sexy Pig! move to Denmark, him wanting escape, Toulouse, him eventually, meet King of Denmark, under interesting, circumstances. King contact him, via loose woman, whom Sexy Pig!, agree to help, move something, but she instead, pass him note, with, information in it. Sexy Pig!, still not understand, why everything so secret, but she again, state something to him "meet man, before, midnight". Sexy Pig!, with note, on where to meet man, go home, but feel crazy, as he wait, for midnight. Midnight arrive, Sexy Pig!, meet man driving carriage, him look, a bit scary, like headless horseman even, who usher him, into carriage, and drive him, into Castle, where King of Denmark, reside. Sexy Pig!, not know anyone, in Copenhagen, people here, only state, things, them never tell one anything, unless, they know you, by religion. If only, you pray with them.
Inside Castle, he meet King, and Man, Musketeer, in Castle, and him feel, a bit relieved, that Man, Musketeer, really there. Him stand there, as King of Denmark, call to him, to come forth, and say something. Sexy Pig! agree, and, him look at King of Denmark, and say "nice to meet you". King of Denmark, shake his head, and with loud booming voice say "your voice has clarity in it, thats very good, I like that". Sexy Pig!, look at King again, and him feeling more comfortable, him look at Man, Musketeer, and wonder, what happen next. From door that open, in come, 'Le Marquise de Fontaine' carrying, hot bowl of soup, which she place, on table nearby. Sexy Pig!, wonder what all this, really mean. It now even, seem somewhat stupid.
Meal finished, Chicken soup, French bread, and Wine, Man, Musketeer, and King of Denmark, explain everything, to him. "You not know very well, whom you are, out there" he say, to Sexy Pig!, knowing, Sexy Pig!, to operate strictly, on certain form of proverbial Wisdom. Him say again "people not know you, but if, you tell them something, them, maybe, kill you" finish, Man, Musketeer, as Sexy Pig!, truly wonder if all this, real. King of Denmark say "you operate, on certain ways of thinking" he say, "you never see things, as they really are". "People out there, really crazy, but you only, speak, to certain few". "If you tell them anything, they think, they kill you". Sexy Pig!, him believe, him sense something, but him not really know, until 'Le Marquise de Fontaine' explain to him, that even, Lord Welling, kill him maybe, if him tell him something. Sexy Pig!, still not fully understand. Man from eatery, who too, eventually arrive, tell him "Nobody here, knows whom they are, on earth" "we not, understand, death, or whom we really are, here". Sexy Pig!, not know what, to think of this, him thinking, you live good life, you die, you not afraid really, of death. Sexy Pig! though, him feel tension, raised by all said, and him realize, that even earth, feel like closed room, when one think, that even death, not understood process really. "We think though, maybe you know something, small, about death, that make everything okay" Sexy Pig! hear, as he truly wonder, what this mean. Man, Musketeer, begin to say something, before King of Denmark, stop him somehow, and say "but whom are you, out there, in here, or anywhere else around?" Sexy Pig!, not thinking much say, "a good person". "So you just roam, the earth" say Man from eatery, " we want, to live it, but if not, we leave it". Sexy Pig! understand this, and realize, him different this way, him roam the earth, but other, seek to live in it. Him roam the earth, him see lots of things, then maybe, him die, still a good person. That way he think, maybe life completed, or finished. "This maybe, sound like nonsense to you" say 'Le Marquise de Fontaine', "but people, not know you, because you live differently, but if you dare maybe, live life on earth, you realize, many people out there, crazy, if you tell them, something". To Sexy Pig!, it all like philosophy, like them, have problem, problem before he believed his, but wonder again, maybe, it not his really. "Whom Man, from Guillone" he ask everybody, even King, "and why, he want to kill me", he say again, to which King say, "thats how death, to those, who roam this earth, might come". Sexy Pig! think about this, and he maybe think, this challenge, race even, that he remain good always, or die a sinner, on last day, of his life, him believing, for reason he not know, this not, a good thing. Like it something crazy, him even, go to hell, big hell, for being good, all his life, then in last minute, him sin. Him understand death process, that way somehow even. It sound crazy, but him not know, why, he think this way.
King of Denmark, tell Sexy Pig!, they feel, like them trapped, on this earth, until them, understand life, or death really. Until then, them simply exist, and not really live, life on earth. Life like closed box they say, especially for them, with good understanding, of history itself. 'Le Marquise de Fontaine', bring out, treasure box, with lots of treasure and jewelry, in it. Sexy Pig! look, wondering what, it is, or what, it mean even. King of Denmark, tell him something "we trapped here, we die, we come back here, we not know, whom we are, in any way, other than maybe, what we read, or clothes even we wear" "You understand this?" "We know, religion, but we not understand fully, whom we are, here, or, everywhere else, even". King of Denmark tell Sexy Pig!, "we walk around, we see things, but we not truly know, what we should see" "its like every moment, we blinded, but you, you see things differently, this we notice". Sexy Pig!, not know, what to say, him think a little, and realize, for him, every moment, feel like him, die a little, and then, reborn again. "This sound crazy, but maybe, you not understand, life, with history too" say Man from eatery, "many wars happen, in history, and people become changed" "them always now, blinded, when them see things" "You understand this" say 'Le Marquise de Fontaine', "something happen strongly, to psyche of people, that make them not aware, of past, with history even, but only aware, of present moment. "We here, but we stuck, we not know, death, like we know it before, from awareness, and history". "We not, have, continuum" "we know things, of past, but we not aware of them; we here, but past not here, but somehow is". Sexy Pig! look at everyone, like he understand something, him aware, but not really aware, of things, from past even. But still, him know, him feel different, about death, to him, it not awareness of past, but awakening, to present fully.
Sexy Pig!, look at treasure box, that 'Le Marquise de Fontaine', put in front of him, and she say "we think, this take us, to different dimension, where, life continue on" "Egyptians, believe this". Sexy Pig!, look at jewelry and treasure, and say "Hm! hm!, it not do that, that Templar treasure, it help you, awaken fully, to present, then you die". Sexy Pig! believe, maybe, they understand death, like him almost then, there, understand it: you awaken fully, to present; long-term awareness, evolutionary, not possible, without right history. Sexy Pig! understand, world, life, strange now, someone try, to change history, people not know, whom they are, here on earth, anymore. Sexy Pig!, at that moment, fully awaken, to present world, and him realize him maybe, die soon.
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