The Germanic Gods, are known to those perhaps, well acquainted, with European History [as with the Ancient even]. What though, is not rather well known, is the true origins, of these Gods [they falsely simply believed really, simply European too in all]. The Germanic Gods, a few of them really, are known, to have Nubian antecedents [as with finding, a similar, Germanic God in all, to replace, similar Nubian Gods, arriving, with Nubians, into Europe, who would later, become, Teutonic/'Teuton', and not, Nubian]. Another few really, of the Germanic Gods, are actually really too, Norse Gods [and with different names in all too really]. However though really, most of the Germanic Gods out there, are actually, of Italian origins (and as with, the Italian Solomonic world too really) [and taken there, not only, by the Briton/Roman Celts, but also really, by Viking like Tribes, who would later, become the Danes (of the olden Scandinavian world), and originating too actually, in, Graeco-Italian Civilization].
[a world too in all, falsely believed of the Roman Empire/Civilization too really, but actually in all, 'Roman'/Italian Germany really (or the Skadi Germanic world actually), and the attempts in all, to spread Christianity, in a Europe too, overrun, by Nubian and Asiatic Marauding forces in all too really] [the very world too even (as with Christianity/Christendom really), of, Dante Alighieri]
http://upload.wikimedia.org/wikipedia/en/a/a0/Dante_Statue.JPG
This entry though, speaks more specifically, of what, Antagonism really is [and as a major even, daily motivator really too]. In many ways for most, Antagonism in their lives, often lies, with (or begins really in all), with, their Parents [as with they truly, attempting, to control one, in just about, every manner really too] [and the attempt too in all, to break off/away, from this control really]. For others, it has to do with, the Political System at hand, attempting in all, to control one, and in as many ways as possible too [including, rather high taxes even]. This though, is a rather ancient world to speak of [but often replicated today, as being, rather original (and even, history making), in nature really], when in reality, it is actually, the ancient world in all really, of the Sumerian Civilization for instance. For after this form of Antagonism really, Society [as with China most recognizably], defined Antagonism in all, in the form really, of, Taboo [and as with programming even, Taboo, into Children, to make them in all, law abiding citizens really] [the problem though in all, with Taboo, is that, it can highly, be manipulative in all too really, and lead, to more destruction, than most believe it to] [for instance, programming a belief, that children in all, late for School, are bad or stupid people in all too really, will lead to them, developing, speech/'talking' problems eventually, and with time even, sexual problems too (born of really, speech/'talking' issues in all really too)].
Later Societies [as with even, the Ancients themselves (Greek and Egyptian)], did develop, new forms of Antagonism, many today too, not well adhered too really [as primary drivers in all, of Society/society in general]. The most popular of these today though [as with the Art Worlds too really (and the Jewish Art World even)], is that, of creating Antagonism truly, highly based around, Gender [as with forbidding, Men and Women in general (and in Society too), from interacting (openly really), with each other] [and the very form of Antagonism too, that did give us in all really, Feminism].
Below though, will be outlined in all really, the different forms of Antagonism, seen through the Times/Ages, that in all too, motivated really, the peoples of a Society [not only, to act Morally too, but also, to aspire to Succeed in life (as with decency even), in general].
Egyptian Art World: It is the Egyptian World really too in all perhaps, that gave to us, the very world of defining ourselves Socially, and in all too really, based around, our 'Presentation Skills', and Class too in all [as with in all, Antagonism too, being based highly around, Outclassing ones neighbours perhaps, or simply even, having, better 'Presentation Skills', at ones work place too even].
Greek Art World: It was the Greek Art World in all too, that came to define really, Antagonism in all, not only based around 'Brotherly Love' actually, but also too really, an attraction, between peoples really, based highly too on, skin colour differences [as with Brown Greeks really, and Blonde/'Blue eyed' Greek too even, or even too really, Black skinned Greeks, and White skinned Greeks too in all] [an attraction, along the lines of 'Brotherly Love' even, that would be at the heart, of the creation of Europe in all too really (Europa that is), and along the lines even, of Love/Pity, and Love/Hate Relations in all too]
Jewish Art World: It was the Jewish Art World really too, that did give to us, the Modern World [and as based around too really, Gender differences in all]. An Art World of friction in all too, between men and women in general, that in many ways, would not only come, to define the Movie Industry in all too really, but also, lead, to the collapse and fall in all, of European Civilization [and as with Feminism too really].
Spanish Art World: It was the Spanish Art World in all, that did give to us really, the very form of Antagonism, that would come to be associated, with our Facial Features [as with this too really, defining Intelligence in all, or even, Abilities really (and in all their forms too even)]. A World though, which often put, those with Negroid features, as being more intelligent too really, than those, with Caucasoid features [as with they even too (those with Negroid features), being better fighters in all too really], but also too in all, defined, those with Caucasoid features, as having a greater Intellect in all too really, than those, with Negroid features. A form of Antagonism, at the very heart even, of all forms of Colonial like movements [as with Colonialism (or Imperialism even), and highly based around, the Intellect (and not Intelligence in all actually really)].
The Celtic Art World: It was the Celtic Art World, that did give to us, Antagonism, based around too really, Body Shapes and Body Sizes in all (really). The very world too, of stereotyping people really too, based around, their Body Sizes and Body Shapes, and actually too really, did give to us in all, the very world, of Apartheid, Segregation, and even, School Bullying too really. A world though, often associated, with Teenhood [and the High School (and even, University too) experience], and in real life too really, the very world even, of everyday Discrimination, Racism, and even, Racist terminology too in all [and all this too really, based really on, Body/Facial Dynamics in all actually].
The European Art Worlds: It was the various European Art Worlds, that did give to us, Antagonism, as based around really, Culture & Religion [but today, with regards really, to, Media in all perhaps]. A world in all, of Inferiority & Superiority Complexes, based around, not achievement really, but History actually [as with one being truly, inherently genetically superior, based around really, being cultured (and self-expression too in all really)]. A World, not of Colour divisions as many do believe, but actually, Cultural/Continental divisions in all.
It is however though, with the Italian Art World, that a form of Antagonism, highly based around Religion too, does arise in all [and that, of separating the Holy (or Aesthetically Cool even), from the Unholy (or Aesthetically Un-Cool really)] [and the very world too in all, of the European 'Nig' really]. A form of Antagonism, highly based around, Spirituality actually, as with defining in all too really, 'right-doers', from, wrong/evil-doers in all. A rather interesting world, as with it, being, the basis in all truly, of most, Oscar winning (really), Hollywood movies.
[Heimdalr - a Germanic God, associated with, the Italian Solomonic world (and as with 'Din' really too); (and also seen actually, in Koranic Islam, but not, Mohammedan)]
[a world too in all, falsely believed of the Roman Empire/Civilization too really, but actually in all, 'Roman'/Italian Germany really (or the Skadi Germanic world actually), and the attempts in all, to spread Christianity, in a Europe too, overrun, by Nubian and Asiatic Marauding forces in all too really] [the very world too even (as with Christianity/Christendom really), of, Dante Alighieri]
http://upload.wikimedia.org/wikipedia/en/a/a0/Dante_Statue.JPG
This entry though, speaks more specifically, of what, Antagonism really is [and as a major even, daily motivator really too]. In many ways for most, Antagonism in their lives, often lies, with (or begins really in all), with, their Parents [as with they truly, attempting, to control one, in just about, every manner really too] [and the attempt too in all, to break off/away, from this control really]. For others, it has to do with, the Political System at hand, attempting in all, to control one, and in as many ways as possible too [including, rather high taxes even]. This though, is a rather ancient world to speak of [but often replicated today, as being, rather original (and even, history making), in nature really], when in reality, it is actually, the ancient world in all really, of the Sumerian Civilization for instance. For after this form of Antagonism really, Society [as with China most recognizably], defined Antagonism in all, in the form really, of, Taboo [and as with programming even, Taboo, into Children, to make them in all, law abiding citizens really] [the problem though in all, with Taboo, is that, it can highly, be manipulative in all too really, and lead, to more destruction, than most believe it to] [for instance, programming a belief, that children in all, late for School, are bad or stupid people in all too really, will lead to them, developing, speech/'talking' problems eventually, and with time even, sexual problems too (born of really, speech/'talking' issues in all really too)].
Later Societies [as with even, the Ancients themselves (Greek and Egyptian)], did develop, new forms of Antagonism, many today too, not well adhered too really [as primary drivers in all, of Society/society in general]. The most popular of these today though [as with the Art Worlds too really (and the Jewish Art World even)], is that, of creating Antagonism truly, highly based around, Gender [as with forbidding, Men and Women in general (and in Society too), from interacting (openly really), with each other] [and the very form of Antagonism too, that did give us in all really, Feminism].
Below though, will be outlined in all really, the different forms of Antagonism, seen through the Times/Ages, that in all too, motivated really, the peoples of a Society [not only, to act Morally too, but also, to aspire to Succeed in life (as with decency even), in general].
Egyptian Art World: It is the Egyptian World really too in all perhaps, that gave to us, the very world of defining ourselves Socially, and in all too really, based around, our 'Presentation Skills', and Class too in all [as with in all, Antagonism too, being based highly around, Outclassing ones neighbours perhaps, or simply even, having, better 'Presentation Skills', at ones work place too even].
Greek Art World: It was the Greek Art World in all too, that came to define really, Antagonism in all, not only based around 'Brotherly Love' actually, but also too really, an attraction, between peoples really, based highly too on, skin colour differences [as with Brown Greeks really, and Blonde/'Blue eyed' Greek too even, or even too really, Black skinned Greeks, and White skinned Greeks too in all] [an attraction, along the lines of 'Brotherly Love' even, that would be at the heart, of the creation of Europe in all too really (Europa that is), and along the lines even, of Love/Pity, and Love/Hate Relations in all too]
Jewish Art World: It was the Jewish Art World really too, that did give to us, the Modern World [and as based around too really, Gender differences in all]. An Art World of friction in all too, between men and women in general, that in many ways, would not only come, to define the Movie Industry in all too really, but also, lead, to the collapse and fall in all, of European Civilization [and as with Feminism too really].
Spanish Art World: It was the Spanish Art World in all, that did give to us really, the very form of Antagonism, that would come to be associated, with our Facial Features [as with this too really, defining Intelligence in all, or even, Abilities really (and in all their forms too even)]. A World though, which often put, those with Negroid features, as being more intelligent too really, than those, with Caucasoid features [as with they even too (those with Negroid features), being better fighters in all too really], but also too in all, defined, those with Caucasoid features, as having a greater Intellect in all too really, than those, with Negroid features. A form of Antagonism, at the very heart even, of all forms of Colonial like movements [as with Colonialism (or Imperialism even), and highly based around, the Intellect (and not Intelligence in all actually really)].
The Celtic Art World: It was the Celtic Art World, that did give to us, Antagonism, based around too really, Body Shapes and Body Sizes in all (really). The very world too, of stereotyping people really too, based around, their Body Sizes and Body Shapes, and actually too really, did give to us in all, the very world, of Apartheid, Segregation, and even, School Bullying too really. A world though, often associated, with Teenhood [and the High School (and even, University too) experience], and in real life too really, the very world even, of everyday Discrimination, Racism, and even, Racist terminology too in all [and all this too really, based really on, Body/Facial Dynamics in all actually].
The European Art Worlds: It was the various European Art Worlds, that did give to us, Antagonism, as based around really, Culture & Religion [but today, with regards really, to, Media in all perhaps]. A world in all, of Inferiority & Superiority Complexes, based around, not achievement really, but History actually [as with one being truly, inherently genetically superior, based around really, being cultured (and self-expression too in all really)]. A World, not of Colour divisions as many do believe, but actually, Cultural/Continental divisions in all.
It is however though, with the Italian Art World, that a form of Antagonism, highly based around Religion too, does arise in all [and that, of separating the Holy (or Aesthetically Cool even), from the Unholy (or Aesthetically Un-Cool really)] [and the very world too in all, of the European 'Nig' really]. A form of Antagonism, highly based around, Spirituality actually, as with defining in all too really, 'right-doers', from, wrong/evil-doers in all. A rather interesting world, as with it, being, the basis in all truly, of most, Oscar winning (really), Hollywood movies.
[Heimdalr - a Germanic God, associated with, the Italian Solomonic world (and as with 'Din' really too); (and also seen actually, in Koranic Islam, but not, Mohammedan)]
